IMDb RATING
6.8/10
2.7K
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A champion boxer on the lam, believed to have committed murder while drunk, takes refuge and finds redemption at an Arizona farm for delinquent youths.A champion boxer on the lam, believed to have committed murder while drunk, takes refuge and finds redemption at an Arizona farm for delinquent youths.A champion boxer on the lam, believed to have committed murder while drunk, takes refuge and finds redemption at an Arizona farm for delinquent youths.
- Director
- Writers
- Stars
- Awards
- 2 wins total
The Dead End Kids
- The Reform Kids
- (as The 'Dead End' Kids)
Bernard Punsly
- Milt
- (as Bernard Punsley)
William B. Davidson
- Chief Insp. Ennis
- (as William Davidson)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is breezy highly entertaining drama with an excellent cast. Garfield is fine as a boxer hiding from the police with that motley crew the Dead End Kids. Most notable of these is the beautiful Billy Halop who has some very moving moments. Gloria Dickson, who in real life died very young in a house fire, is strong and very attractive as Halop's sister, and in the early scenes Ann Sheridan, on the brink of stardom, is a knock-out. May Robson is very funny as a crusty old granny, but Claude Rains proves here that even a great actor can flounder if mis-cast (whoever thought of casting him as a tough New York cop?).
Busby Berkeley proves here that he was a fine director with or without musical numbers. The film moves at a terrific pace and the water tower sequence is very suspenseful and well photographed. The ending is contrived, and the plot nothing startling or original, but I still found this a highly enjoyable experience.
Busby Berkeley proves here that he was a fine director with or without musical numbers. The film moves at a terrific pace and the water tower sequence is very suspenseful and well photographed. The ending is contrived, and the plot nothing startling or original, but I still found this a highly enjoyable experience.
The blend of talent in "They Made Me A Criminal" is rather unusual, with John Garfield, who was at his best in film-noir type settings, Claude Rains, a skilled and classy character actor, and the Dead End Kids, best known for more boisterous material. The story is written to give all of them some good moments, and as a whole it works quite well.
Garfield gets a tailor-made role as a boxing champion who goes on the run after he is set up and framed. It was Garfield's misfortune that perhaps his best role, in "The Postman Always Rings Twice", was overshadowed (through no fault of his own, since it would have happened to almost anyone in the role) by Lana Turner's unforgettable performance. Here, Garfield gets the chance to show what he can do, showing a tough side, a cynical side, and, at the right times, a somewhat more thoughtful side.
The story is very interesting, and other than a couple of slightly implausible developments, it works well in mixing some different kinds of material and settings. The supporting cast all does well, although Rains has to battle with his role, as a tough-cop character that doesn't really make the best use of his strengths.
In keeping everything together and on-track, Busby Berkeley shows the same kind of skill that enabled him to produce the variety numbers for which he was better known. He comes in for his share of the credit here in creating an interesting movie with some unusual features.
Garfield gets a tailor-made role as a boxing champion who goes on the run after he is set up and framed. It was Garfield's misfortune that perhaps his best role, in "The Postman Always Rings Twice", was overshadowed (through no fault of his own, since it would have happened to almost anyone in the role) by Lana Turner's unforgettable performance. Here, Garfield gets the chance to show what he can do, showing a tough side, a cynical side, and, at the right times, a somewhat more thoughtful side.
The story is very interesting, and other than a couple of slightly implausible developments, it works well in mixing some different kinds of material and settings. The supporting cast all does well, although Rains has to battle with his role, as a tough-cop character that doesn't really make the best use of his strengths.
In keeping everything together and on-track, Busby Berkeley shows the same kind of skill that enabled him to produce the variety numbers for which he was better known. He comes in for his share of the credit here in creating an interesting movie with some unusual features.
The young John Garfield turned in a fine performance in the 1939 "They Made Me a Criminal." Celebrating a ring victory in a jammed locker room, boxer Johnnie Bradfield emotes about his love of mom, rejection of booze and clean living style to fans, including cops, who eat it up. Later in the evening he's plowed and tussling with his bimbo gal while his manager, in on the con, shares the evening. And the whiskey.
A problem develops when another couple arrives. The guy is a newspaper reporter and he says he'll expose Bradfield's phony life on the front page. The manager kills the reporter and he and the floozy depart. The murder discovered, cops, later, are on the lookout for the now somnolent boxer whose car is driven by the manager with his new girlfriend-Johnny's now instant ex. A police chase ends with a fiery car crash. Manager and girl are dead and unrecognizable.
Johnny discovers that he's supposed to be a killer. But he's also presumed dead. Seeking advice from a lawyer, he entrusts the counselor with the key to a bank deposit box holding his sole savings, $10,000. The lawyer later gives Johnny $250 and tells him that the balance is his fee for giving him professional advice: get out of town, fast, and go far away. (I would never charge a client more than $5,000 for such pithy, succinct and wise direction.)
Johnny, now a freight train hopping hobo, winds up conveniently passing out at an Arizona date ranch where he's nursed back to health by beautiful Goldie West, Ann Sheridan, a fine actress whose career was in the ascendancy. Taking Jack Dorney as his moniker, the pugilist loses some of his rough edges as he falls in love with Goldie. He becomes a mentor and pal to - The Dead End Kids. Familiar screen characters to pre-war moviegoers.
A chance to make money arises when an exhibition boxer shows up challenging any suckers to last several rounds in the ring with him. It's a natural temptation for Bradfield/Dorney but there's a fly in the ointment. Who should show up but New York detective Monty Phelan, the laughing stock of the department? He's been on morgue duty for ages because of a slight mistake early in his career that sent an innocent man to Old Sparky (we all make mistakes, don't we?) Phelan recognized Bradfield from a news photo and he's there to watch the fight and make the pinch. Claude Rains is the cop who's endured slights and barbs from his fellow officers for years.
What follows is predictable but it's well acted. I hope this was a main feature when it was released-it's too good to rank as a "B" second on a marquee.
Busby Berkeley, best known as an outstanding choreographer, directed "They Made Me a Criminal" and Max Steiner, one of Hollywood's all-time prolific score composers, wrote nice but not extraordinary music for the film.
Now available on DVD from Alpha Video, the movie set me back a mere $4.99 and gave me real pleasure. I'll view it again.
8/10
A problem develops when another couple arrives. The guy is a newspaper reporter and he says he'll expose Bradfield's phony life on the front page. The manager kills the reporter and he and the floozy depart. The murder discovered, cops, later, are on the lookout for the now somnolent boxer whose car is driven by the manager with his new girlfriend-Johnny's now instant ex. A police chase ends with a fiery car crash. Manager and girl are dead and unrecognizable.
Johnny discovers that he's supposed to be a killer. But he's also presumed dead. Seeking advice from a lawyer, he entrusts the counselor with the key to a bank deposit box holding his sole savings, $10,000. The lawyer later gives Johnny $250 and tells him that the balance is his fee for giving him professional advice: get out of town, fast, and go far away. (I would never charge a client more than $5,000 for such pithy, succinct and wise direction.)
Johnny, now a freight train hopping hobo, winds up conveniently passing out at an Arizona date ranch where he's nursed back to health by beautiful Goldie West, Ann Sheridan, a fine actress whose career was in the ascendancy. Taking Jack Dorney as his moniker, the pugilist loses some of his rough edges as he falls in love with Goldie. He becomes a mentor and pal to - The Dead End Kids. Familiar screen characters to pre-war moviegoers.
A chance to make money arises when an exhibition boxer shows up challenging any suckers to last several rounds in the ring with him. It's a natural temptation for Bradfield/Dorney but there's a fly in the ointment. Who should show up but New York detective Monty Phelan, the laughing stock of the department? He's been on morgue duty for ages because of a slight mistake early in his career that sent an innocent man to Old Sparky (we all make mistakes, don't we?) Phelan recognized Bradfield from a news photo and he's there to watch the fight and make the pinch. Claude Rains is the cop who's endured slights and barbs from his fellow officers for years.
What follows is predictable but it's well acted. I hope this was a main feature when it was released-it's too good to rank as a "B" second on a marquee.
Busby Berkeley, best known as an outstanding choreographer, directed "They Made Me a Criminal" and Max Steiner, one of Hollywood's all-time prolific score composers, wrote nice but not extraordinary music for the film.
Now available on DVD from Alpha Video, the movie set me back a mere $4.99 and gave me real pleasure. I'll view it again.
8/10
They Made Me a Criminal is a remake of an earlier Warner Brothers film, The Life of Jimmy Dolan which starred Douglas Fairbanks, Jr. as the prizefighter on the lam.
Even with the restrictions now upon production by the Hays Office, this remake actually turns out to be better than the original. Douglas Fairbanks, Jr., is horribly miscast as a pugilist. John Garfield with his background and style steps into a part he was born to play.
They Made Me a Criminal was directed by Busby Berkeley who Jack Warner believed in keeping busy in between musicals. Berkeley in fact would soon be leaving Warner Brothers for MGM.
Berkeley does do a fine job here, keeping the action flowing at a good pace. I particularly like the scene where four of the Dead End Kids and Garfield are swimming in a water tank and get stranded there when the water level goes down. They get it out of it quite narrowly and with some good ingenuity.
Other performances besides Garfield and the kids to remember are May Robson who runs the summer camp for the kids and Claude Rains as the obsessed detective on Garfield's trail.
Even with the restrictions now upon production by the Hays Office, this remake actually turns out to be better than the original. Douglas Fairbanks, Jr., is horribly miscast as a pugilist. John Garfield with his background and style steps into a part he was born to play.
They Made Me a Criminal was directed by Busby Berkeley who Jack Warner believed in keeping busy in between musicals. Berkeley in fact would soon be leaving Warner Brothers for MGM.
Berkeley does do a fine job here, keeping the action flowing at a good pace. I particularly like the scene where four of the Dead End Kids and Garfield are swimming in a water tank and get stranded there when the water level goes down. They get it out of it quite narrowly and with some good ingenuity.
Other performances besides Garfield and the kids to remember are May Robson who runs the summer camp for the kids and Claude Rains as the obsessed detective on Garfield's trail.
John Garfield stars in "They Made Me a Criminal" from 1939, also starring The Dead End Kids, Mae Robson, Claude Rains, Ann Sheridan, Gloria Dickson, Billy Halop, and Ward Bond.
This is a remake of the Douglas Fairbanks film, "The Life of Jimmy Dolan."
Since the Garfield character plays a boxer, Johnnie, it's easy to see why he would be a better fit for the role than Fairbanks was, though Fairbanks was wonderful when he wasn't in the ring.
The film opens with Johnnie winning a big fight and humbly sending love to his mother. Actually he's a big drinker and womanizer, and he doesn't have a mother.
At a party after the fight, he keeps himself busy boozing and making out with his girlfriend, Goldie (Sheridan), before realizing one of the guests at the party is a reporter and can't wait to tell the world about the real Johnnie.
He tries to keep the man from leaving, but he passes out. At that point, his agent hits the man on the head and kills him. When Johnnie regains consciousness, no one clues him in that he didn't do anything. That night, his agent and Goldie are in a bad car accident and die. Now there is no one to help prove his innocence.
Panicked, Johnnie goes on the run with what little money he has - he was cheated out of most of it - and when the money runs out, he lives as a hobo. He ends up on a date farm run by Peggy and Grandma (Dickson and Robson). He also encounters some kids (Dead End Kids) as Peggy and Grandma run a summer camp for them.
At first he's hungry and dehydrated, and passes out as he's trying to leave - Peggy nurses him back to health. He stays on, and softens getting involved with the kids and falling for Peggy.
Phelan, one of the cops in New York (Rains) doesn't believe Johnnie was the male victim in the car. The agent had removed Johnnie's watch while he was unconscious and put it on his own wrist. The wrong wrist, which Rains picks up on. He believes Johnnie is still alive and starts to search for him.
Directed by Busby Berkeley of all people, They Made Me a Criminal is an entertaining film, bolstered by the performances of the cast. Claude Rains was woefully miscast as Phelan - he was forced to do the role or be put under suspension. However, Claude Rains really couldn't do anything bad, it was just an odd part for him.
The best scene is Garfield and the boys going swimming in a water tank, and when the irrigation pumps are turned on, the water level goes lower and lower.
Garfield is in good form here, and so young. Thanks to the blacklist and a weak heart, he only lived 13 more years. In a short time, he left a marvelous legacy.
This is a remake of the Douglas Fairbanks film, "The Life of Jimmy Dolan."
Since the Garfield character plays a boxer, Johnnie, it's easy to see why he would be a better fit for the role than Fairbanks was, though Fairbanks was wonderful when he wasn't in the ring.
The film opens with Johnnie winning a big fight and humbly sending love to his mother. Actually he's a big drinker and womanizer, and he doesn't have a mother.
At a party after the fight, he keeps himself busy boozing and making out with his girlfriend, Goldie (Sheridan), before realizing one of the guests at the party is a reporter and can't wait to tell the world about the real Johnnie.
He tries to keep the man from leaving, but he passes out. At that point, his agent hits the man on the head and kills him. When Johnnie regains consciousness, no one clues him in that he didn't do anything. That night, his agent and Goldie are in a bad car accident and die. Now there is no one to help prove his innocence.
Panicked, Johnnie goes on the run with what little money he has - he was cheated out of most of it - and when the money runs out, he lives as a hobo. He ends up on a date farm run by Peggy and Grandma (Dickson and Robson). He also encounters some kids (Dead End Kids) as Peggy and Grandma run a summer camp for them.
At first he's hungry and dehydrated, and passes out as he's trying to leave - Peggy nurses him back to health. He stays on, and softens getting involved with the kids and falling for Peggy.
Phelan, one of the cops in New York (Rains) doesn't believe Johnnie was the male victim in the car. The agent had removed Johnnie's watch while he was unconscious and put it on his own wrist. The wrong wrist, which Rains picks up on. He believes Johnnie is still alive and starts to search for him.
Directed by Busby Berkeley of all people, They Made Me a Criminal is an entertaining film, bolstered by the performances of the cast. Claude Rains was woefully miscast as Phelan - he was forced to do the role or be put under suspension. However, Claude Rains really couldn't do anything bad, it was just an odd part for him.
The best scene is Garfield and the boys going swimming in a water tank, and when the irrigation pumps are turned on, the water level goes lower and lower.
Garfield is in good form here, and so young. Thanks to the blacklist and a weak heart, he only lived 13 more years. In a short time, he left a marvelous legacy.
Did you know
- TriviaClaude Rains at first turned down the part, feeling he would be miscast and look ridiculous as a tough New York City cop. Only after being threatened by the studio with suspension did he reluctantly accept it, but he always considered this one of his least favorite pictures.
- Goofs(at around 38 mins) Gloria Dickson's "Peggy" calls John Garfield's character "Johnnie", when he still is under the guise and alias of "Jack Dorney". She could not know this since he has not told anyone at that point. Even Jack's own corner man calls Jack "Johnnie".
- Quotes
J. Douglas Williamson: You think you're smart, don't you?
Spit: They call us "The Six Geniuses."
- Alternate versionsThe AFI Catalogue has a different cast ordering, suggesting that changes were made for a re-release. Ann Sheridan is billed 6th and there are other minor changes when compared with the print currently shown on Turner Classic Movies, on which the data in IMDb is based. It is uncertain which is the original print.
- ConnectionsFeatured in Classic Comedy Teams (1986)
- SoundtracksM-O-T-H-E-R, a Word That Means the World to Me
(1915) (uncredited)
Music by Theodore Morse
Lyrics by Howard Johnson
Partially sung a cappella by Bert Roach
Details
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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