La mousson

Made the year of the really great movies of the Golden Years of Hollywood, "The Rains Came" was a quite remarkable achievement in 1939 - the photography and Special Effects (Flood and Earthquake) were extremely well done, and stand up quite well today. It was made in an era where Stars were the keys to a movie's success, and Fox brought together some big names for this Blockbuster. Heading the Cast is Tyrone Power as Major Safti, and he is perfect for the role, while Myrna Loy as Lady Esketh is well cast. George Brent had his best role ever, and the supporting cast included such gems as Maria Ouspenskaya, Nigel Bruce, Jane Darwell, Henry Travers and Joseph Shildkraut and believe me , these people do so much in adding to the quality of this film. The difference between Indian and Western cultures during the period of the Raj was well captured, and altogether moves along at a good pace, and makes for excellent entertainment.

Incredible special effects, a solid story, beautiful directing, and marvelous acting are the highlights of "The Rains Came," another movie from that famous year in film-making, 1939. Its stars are Tyrone Power, Myrna Loy, George Brent, Brenda Joyce, and Maria Ouspenskaya. A bored Loy and her disagreeable wealthy older husband, portrayed by Nigel Bruce, are in Ranchipur, India when the rains and an earthquake hit. Loy, whose husband keeps a list of her lovers, once had a fling with Brent. Then she gets a gander at Power who plays Major Rama Safti, a doctor highly regarded by the rulers of Ranchipur. One look at him, and there's no sense in treading over old territory. Despite Power's apparent lack of interest, Loy falls madly in love with him, even volunteering at the hospital after the disaster.

I was completely captivated by this film, particularly in light of the recent Katrina horror. The flooding, the destroyed homes, demonstrated by brilliant special effects, the orphaned children, the need for volunteers, were all too familiar.

Two love stories go on during the rains - one between Brent and the lovely Fern, portrayed by Brenda Joyce, and the other between Power and Loy. Both romances are unbelievably tender - with very little actual physical contact shown.

Loy gives a compelling performance as a haughty, spoiled woman who is suddenly consumed by love. When I read the book, one thing I remember is that the character just screamed Lana Turner and sure enough, she did the role in the remake. But Loy makes it her own. The studios didn't like their leading men to do accents, so Power, in dark makeup as the "Copper Apollo" so described by Loy, has none. He is handsome as ever until one sees him without his turban. Then, in closeup, he describes to Loy how he came to love her, and his face is beyond breathtaking. His monologue is beautifully done, as is his essaying of the character's conflict of love versus responsibility. This is one of his finest performances, and no camera ever loved an actor like it did Tyrone Power. George Brent, usually not commanding enough, does fine under Brown's direction in his role as a man with no purpose in life who finally finds one. Tiny Maria Ouspenskaya gives a strong performance.

The only thing I didn't like was that Loy had to pay for her sins (i.e., slutty behavior) and of course, Brent did not.

Like the rains of Ranchipur, India, "The Rains Came" will sweep the viewer away. Highly recommended.

One weekend (it was raining), I watched 1939's "The Rains Came" and then the remake, 1955's "The Rains of Ranchipur".

"The Rains Came" is a story of redemption. Tom Ransome (George Brent) is slowly dissipating in the pre-independence Indian kingdom of Ranchipur when his decline is interrupted by the arrival of a former lover, Edwina (Myrna Loy). Now married to the elderly Lord Esketh (Nigel Bruce) Edwina is restless and bored.

She sets out to seduce Tom's friend, Indian doctor, Rama Safti (Tyrone Power), however she ends up falling in love with him. This disturbs the Maharani of Ranchipur who sees Safti as a future ruler of the kingdom, Then the rains come destroying much of Ranchipur and bringing out hidden depths of character in Tom and Edwina.

The 1939 version is a moody, artistic looking film. Myrna Loy is photographed with luminous close-ups and lighting accentuating cheekbones and lips. There is none of that for Lana Turner as Edwina in the newer version. Instead the Cinemascope process delivered static, overlit scenes that distanced us from the actors.

George Brent was always low-key, but it's what the role needed. Fred MacMurray played the same part in the later movie and his delivery suffered in comparison.

Richard Burton wears Safti's turban in "The Rains of Ranchipur". However it's not a good fit; he projects somewhat of a neurotic edge; it's hard to believe the passion he arouses in Edwina. On the other hand, Tyrone Power's calm demeanour and serenity in "The Rains Came" only enhanced his charisma.

Burton was not entirely to blame; he is required to spout volumes of sanctimonious drivel in his scenes with Turner. Things had changed in India and the script needed updating, however where a look said a lot in the "The Rains Came", the characters in "Ranchipur" say it.

The only character enhanced in "Rains" Mk II is Michael Rennie's Lord Esketh. It's a more intelligent characterisation than Nigel Bruce's blustering stereotype. The remake features location footage but it's not enough to elevate it above bland interiors and unbelievable characters.

Finally I was surprised at how good the first version is, but also surprised at how much the second one missed the mark.

One of the unique things about this film is that for once a British Raj story is told not from a British point of view. It should never be forgotten that John Bromfield was an American. You would never see a character like Nigel Bruce in any British screenplay about the Raj. Of all the supporting players, he comes off best in what has to be the most unusual part in his career. For those used to seeing him as the ineffectual Dr. Watson in those Sherlock Holmes movies, playing the bigoted Lord Esketh is quite a switch.

Not until A Passage to India was filmed in the 80s was the Raj ever shown in a less than perfect light.

Ty Power is his usual noble self, the rest of the cast plays well. Twentieth Century Fox borrowed two big names from other studios, Myrna Loy from MGM and George Brent from Warner Brothers to support Power. Loy is Lady Esketh, a woman of the world, left pretty much to her own devices by her husband, decides Power would be a perfect boy toy for her. The part is a throwback to Loy's earlier days of playing mostly bad girls before The Thin Man.

Brent has a very nice role her as a man who's living a dissolute life himself in India, but really steps to the plate during the time of crisis when the flooding starts.

H.B. Warner and Maria Ouspenskaya play the rulers of Ranchipur, you will not forget Ouspenskaya easily. Nor will you forget first the cultured, than the wailing Joseph Schildkraut as Bannerjee. Today no producer could ever get away with casting all these occidental types as Indians, but they all do a fine job.

In the year of Gone With The Wind and all the Oscars it won, the one for Special Effects went to The Rains Came, beating out Gone With The Wind's burning of Atlanta. Judge for yourself if the Academy voters were right.

You know there are a few Old Hollywood classics that you haven't gotten around to seeing, so remedy that by checking out this big-budget entry from its greatest year, 1939. Many fine summaries are offered here on IMDb, and you can be sure this film is made well enough that you can overlook the occasional soapy elements--good performances by the (notably non-ethnic) cast carry you through the suds.

If for no other reason, see it for the special effects, about halfway through, that managed to snatch that year's Oscar from my (and millions of others') top 2 faves, Gone with the Wind and The Wizard of Oz.