Des souris et des hommes

OF MICE AND MEN (1939) **** Burgess Meredith and Lon Chaney Jr. embody John Steinbeck's tragic migrant workers George and Lennie during The Great Depression facing all the hard work and hard knocks life offers in their pursuit of The American Dream of `livin' off the fatta the lan' and wind up on a ranch with its share of down on their luck characters all enclaved to certain destinies and a heavy fall for our protagonists. Chaney (in his second icon role, the latter would be as the accursed Larry Talbott aka The WolfMan) personifies the gentle souled giant with a dim bulb who obeys his best friend George like a loyal dog and as his brother's keeper, Meredith allows his scrappiness a warmth underneath. Lennie Smalls would be endlessly used as a punchline in Looney Tunes toons to come (`which way did he go George!') and the film would be updated twice - one a tv movie with Robert Blake and Randy Quaid and a theatrical 90s version with Gary Sinise and John Malkovich. This classic was also produced by famed studio maven Hal Roach.

Of Mice and Men (1939)

**** (out of 4)

A true masterpiece of the genre has Burgess Meredith playing George, the simple man who takes care of the soft hearted but dumb Lennie (Lon Chaney, Jr.). The two men get work on a ranch where they dream of owning their own land but fate always has a way of finding Lennie. Even though this film has the reputation of being a classic, I can't help but wonder why it isn't talked about more when it comes to some of the all time great movies. I'm going to guess the movie is often overlooked because it comes from 1939, the same year that gave us films like GONE WITH THE WIND, THE WIZARD OF OZ and MR. SMITH GOES TO WASHINGTON to name just a few. The masterful performance by Chaney is probably overlooked because most people remember him mainly for his horror roles. Both reasons are understandable but there's no question this movie packs on emotional and peaceful punch that can't be topped by too many movies. Producer Hal Roach rushed this film into production to beat John Ford's THE GRAPES OF WRATH into theaters but you really can't tell. The direction, cinematography, screenplay and acting are so wonderful that you can't help but fall in love with the film. Chaney clearly steals the show as the dimwitted Lennie. That childlike quality that Chaney brings to the role is unforgettable and the sympathy he gains is unmatched. The film shows what a great actor Chaney could be if given the right parts. It's a shame he didn't get to do more dramatic roles in his career. Meredith, a fine character actor, is another one who never got enough credit in his career. He delivers a remarkable performance here that perfectly balances out the friendship between his character and Lennie. The real surprise comes in how terrific the supporting players are led by Charles Bickford's wonderful work as the tough guy in the group. Bob Steele, Roman Bohnen, Noah Beery, Jr. and Betty Field are all terrific as well. The film deals with a lot of subjects as one could argue the entire film is a moral drama. We deal with racism, abuse, personal torture and various other subjects but the film never comes off preachy. The ending, which I'm sure most people know even if they haven't seen any of the movies, packs a tremendous punch.

Steinbeck's classic story of 'my brother's keeper' brought to the silver screen in a reverent manner. Perhaps the biggest story in this film is the fact that Chaney jr. could REALLY act-he was undoubtedly cheated out of the Oscar for best actor. Merideth, best known to younger folks as Rocky's trainer does a fine job as the brains in this two man operation. Veteran cowboy star Bob Steele does a stand-out job as the heavy. The direction is steady and the script lifted literally from the novel(why improve perfection?) Remade several times, but never as effectively. Even if you've seen it 100 times, keep a hankie handy.

This screen adaptation of the John Steinbeck classic novel is a harsh, fantastic film that took the wind out of me with its frank and brutal depiction of desperation and longing. Movies about the Depression that were actually made at the time of the Depression by people who knew of what they spoke by necessity feel so much more authentic than later movies that treat the Depression as a historical event. The men in this film are quite literally living day to day, and the comparison of men to dogs that serves as a running motif throughout the film feels like more than just a poetic device. Like dogs, these men were faced with the scary prospect of some day being of no more use, and there was no system in place to take care of them when that day came. Being shot like a dog put out of its misery by its owner really was preferable to the alternatives awaiting them.

I was surprised about how candid this film was, and how bravely it tackled some of the thornier issues of Steinbeck's novel. The incident between Lenny and Mae is divested of some of its sexual overtones, but much is implied anyway. And a scene between Crooks, a black work hand, and some of the other workers, in which Crooks explains in blunt language what it means to be black, tackles race relations as honestly as many films today.

Moments of this film are almost unbearably sad and poignant, but never in that over-sentimental way common to Hollywood films of this time period. Burgess Meredith is terrific in the role of George; he expertly conveys--without ever directly addressing it--the bond he has with Lenny and the degree to which Lenny is as much George's savior as he is Lenny's. Charles Bickford is also excellent as a rough and world-weary worker. The cast's weak links are Betty Field--hopelessly overplaying her bored sex kitten--and Lon Chaney as Lenny, though both are very good in the pivotal scene that sets off the action of the film's finale.

John Ford's adaptation of "The Grapes of Wrath" from the following year gets all of the attention today, and one hardly ever hears of "Of Mice and Men." But much of what is great about Ford's film is also great about Lewis Milestone's, and he deserves credit for laying a fine blueprint for brining Steinbeck's beautiful and heartbreaking stories to the screen.

Grade: A

This is wonderful film! I loved it! Why Lon Chaney Jr. did not win the oscar for his portrayel of Lenny, I'll never know. He was perfect in that role. One of my favorite scenes is when they have to kill Candy's dog. Just the emotion from everyone is.. just amazing. You have to cry everytime you see it. Wonderful movie that is probably the best one to come from a novel. John Steinbeck should be proud of this one. I know I'd be. 10/10.