Blackwell's Island

It is a Warner Bros feature, fast paced, action packed, starring John Garfield, but that's all. Not my favourite with him. It is too light hearted for my taste. Warner Brothers gave us many of this kind. It is typical of this period, no one can deny, but I got rapidly tired of it. Not a comedy crime, but not so far. William McGann the director was a prolific onee but he obviously lacked ambition, just an effective chain film maker, the perfect yes man. I won't watch it again, and forget it rapidly. John Garfield deserved a bit more than this film, he deserved to have a more powerful character, more poignant, gripping. That's my own opinion.

Blackwell's Island (1939)

** 1/2 (out of 4)

Interesting if not totally successful Warner film that mixes their gangster pictures with their prison films of the time. A gangster gets sent to prison but he's having an easier time calling the shots there so a reporter (John Garfield) enters to try and see what's going on. There's a strange mixture of laughs and thrills in this picture that comes off pretty strange. The gangster in the picture is played for nothing but laughs and this includes him constantly playing pranks on people. The film's screemplay is pretty weak and doesn't offer too much that we haven't seen in countless other Warner dramas. The one big bonus is the terrific performance by Garfield.

After being convicted, an egotistical crime boss corrupts the prison he's sent to, until a crusading commissioner and crime reporter get on his trail.

If you like the blustery Wallace Beery you might like this movie. After all, the film's real star is a Beery impersonator, Stanley Fields (Bull Bransom), who has the most scenes and screen time. Looks to me like Garfield's only got a featured part though he gets top billing. I guess (IMDB) the top billing is because his smash hit Four Daughters (1938) was made after this film but released before Blackwell. So Warner's shot more scenes for him in this film before releasing it, knowing they had a budding star. Anyway, as a Garfield fan, I've never seen him look so young. Still, he's got his usual fast-talk delivery but without the patented tough guy demeanor. All in all, this may be his first screen appearance.

At the same time, why top bill Rosemary Lane when she's only got about a minute of screen time. No doubt she was also added after initial shooting because she played so well with Garfield in Four Daughters. I've spent some time on these oddities because the movie itself is ordinary, at best. Fields makes a comical crime boss in a routine screenplay that relies mainly on his Beery-like qualities. Warner's does get to use a lot of its stock footage of prison turmoil, a topic it specialized in. Still and all, except for the evolution of Garfield's career, the movie itself is nothing more than a routine bottom-of-the-bill programmer.

As incredible as it may seem, much of the details of the main criminal is this film is stolen "straight from the headlines" about Joseph/Joeyrel Rao, a racketeer who was convicted on conspiracy charges related to a seltzer racket in the Bronx.

Once jailed, he literally took it over, with the help of crooked Tammany Hall politicians, and ran more rackets then they could list or even discuss in the film (e.g. drug dealing, prostitution, etc.).

This Rao was related to the same Rao family as the famous restaurant and yummy tomato sauces you can get in your grocery store.

You can research him by going to the NYTimes.com. It is hard to find general data about him on the web.

This is like a lot of crime movies from Warner Brothers and RKO. In some ways, it seems a vehicle for John Garfield. And Garfield is extremely appealing as an honorable reporter.

The fascinating part is Stanley Fields, though. He plays the vicious mob boss who is an overgrown kid. He plays practical jokes. He is barely literate but love the funny papers. His two dogs are as nasty as he is and they accompany him to jail. In jail, he sets himself and his cronies up in the infirmary, throwing out all the legitimately sick people. There he plays with a model train set.

The plot is plausible. Garfield is Good. The Lane sister who gets high billing has only a few lines so who can judge. But Fields's character is the shocker here.