Miracles à vendre

Back in the 1930s and 40s, a bazillion B-mystery movies were made. Some were quite good, others rather cheap and indifferent. Despite his status as an occasional A-film actor, Robert Young was given the lead in this MGM B--and with very satisfying results.

Young plays a debunker and magician named Michael Morgan. His character is a lot like today's Amazing Randi--and not surprisingly, psychics dislike him because he often is able to expose their trickery. He wanders into a strange situation where the trickery is so good that he seems almost ready to believe that these psychics MIGHT be real--especially because their tricks are amazing. How amazing is apparent after a murder occurs--and LOTS of weird things occur, such as folks dying and then seeming to come to life!

The film, despite the magic angle, is at heart much like a Charlie Chan, Falcon or Boston Blackie picture. However, its writing is just a bit better as are the rest of the production values. In fact, it's done so well that it really sucks you into the story. Well done all around and a film I nearly gave an 8. And, incidentally, this is director Tod Browning's final film. Although he lived another 23 years, he directed no more films and I'd sure love to know why since so many of his films are brilliant.

Clever variation on the amateur sleuth movies so popular at the time. Morgan (Young) is an expert magician who devises tricks for other illusionists, and also arbitrates between greedy tricksters and genuine psychics. In fact, the script goes to some lengths to allow for real psychic experiences, probably so as not to offend believers. Anyway a dislikable trickster is murdered under mysterious circumstances, while fetching ingénue, Judy Barclay's (Rice) life is threatened. But why, and by whom. Now Morgan has to play amateur detective and unravel the various strange happenings.

MGM produced, so no production corners are cut. This shows up in several fairly elaborate sets. The magician theme cries out for noirish touches that are occasionally present, but not enough to create real atmosphere. Nonetheless, there are enough spooky twists to keep up a good level of moody suspense. The plot's pretty involved, as might be expected with all the tricks going on. So you may need the proverbial scorecard. Still, a couple scenes are really jarring, especially the splayed bodies inside diabolical designs.

In the lead, Young is super-smooth and likable, while spook girl Holden (Madame Rapport) gets to look other-worldly. There's some humor, but thankfully it's not clownish as was common for these amateur sleuth films. Anyway, the 70-minutes amounts to an imaginative little B-entry for a studio that did not specialize in them.

The Thirties were racing towards their close, accompanied by a curious speeded-up style of film dialogue, as though the writers were being paid by the word. These flat, metallic exchanges are suitable enough for wisecracks, but they kill any sincerity in lines that are meant to carry emotional depth. So for example, the film opens on Robert Young (later to be your favourite TV doctor Marcus Welby) putting the case for exposing fake mediums in order to protect genuine seekers after psychic truth. He sounds like more like an auctioneer at a meat-market.

This was the last film to be directed by Tod Browning, who exploits his own early experience in the circus by replicating all manner of smoke-and-mirror spectaculars that can hold the attention of audiences who may have been left somewhat behind by the intricacies of the plot. But a conference of magicians is always going to make a good start to a murder story.

It was Browning who had also directed the first Dracula talkie, and he brings in touches of it here, notably in the casting of Gloria Holden, previously of Dracula's Daughter, whose disdainful manner was believed to reflect her genuine boredom at appearing in movies she felt were beneath her. But her disdain manages to suggest mystery, and we are kept wondering whether this glamorous medium will be unmasked before the end. Glamour of a more conventional kind is provided by Florence Rice as the vulnerable blonde at the mercy of sinister dark forces. They say there were also some dark forces in the studio, claiming that it was only her well-connected father who got her the roles, apparently blighting her career.

One joke that certainly wouldn't be allowed today - a haunted skull moving its jaw up and down ("Obviously a woman!"). And a good disciplined performance by a fortyish William Demarest as the regulation sceptical cop.

This was Tod Browning's last film and it got a good send-off. The budget was in the B bracket and the movie itself was somewhat stage-bound, but that's what the plot required and besides, Browning wasn't an "outdoor director" anyway. A few things to the credit of this film: Robert Young's role was to uncover fake mediums seeking to defraud others without denying the possibility of the supernatural. Also, the "explanations" for the hocus-pocus were saved to the very end and were really rather ingenious. Browning wasn't a director to move his camera very much if at all, but the editing was well executed and the action didn't remain glued to any of the sets. The movie has dated a bit but it's still quite amusing. I'm glad I caught it.

Curtis Stotlar

This movie sounds like so much fun: Robert Young as a magician! Who would have thought it would turn out to be really spooky? If you're a lightweight, you can try watching this one on Halloween; it might be just scary enough so you don't have to go to sleep with the lights on.

Robert Young stars as a former magician who now sells "miracles" to other magicians for their acts. His clients include Henry Hull, Gloria Holden, Lee Bowman, and Astrid Allwyn. When a troubled young girl, Florence Rice, comes to him and asks if he'll help prove her sister isn't as psychic as she thinks, he's only too happy to oblige. But they both get sucked into a big mystery with drastic consequences...

This movie's really fun, and while it's not as grand-scale as the epics that came out of 1939, if you're a Robert Young fan and want to see a spooky, magical movie, this is a great one to pick.