Nuages sur l'Europe

The young Oliver and Richardson -- especially Richardson -- are obviously having a ball in this mix of spies, high adventure, and tongue in cheek comedy According to Michael Powell, the two stars tore up the script, and devised their own scenes, and the pleasure they have in sending up the material, and in each other's work, shines through. (In fact, once or twice, Oliver seems to be trying not to crack up at Richardson's antics.) Patrick Macnee says he based The Avengers' John Steed on Richardson's character in this film, and that, too, shows. Thrills, spills,secret rays, gags and eccentric British characters, and villains from a country suspiciously reminiscent of Germany, but not named in 1938.

Policemen raid an apartment to find the place generally ransacked and a Devil-may-care man who claims to have no memory. He's actually wacky British Secret Agent Major Hammond (Ralph Richardson) who is investigating plane manufacturers and possible espionage. He is assisted by his sister Kay and ace pilot Tony McVane (Laurence Olivier).

This delivers some light fun with espionage. It's a little surprising considering the state of the world during that time. The whole place is about to explode into world war in a few months. It's not unforeseen at that time. The subject matter is hitting something real and yet the characters are cracking jokes. I do like the joking aspect but I also wonder if the audience of its day was in the mood.

When newly developed planes being disappearing during testing with no trace a police Inspector and a test pilot begin to look into the possibility of espionage within the company.

Wartime dramas are very much of a standard affair – feel good affairs where we beat the Germans. This is very much one of those – the story is very flimsy and unlikely but it manages to have plenty to commend it. The story is carry by the comedy and the characters that make you overlook the sheer unlikely way in which the planes vanish. The story progresses to the inevitable shootout between the Brits and the Germans but on the way there's plenty to enjoy.

The film is mainly saved by a wonderful performance by Ralph Richardson as the inspector – he is funny from the first scene and his character is wonderfully charming and forgetful. Olivier is also good, but it's not his best! The supporting cast of sassy women and foolish businessmen also add to the mix to make for an enjoyable romp.

Overall this isn't a classic but the comedy and a superb Richardson makes this better than the sum of it's parts.

Experimental craft are disappearing. Why? Because villain uses a ray to disable the craft, then captures craft and crew intact. There must be half a dozen Bond films with this plot. The villian's henchmen are also very much in the Bond mold - running all over the ship like so many ants in an ant colony. Only difference is that these henchmen are more realistic; they are harder to kill, and are better shots.

A secret British aviation project is being disrupted by a foreign power. Agent Charles Hammond (Ralph Richardson), is assigned the case. What follows is an espionage thriller that refuses to take itself seriously. Yet strangely, this odd mixture of screwball comedy and political potboiler actually works.

"Q Planes" (released in the U. S. as "Clouds Over Europe") was directed by an American, Tim Whelan. He establishes an anarchic tone throughout. He satirizes what his contemporaries considered too serious to examine lightly. In the story, British experimental aircraft are being "electronically" hijacked right out of the sky. The culprits' nationality is never identified, but you can guess their origin as soon as they speak their lines in that thick Teutonic accent.

The dialogue, much of it written and improvised by Richardson and his co-star Laurence Olivier, is crackling and smart. The action, though wildly improbable, is as unreal and stylized as the characters. The joker in the deck is Hammond himself. He boasts of his own considerable skills as a solver of crimes, crossword puzzles, and lovers' squabbles. Despite such brashness, Hammond is never tedious. Richardson plays him as an eccentric of many shades - horse-racing addict, amateur master chef, verbal wit extraordinaire, constant belittler of his valet (Gus McNaughton), and a man whose obsession with his case causes him to repeatedly ignore his beloved Daphne (Sandra Storme), the single character who bests Hammond in the film's fittingly ironic conclusion.

Hammond is aided on the case by his intrepid sister-reporter, Kay (Valerie Hobson), and a temperamental test-pilot, Tony McVane (Laurence Olivier), whom Kay picks up while snooping around an aircraft factory. Kay's character, a caricature of the working English suffragette, holds her own when competing with her two male cohorts - McVane, who hates reporters no matter their gender and Hammond, the egoist-as-detective ("I'm right - and the whole world is wrong!"). As if any enemy country could measure up against single representatives of MI-5, Fleet Street, and the RAF.