Nick Carter, Master Detective

A rather good looking B-Movie that has that MGM sheen. One of the earliest Pulp Detectives, Nick Carter on screen turned out to be a rather ho-hum, if pleasant presence, although the surroundings in this film, especially the visuals, are quite impressive.

It is an interesting pre-war (but gearing up for war) entry that is heavy on parading the growing aircraft industry and "new" weapon mythological propaganda. Although Hitler was on the move at this time, America's entry in the WWII was still two years away. But, you would never know it from this movie. The villains have German accents and names like Otto.

There is some creative editing and some fine aerial work. Also, a bizarre scene of Carter using a tommy-gun while zipping around in an open cockpit that looks straight out of a Pulp Magazine cover.

Overall it is a thrilling one hour ride that is either aided or distracted (depending on your taste) by some silly Bee-Movie comedy relief.

Tourneur's first feature was basically a B-movie, albeit made for slick-but-superficial MGM; at a mere 60 minutes, it is eminently watchable and, given the film's modest reputation, it proves surprisingly enjoyable. Watched after the same director's CIRCLE OF DANGER (1951) and the somewhat similar ROUGH SHOOT (1953), this provides yet another connection to Fritz Lang's MAN HUNT (1941) in leading man Walter Pidgeon.

The central figure was a popular crime-fighter in print, debuting in 1886 and reportedly involved in over a 1,000 cases before transferring to a 12-year stint on the radio between 1943-55. However, only 3 films were ever made and, bafflingly, they all turned out to be based on original scripts (since such characters' exploits were, in any case, being updated to the prevalent wartime aura – for instance, the contemporaneous Sherlock Holmes series); incidentally, I just found out that the second one, PHANTOM RAIDERS (1940), was also directed by Tourneur! Anyway, the narrative here involves secret aviation plans being leaked to the enemy that climaxes in a far-fetched chase sequence involving a plane and a speeding boat.

Apart from leading lady Rita Johnson, the rather-too-jovial star is ably supported here by the likes of Henry Hull (already playing eccentric old types!), Stanley Ridges (type-cast as a villain), Martin Kosleck (ditto) and Donald Meek. The latter's hilarious characterization, of an improbably zany private eye, seems to have dropped in from another movie altogether: keeping bees as a hobby but constantly getting into the hero's hair, he even ends up deposited in the trash-can!

Walter Pidgeon is cast as detective Nick Carter, whose mission is to find out who is behind plans to steal blueprints for the enemy in this pre-WWII yarn. Rita Johnson is teamed nicely as leading lady. Her presence is so welcome that it's a wonder she never had a bigger career on screen.

With a supporting cast that includes Frank Faylen, Henry Hull, Donald Meek and Stanley Ridges, it's a neat programmer that crams a lot of plot into a one hour time slot. The only sore spot is Donald Meek in his bumbling role as a bee-keeper who aids Carter. Usually a very reliable character actor, this time his role is so unlikeable, unlikely and annoying that it's more of a distraction than a help. Whatever humor is supposed to be gathered by his involvement in the plot, never quite makes its mark.

But in its brief running time, this one passes the time pleasantly enough with the handsome Pidgeon marking his time at MGM before he became a big star.

Very Entertaining-----Walter Pigeon was charming as the lead and Rita Johnson was excellent as his leading lady. The plot is a bit sophomoric, but the leads make this an A film. Although some of the humor is lost with the beeman, the movie is rather fast paced, albeit short-length with a rather abrupt ending. The special effects are rather good for that time, and the line, " If I am wrong, I will apologize" serves as a great tagline for Pigeon's Carter. Ultimately you watch a film like this for the chemistry of its two main stars, and this film delivers. Walter Pigeon and Rita Johnson are no William Powell and Myrna Loy, but they are perfectly matched for each other and cover some of the plot holes amicably. This is a great movie to see on AMC or TNT one late night.

MGM in buying the rights to the Nick Carter stories and then making three films with the character just shows the twist of fate in some people's careers.

Walter Pidgeon was one of their second magnitude stars at that time. B picture leads and occasionally in an A film where he always lost the girl.

Louis B. Mayer must have thought a whole slew of these would have been made for Pidgeon and he would have become identified as Nick Carter on screen. But he managed to get some decent films, two back to back Best Pictures, How Green Was My Valley and Mrs. Miniver and a lifetime partnership with Greer Garson. He escaped movie oblivion then.

It's a competently executed film, but I have to agree with previous reviewers. Donald Meek as the bee man looked like he just took his zany character from You Can't Take It With You and it just didn't fit in this fast paced detective story. The film itself is barely an hour. Meek distracts from the plot. Too bad because Donald Meek is usually a fine performer.

I much prefer Walter Pidgeon as the Reverend Mr. Gruffydd or Clem Miniver or even Dr. Morbius. Good thing he escaped Nick Carter.