On Borrowed Time

This is by far my favorite movie ever. The relationship between Pud and Gramps was incredible. This movie brought back many memories of my Grandfather and the relationship we had. I loved how Gramps trapped Mr. Brink (Death) up an apple tree when he came calling for him. It also showed what could happen if nobody ever died. This is a great movie for children with a message at the end that it's not that terrible pass away. My favorite line of the movie was from Gramps when he said, "I'll see you where the woodbine twinth."

A top-flight cast helps elevate this entertaining film. It's a far-fetched fable out a Mr. Brink (the Grim Reaper, played by Cedric Hardwicke), calling on people and being opposed by good 'ole grandpa (Lionel Barrymore), through some secret wishing power, banishing him to a tree in the backyard, where he can't do any damage.

Yeah, it's another film with strange theology and super powers and nothing to be taken seriously, just used for entertainment, a la today's Harry Potter films. But it's not trivial nonsense, either: it packs an emotional wallop in the viewer. You WILL get involved in this story.

Barrymore's dialog is tremendous. He's fun to hear and has some great lines directed at Hardwicke, who could also be interpreted as the Devil. He also hurls some funny insults to the evil aunt who wants to take his grandson "Pud," away from him, so she can inherit money in the process.

Bobs Watson, who plays "Pud" (nice name!) is endearing for the most part but he can wear thin on you. Bobs is a little loud and bratty and he definitely overacts. Yet, he's still likable.

Hardwicke is just about as entertaining as Barrymore. He, too, has a lot of good lines. Una Merkel, who usually plays a comedienne, plays a very sweet woman. I wish her role had been bigger in here. I've always been a fan of hers.

This is a very emotional movie. If you're the sensitive type, be prepared to laugh, get mad and even cry at certain things. It's really an unknown and different kind of film that has a lot of charm. Highly recommended.

Mr. Brink (Death) arrives to claim the soul of infirm, elderly Gramps Northrup. A magic trick, however, traps Mr. Brink in an apple tree and he is not able to descend. With all dying ceased around the world, old Gramps truly finds himself living ON BORROWED TIME.

This charming, albeit neglected, film holds many pleasures for the viewer. Aside from philosophical considerations - for instance, why is Mr. Brink intent on wiping out the Northrup clan? - the acting is particularly enjoyable. Lionel Barrymore, cantankerous & crotchety as Gramps, is a veritable volcano of emotions, barely contained in the wheelchair made necessary by the actor's crippling arthritis. Equally excellent, in an elegantly underplayed performance, is Sir Cedric Hardwicke as Mr. Brink. Suave, sophisticated & utterly urbane, he leaves an unforgettable impression.

The rest of the cast is also first rate: Una Merkel, Henry Travers, Nat Pendleton, Ian Wolfe, Grant Mitchell, little Bobs Watson, and especially wonderful Beulah Bondi as Granny & Eily Maylon, in arguably her finest role, as dreadful Aunt Demetria. Movie mavens will spot Hans Conried as the first motorist to pull over for Mr. Brink.

`Pismire,' by the way, is an Archaic Scandinavian word which means `ant urine.'

In point of fact we're all living On Borrowed Time and never know when the Grim Reaper will come calling. But apparently he's got a certain liking for the Northrup family because he makes a lot of calls on them in a short span of time in this film.

His first call is on Truman Bradley who is a doctor and a widower with a small son, Bobs Watson. Bradley's death leaves Watson to be raised by his grandparents Lionel Barrymore and Beulah Bondi. Although they don't know it, they've got a magic apple tree in the Northrup backyard, one where if Barrymore wishes a party is stuck in that tree. When death in the form of Cedric Hardwicke makes another call on the Northrup family, Barrymore tricks Hardwicke into climbing that tree and he's stuck there. So like in Death Takes A Holiday while Hardwicke is stuck in the tree, a lot of people start living more than they should be off their allotted time.

Running for 321 performances during the 1938 season on Broadway, Paul Osborn's play featured Dudley Digges and Frank Conroy in the roles of Grandpa Northrup and Mr. Brink (Death) respectively. Several years earlier Lionel Barrymore did a version of the David Belasco play, The Return Of Peter Grimm for the screen. That part also called for Barrymore to do many scenes with a child actor, in that film George Breakston. Louis B. Mayer must have remembered that film and thought that this play would also provide a perfect role for the curmudgeonly Barrymore's character and a child. In fact the best thing about the film is the on screen chemistry between Watson and Barrymore.

Character actress Eily Malyon who probably is best known for playing the parish housekeeper Mrs. Carmody in Going My Way has a far less sympathetic role here. She's an aunt who would like custody of young Mr. Watson because of the hefty insurance policy that Barrymore and Bondi are using to raise him. Nobody likes her, but considering the characters involved in this particular play, she meets an unusual fate.

After 71 years On Borrowed Time still retains its charm as a fantasy and Lionel Barrymore's performance is as fresh today as it was when it was filmed.

Amazing, wonderful performances in this gentle little tale about death. Mr. Brink (Sir Cedric Hardwicke, in a true actor's turn, striking not one false chord) is Death personified. He's a decidedly un-grim Grim Reaper: smart and sophisticated, he has somehow gotten himself trapped in a tree by a little boy and his grandpa. The youngster (Bobs Watson, who goes through so many emotions so vividly, it's as if you're watching moments from your own childhood passing by) and his loving, loyal Gramps (Lionel Barrymore, outstanding) have a natural rapport which is funny, heart-rending and somehow recognizable; Henry Travers is once again perfect as a concerned townsperson and Eily Malyon is a hissable villain. Adapted from a book by Lawrence Edward Watkins, which then became a play by Paul Osborn, it's a lovely, nimble picture, providing the chance to laugh and cry--and celebrate life. ***1/2 from ****