Et la parole fut...

Don Ameche has the title role in "The Story of Alexander Graham Bell" in this 1939 film starring Henry Fonda, Loretta Young, Charles Coburn, Gene Lockhart, and Spring Byington.

This movie was a big hit - it must have been, because in 1941's "Ball of Fire," Barbara Stanwyck teaches Gary Cooper slang and refers to the telephone as "the Ameche," as others have mentioned here. As far as how accurate the story is - for Fox, not bad at all. The background of Bell's teaching experience and family history of working with speech and sound is correct, he did have a demonstration of his new device, he did have patent problems, he did take on the little boy and Mabel as deaf clients to teach, he did teach finger-spelling, he did have patent problems, he did marry Mabel, their first child was a girl, and Mabel's father was one of his investors. The Fonda character, Watson, was also real, though Bell had two other assistants, and the scene where Bell finds out the telephone works when he calls for Watson is accurate. Also, Bell mentions a great interest in aeronautics in the movie - he indeed did a lot of work in aeronautics later on.

Don Ameche does a great job as Bell. Before Tyrone Power appeared at 20th Century Fox, Ameche was set for many more lead roles; Power's popularity pushed him into second leads. If Ameche seems melodramatic in the courtroom scenes, that was the style of the day. He gives a serious, intense, and sincere performance. It's probably the role for which he's best remembered. Henry Fonda is wonderful - he's funny and relaxed, positively excellent. In another year, he'd be starring in his own movies. Loretta Young as Mabel is believable as well as lovely, and her sisters in real life -- Sally Blane, Polly Young, and Georgiana Young - play her sisters here.

Gene Lockhart as Sanders is another standout in a poignant performance as a man who wants his deaf son to be able to speak. Charles Coburn plays Mable's no-nonsense, gruff father very well.

Considering that the movie "Suez" is fiction from beginning to end, 20th Century Fox is to be commended for bringing so much real history into this film and making it so entertaining.

Just how factual all the events are in Fox's biographical account of THE STORY OF Alexander GRAHAM BELL, I don't know, but it seems safe to say they have taken the basic outline of his life and embellished it with a series of vignettes that serve to show us how and why he became the inventor of the telephone.

Although this is DON AMECHE's signature role (indeed the invention is often referred to as "The Ameche"), he clearly had better roles in his future. Here he overacts to a tiresome degree under Irving Cummings' direction. On the other hand, there's a considerable amount of underplaying by LORETTA YOUNG and HENRY FONDA in subordinate roles. Young is Ameche's deaf wife and Fonda is his laboratory assistant.

Factual or not, it moves at a slow pace and may not be the kind of biography for everyone, lacking the vigorous style of a story about Jesse James, for example. There's a little too much talk before we get to the crucial scene in the film where Ameche spills acid and calls for help over the wire to Fonda in the next room.

Supporting cast includes GENE LOCKHART, SPRING BYINGTON and CHARLES COBURN (who must have been one of Hollywood's busiest character actors in the '30s and '40s).

Movies about history are very important. They also need to be entertaining and believable. All three of those qualities need to be involved in a film such as this. Don Ameche brings to the silver screen an early representation of the life of Alexander Graham Bell and his contribution to the world. The invention of the telegraph and the telephone are explored in this Irving Cummings film.

I bet you didn't know that AGB got his inspiration for the telephone from his years of teaching the deaf talk and communicate. That brings us to the love interest portion of the film, when we are introduced to the future Mrs. Mable Bell, who also is deaf, played by Loretta Young. It is a very interesting contrast between the film's intention and what the facts entail, because the first full decade of the talkies and sound happened in the 1930s, which makes that the quietest decade in film history, as it applies to full sound in film. It is interesting that there is no music in the movie, hardly at all, because this is a movie about trying to achieve the ability to hear and to transmit sound, so this is, kind of, an interesting juxtaposition of how this movie feels.

It also is interesting seeing a film that was made only 65 years after Bell did his experiments, so you get a more uniquely believable script, then if it was one produced today, because 150 years have now gone by since Bell did his experiments. It also is apparent that the mind of an inventor can also be driven by his love of people or his compassion towards the world he/she lives in. None of that is more apparent when we see the love that is shared between Bell and his deaf students and his eventual love to Mable.

Ameche is also contrasted with his less intelligent assistant Thomas Watson, played by Henry Fonda, who compensates for his lack of certain knowledge by being Bell's friend and cheerleader. This film teaches us that drive and desire doesn't always have to lead to power and money, but can sometimes lead to what it really should, love and accomplishment.

8.1 (B MyGrade) = 8 IMDB.

Irving Cummings does an excellent job directing the cast of assembled actors in this film. The story itself is taken from the memories of the daughter of Alex Bell and follows through with all the trials and tribulations of Bell himself. Beginning with the decision he gave up teaching the deaf and dumb to speak and through the obscure and menial existence of an inventor, up through the difficult task fighting for his invention in court. Don Ameche plays Alexander Graham Bell, who does so with such spirit and vitality, audiences will later realize why this actor is so synonymous with the character. The same is true with Henry Fonda who plays Thomas Watson who also is easily identified with this movie. Loretta Young, Charles Coburn and Gene Lockhart are magnificent and help insure this black and white becomes a solid standard in any collection of what we now understand as Classic films. ****

This biopic about the invention of the telephone proved to be a surprise. Not having seen it, we took the chance and it proved to be a real charmer. Under the direction of Irving Cummings, we get to know a great deal, not only about the invention itself, but a little bit about the man.

Alexander Graham Bell was an ambitious man who was interested in helping a young deaf-mute boy, as the picture opens. We see him toiling at a prototype for the telegraph, and stumbling into the transmission of sound through wires, thus creating something that revolutionized society, business and the world at large. In retrospect, one can only imagine how could anyone survived without it! Thanks to Mr. Bell, his invention is something that benefited all of us.

Don Ameche makes an intense Alexander Graham Bell. He was a charming actor who never ceased to amaze us in all the movies he left behind. Loretta Young, makes a wonderful Mabel Hubbard, Mr. Bell's beloved wife who had to struggle with her own deafness. A young Henry Fonda is seen as Bell's loyal friend Thomas Watson.

The cast assembled for the film shows the best Hollywood could offer. Charles Coburn and Spring Byinton play the kind Hubbards. Gene Lockhart is also quite good as Thomas Sanders. Two of Loretta Young sisters Polly Ann and Georgiana play two of the Hubbard girls, as well as Sally Blane who is the fourth daughter.

This is a film that is instructive as well as fun to watch because of the subject matter and the cast that made the story come alive.