Mr. Moto Takes a Vacation

Between 1937 and 1939, Twentieth Century-Fox made a ton of Mr. Moto films. However, towards the end of the series, it was obvious that the studio had "jumped the shark", so to speak. This phrase indicates that a TV show has passed its prime and the executives in charge decided to invigorate the show by fundamentally changing the formula. For example, with "The Brady Bunch" they introduced the annoying 'Cousin Oliver' and with "Family Ties" they introduced a freak baby who grew up six years in only one season! With the Moto films, they'd jumped the shark by introducing comic relief because they thought that these intelligent films needed to be re-tooled. In the previous film, Warren Hymer played an annoying wrestler. And, in this film the character Archibald Featherstone appears. Featherstone might just be one of the most annoying examples of comic relief ever, as you kept hoping someone (preferably Moto) would kill him just to shut him up!! Although he's supposed to work for the famed Scotland Yard, he shows all the intelligence and acumen of a brain damaged turnip. Again and again, his scenes were boorish and unnecessary and Peter Lorre just looks pained as he stands there and watches this buffoon "act". It's so bad that it truly destroys what COULD have been one of the better Moto films due to its clever plot.

As for the plot, the crown of the Queen of Sheba is discovered in the opening scene. Moto, now more of an international policeman than the amoral character he originally was, is on hand to protect the precious item from being stolen. In a great twist, several thieves all try to steal the crown independently of each other.

Overall, the film is watchable but is also ample evidence that the Moto series should have ended here. With WWII approaching, the films couldn't have survived much longer anyway, as having a sympathetic Japanese leading character simply wouldn't have been accepted in the US or in allied countries.

Moto (Peter Lorre) starts out in the North African desert, where the fabled crown of the Queen of Sheba is unearthed by archaeologists. Moto travels with the artifact first to Hawaii and then to San Francisco, where various parties try to steal it, including a legendary criminal mastermind known only as "Metaxa".

This one is a bit over-stuffed with characters, and at times it seems a bit muddled, but it's still fun, and Lorre is a hoot. The identity of "Metaxa" isn't too difficult to figure out, but I liked seeing Moto get his own Moriarty

The fact that this story mostly takes place in Honolulu certainly gives credence to the idea that this film was originally meant by 20th Century Fox to be for the Charlie Chan series. So instead of Honolulu PD's finest going undercover during an archaeological expedition its the soft spoken Japanese private investigator that does.

Peter Lorre is undercover, but that's soon blown on shipboard by G.P. Huntley playing an upper crust British twit who has a knack for turning up in the wrong place at the wrong time, but actually by accident helping Moto. Some priceless artifacts are recovered from the dig and are to be displayed in a museum in Honolulu. And there's a mysterious master crook at large known to be seeking said items for theft.

With such likely suspects as Joseph Schildkraut and Lionel Atwill in the cast you can imagine either of them as the master crook, but there are others whose behavior might make them suspicious. I will say it isn't Huntley although if he had been the brains behind all the villainy that would have been a real interesting twist.

The Moto series came to a close with relations with the Japanese getting downright unfriendly. And certainly Peter Lorre was going on to bigger and better things.

Mr. Moto Takes a Vacation (1939)

** (out of 4)

Eighth and final entry in Fox's original series once again finds Peter Lorre in the role of Mr. Moto. This time he must fight off countless bad guys who are trying to steal a priceless crowd previously owned by the Queen of Sheba. This final entry isn't the weakest of the series but it might be the most disappointing. I was highly disappointed in this one because it features a pretty good cast but there's really nothing that works overly well here. The movie certainly a long way from being bad but at the same time there's just not enough good stuff here to make the film worth viewing. The actual story is a fairly interesting set up but not enough is done with it as we pretty much get cardboard bad guys popping up at various spots and doing something bad. There's really no heart or soul behind any of the writing and in the end the movie just comes off as a low grade "B" movie rather than something unique like a lot of the films in this series. Lorre finds himself giving another good performance and we've also got decent work by Joseph Schildkraut, Virginia Field and Lionel Atwill. Atwill is pretty much wasted in the film but it's always nice seeing him. G.P. Huntley plays the comic relief here and his awful character really brings the film down several notches. I'm not sure who the director thought would find this performance funny. Black character actor Willie Best also appears briefly. Fans of the series will certainly want to check this one out but it's doubtful many others will find any type of entertainment here.

After eight Moto films the series had run its course, as this last entry demonstrates. Peter Lorre was clearly weary of trying to pump some sort of human interest and entertainment value into the wispy character of Moto, and the dreadful idea of pairing him with a "funny" British sidekick utterly defeats all his efforts here.