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Sous le regard des étoiles

Original title: The Stars Look Down
  • 1940
  • Tous publics
  • 1h 50m
IMDb RATING
7.0/10
1.3K
YOUR RATING
Sous le regard des étoiles (1940)
Drama

In a small coal-mining village, Bob Fenwick leads a strike over safety standards at the local colliery. Meanwhile, his son David goes off to university with the hope one day to return to hel... Read allIn a small coal-mining village, Bob Fenwick leads a strike over safety standards at the local colliery. Meanwhile, his son David goes off to university with the hope one day to return to help the miners with their working conditions.In a small coal-mining village, Bob Fenwick leads a strike over safety standards at the local colliery. Meanwhile, his son David goes off to university with the hope one day to return to help the miners with their working conditions.

  • Director
    • Carol Reed
  • Writers
    • A.J. Cronin
    • J.B. Williams
    • A. Coppel
  • Stars
    • Michael Redgrave
    • Margaret Lockwood
    • Edward Rigby
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    1.3K
    YOUR RATING
    • Director
      • Carol Reed
    • Writers
      • A.J. Cronin
      • J.B. Williams
      • A. Coppel
    • Stars
      • Michael Redgrave
      • Margaret Lockwood
      • Edward Rigby
    • 24User reviews
    • 11Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win total

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    Top cast38

    Edit
    Michael Redgrave
    Michael Redgrave
    • Davey Fenwick
    Margaret Lockwood
    Margaret Lockwood
    • Jenny Sunley
    Edward Rigby
    Edward Rigby
    • Robert Fenwick
    Emlyn Williams
    Emlyn Williams
    • Joe Gowlan
    Nancy Price
    Nancy Price
    • Martha Fenwick
    Allan Jeayes
    Allan Jeayes
    • Richard Barras
    Linden Travers
    Linden Travers
    • Mrs. Laura Millington
    Cecil Parker
    Cecil Parker
    • Stanley Millington
    Milton Rosmer
    Milton Rosmer
    • Harry Nugent, MP
    George Carney
    George Carney
    • Slogger Gowlan
    • (as George Carnay)
    Ivor Barnard
    Ivor Barnard
    • Wept
    Olga Lindo
    Olga Lindo
    • Mrs. Sunley
    Desmond Tester
    Desmond Tester
    • Hughie Fenwick
    David Markham
    David Markham
    • Arthur Barras
    Aubrey Mallalieu
    Aubrey Mallalieu
    • Hudspeth
    Kynaston Reeves
    • Strother
    Clive Baxter
    • Pat Reedy
    James Harcourt
    James Harcourt
    • Will
    • Director
      • Carol Reed
    • Writers
      • A.J. Cronin
      • J.B. Williams
      • A. Coppel
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews24

    7.01.2K
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    Featured reviews

    9Translation-1

    Essential, dark drama

    Director Carol Reeds version of A.J. Cronins novel of poverty, greed and unfulfilled dreams still seems fresh today despite its sixty years.

    Michael Redgrave stars as Davey Fenwick, a bright man from a poor mining background, who wins a scholarship to university. He hopes to graduate and then enter politics, so as to work to end the suffering of his kith and kin and their ilk.

    However, his plans change when he meets and falls in love with Jenny Sunley (played by Margaret Lockwood), a strikingly beautiful but manipulative and materialistic little minx who has just been cruelly dumped (why???) by her boyfriend, Daveys old friend, the ruthlessly ambitious Joe Gowlan (Emlyn Williams). Understandably smitten, Davey marries the lovely but self-centred Jenny and, at her instigation, quits university and moves home to work as a schoolteacher. But his world is turned upside down when trouble at the pit, Jennys restlessness and the reappearance of Joe, whom Jenny still loves and who is now flashily well-to-do,combine.

    At the time, this was one of the most expensive films ever made in Britain. But it was well worth the investment. It assured Carol Reeds reputation and gave to film audiences and to posterity a grimly realistic picture of life at the sharp end in 30s Britain. The all-star cast too got a chance to show their ability, giving terrific performances; Redgrave is superb as the disillusioned idealist, Williams is thoroughly unpleasant as the unfeeling, cynical Joe while Margaret Lockwood, one-time screen ingénue in her first wicked girl role, gives a wonderful performance as the drop-dead gorgeous, vixenish, gold-digging Jenny.

    As social commentary this is a great movie, but, on another, more profound level,it works as a dark, despairing canvas depicting the often destructive nature of human relationships. Essential viewing!
    Snow Leopard

    Thoughtful, Atmospheric, & Often Compelling Drama

    The story in this feature is pretty interesting, but even a description of the story by itself would probably not communicate how thoughtful and atmospheric the movie is. It also has some particularly compelling stretches that are hard to forget afterward. Director Carol Reed shows good insight into the characters and the story, the cast make the characters believable and worth caring about, and the technical aspects help you to feel almost part of the action.

    Michael Redgrave stars as a young idealist, determined to get an education so that he can improve conditions in the mining town where he lives. Redgrave's performance quietly brings out a lot about his character, as he learns about reality while fighting for the truth. Emlyn Williams is also effective as Redgrave's boyhood friend, who takes an entirely different, amoral approach to the same situation. Margaret Lockwood, well-cast as the rather vain young woman who captivates both of them, adds an important dimension. Several of the supporting cast members also do a good job in limited screen time.

    The highlight is the extended rescue sequence in the second half, and it is very effectively done. But one of the reasons that it works so well is that it was prepared by such a solid foundation, establishing the characters and issues carefully so that, when the crisis hits, everything takes on more meaning.

    Many of the topics touched upon by the movie are still of significance in themselves, but even beyond that, it creates a good deal of worthwhile drama about society and human nature in general.
    9bkoganbing

    The Case for Nationalization

    For those whose taste in movies runs to films of social significance, you cannot go wrong with The Stars Look Down, a film from the United Kingdom about the coal mining industry in the days before the post World War II Labour Government nationalized the industry. Such a step would never have been contemplated in the mainstream political circles in the USA. The film makes a compelling case for it.

    This film was a breakout success for Carol Reed who up to that time had been limited to what we call B picture features and what over the other side of the pond call quota quickies. It was produced by an independent studio called Grafton films and released here by the short lived Grand National Studios. Reed was contracted to Gainsborough Pictures and he was able to get fellow contractees Michael Redgrave, Margaret Lockwood, and Emlyn Williams for this production.

    I don't think that Michael Redgrave was ever more idealistic on the screen than he was in The Stars Look Down. He plays a working class stiff who earns a scholarship to the university and he intends to use that education for the benefit of the miner class from where he comes. But this idealist is very human and he makes the wrong choice in a life partner in the form of pretty, but shallow Margaret Lockwood who sees him as a meal ticket to get ahead herself.

    The guy who Lockwood was going with is Emlyn Williams who would be called a cad and a bounder over there. He's also a miner's kid, but his method of escape isn't exactly condoned in polite society, he becomes a bookmaker. Eventually he joins with management. One great thing about The Stars Look Down is we see where all these three characters came from and the values imparted to them.

    Redgrave has two marvelous scenes that really stand out. The first is when he's in class and making an eloquent case in class for the government ownership of the coal mines. The second is before the Board of Trade arguing that the mine his father and others in his district is not safe because where they want to mine is holding back the sea itself. His own personal problems prevent the Board from listening to him. In both Redgrave personifies youthful idealism and impatience. In the end it's shown he has good reason to be impatient.

    The film was shot on location at an actual colliery in Cumberland and the scenes depicting the mine disaster which is the climax of the film are frighteningly real and hold up well today. The film stands comparison to How Green Was My Valley which was a film on the same subject, but done in the poetical style of John Ford and done over here.

    The Stars Look Down will still move the viewers and the problems of industrial safety are just as real today as they were when The Stars Look Down came out.
    7watkins39

    Old-Style Political Drama

    I'm obsessed with the Third Man, and forever looking for similar movies. I get the impression that Carol Reed never made anything comparable to that classic, but this is an interesting, unusual film that is worth seeing in its own right.

    It is a political drama about the struggle to control the means of production - no, really. Michael Redgrave and Emlyn Williams play two young men from a dour north-east mining town who escape, separately, to the bright lights of Newcastle. Redgrave's character is a scholarship kid at the university, while Williams plays a spiv who starts out working as a bookie but soon finds other dubious business interests.

    They return home for different reasons, and clash over the future of the mine, which the workers suspect is unsafe. It's a surprisingly anti-establishment film for 1940, when Britain was deep into the Second World War, especially given Churchill's famously harsh treatment of striking miners in the 1920s.
    6cherold

    Parts of this are quite good; I've read English version is better

    I have to begin this review by saying I saw the U.S. edit of the movie. According to wikipedia, the unfortunate intro and outro are not in the English version, and there's an extra scene at the end.

    Once you get past the useless introductory speech, this movie begins quite well, portraying a grim world and immediately giving one a feel for the plight of the miners.

    For me, a difficulty came with the introduction of Margaret Lockwood's character. I admit there are selfish, empty headed people in the world, but they make for poor film characters. Fortunately it's a fairly small role, but it felt unnecessary to have her at all. She represents a melodramatic streak that unfortunately runs through the movie and lessens the overall impact.

    While some parts were problematic, other parts are terrific, such as the mother's stoic attitude as her son goes off to college in which you see her feelings only when no one is looking. And the inevitable disaster is impressively handled.

    I also didn't find Michael Redgrave complete believable. I'm not convinced he could develop such an upperclass accent no matter how hard he studied at the local schools.

    While worth seeing, this could have been a better movie with a little less melodrama.

    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Storyline

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    Did you know

    Edit
    • Trivia
      Sir Carol Reed disowned this movie, calling it "a gloomy little piece". He expected it to be a box-office disaster and was highly surprised when wartime audiences warmed enthusiastically to it.
    • Quotes

      [first lines]

      Richard Barras: Well, Fenwick, will the men work tomorrow?

      Robert Fenwick: Not if its to be in Scupper Flats, Mr. Barras.

      [indicating a well-dressed union official]

      Richard Barras: Even against your union?

      Robert Fenwick: The union isn't being asked to work in Scupper Flats. On the other side of that coal seam is a million tons of flood water ready to rush right down on top of us.

      Richard Barras: You don't think I'd take a chance in floodin' me own mine, do you, Fenwick?

      Robert Fenwick: Well, show us the plans of them old workings, then!

    • Alternate versions
      The U.S. release included additional narration spoken by an uncredited Lionel Barrymore.
    • Connections
      Featured in The Love Goddesses (1965)

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    FAQ16

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    Details

    Edit
    • Release date
      • May 14, 1947 (France)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • Zvezde gledaju sa neba
    • Filming locations
      • Cumbria, England, UK(Exterior)
    • Production company
      • Grafton Films
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 50m(110 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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