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7.0/10
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Despotic King Louis XIV discovers he has a twin brother who has grown up under the tutelage of his foster father, the patriotic musketeer D'Artagnan.Despotic King Louis XIV discovers he has a twin brother who has grown up under the tutelage of his foster father, the patriotic musketeer D'Artagnan.Despotic King Louis XIV discovers he has a twin brother who has grown up under the tutelage of his foster father, the patriotic musketeer D'Artagnan.
- Nominated for 1 Oscar
- 1 win & 1 nomination total
Marion Martin
- Mlle. de la Valliere
- (as Marian Martin)
Nigel De Brulier
- Cardinal Richelieu
- (as Nigel de Brulier)
Reginald Barlow
- Jean Paul
- (as Reginald Barlowe)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
James Whale has to be credited with some very fine direction on this version of THE MAN IN THE IRON MASK, the famous story about the twin brothers, one of whom is a black-hearted rogue who sits on the throne, the other raised in a faraway village by D'Artagnan when it becomes clear that only one twin can sit on the throne of France.
All the ingredients for a good swashbuckler are here with the added benefit of an absorbing story, extremely well played by a wonderful cast. LOUIS HAYWARD has never had a better role than the contrasting twins and the special effects are excellent when he shares scenes with his twin. JOAN BENNETT, although very beautiful, is merely a costumed prop here, exuding no real warmth as the princess who falls in love with the good twin. She was never an actress of any depth.
But the film really belongs to WARREN WILLIAM as a rather overage D'Artagnan and even more so to Joseph SCHILDKRAUT in another one of his evil impersonations as Fouquet, with ambitions to become the Minister of Finance and an appetite for treachery.
Very lavish production values, although one wishes the film could have been filmed in Technicolor (at a time when very few films were). There's a good Oscar-nominated background score in the brisk tradition of such music and there's never a dull moment in the whole film.
Summing up: A majestic, impressive version of the tale which stands up to any subsequent telling in recent years.
All the ingredients for a good swashbuckler are here with the added benefit of an absorbing story, extremely well played by a wonderful cast. LOUIS HAYWARD has never had a better role than the contrasting twins and the special effects are excellent when he shares scenes with his twin. JOAN BENNETT, although very beautiful, is merely a costumed prop here, exuding no real warmth as the princess who falls in love with the good twin. She was never an actress of any depth.
But the film really belongs to WARREN WILLIAM as a rather overage D'Artagnan and even more so to Joseph SCHILDKRAUT in another one of his evil impersonations as Fouquet, with ambitions to become the Minister of Finance and an appetite for treachery.
Very lavish production values, although one wishes the film could have been filmed in Technicolor (at a time when very few films were). There's a good Oscar-nominated background score in the brisk tradition of such music and there's never a dull moment in the whole film.
Summing up: A majestic, impressive version of the tale which stands up to any subsequent telling in recent years.
James Whale, when he wasn't doing horror films which set trends, or the occasional musical, went literary with this entertaining adaptation of the famous French novel.
Old hands are involved - Warren William, Alan Hale - as part of the quartet of ageing musketeers, and do the production credit. South-African born matinée idol Louis Hayward plays both the twins admirably and pretty Joan Bennett does her usual turn which she could do in her sleep (as the princess betrothed to the bad twin and in love with the good twin).
The film veers from some very funny moments to some sweet romantic scenes between the good twin and the foreign princess, and the different characters of the twins are well portrayed. There are also a number of excellent performances in the supporting cast. With all this (and Whale's surreal imagination) you can forgive the odd lapse away from Dumas' original vision. Good stuff indeed.
Old hands are involved - Warren William, Alan Hale - as part of the quartet of ageing musketeers, and do the production credit. South-African born matinée idol Louis Hayward plays both the twins admirably and pretty Joan Bennett does her usual turn which she could do in her sleep (as the princess betrothed to the bad twin and in love with the good twin).
The film veers from some very funny moments to some sweet romantic scenes between the good twin and the foreign princess, and the different characters of the twins are well portrayed. There are also a number of excellent performances in the supporting cast. With all this (and Whale's surreal imagination) you can forgive the odd lapse away from Dumas' original vision. Good stuff indeed.
"The Man in the Iron Mask" is adapted from the volume by Alexander Dumas. The premise of the film is that King Louis XIV of France had an identical twin brother, who eventually becomes "the man in the iron mask". Also involved in the story are D'Artagnan and the Three Musketeers carried over from Dumas' novel "The Three Musketeers".
Louis Hayward is equally excellent as the ineffectual King Louis XIV and his twin, the kindhearted Philippe. Joan Bennett is charming as Maria Theresa, slated to be Queen of France. Joseph Schildkraut is notable as the Machiavellian adviser Fouquet and Walter Kingsford also gives a commendable performance as rival adviser Colbert. Warren William gives the best performance of the Musketeers as the noble D'Artagnan, but the other Musketeers are well-portrayed.
This film features superb sets, scenes, costumes and a score to match. Some of the special effects work is noticeably dated, but is overall fine. The story is interesting and well-paced and doesn't suffer the slow patches that some other adventure films of the era do. It should be noted that this film features some action scenes, but viewers looking for a number of swordfights would probably do better with another film. The action scenes that were included were certainly well-made. Overall, "The Man in the Iron Mask" proves to be an interesting hypothetical story set in the time of Louis XIV.
Louis Hayward is equally excellent as the ineffectual King Louis XIV and his twin, the kindhearted Philippe. Joan Bennett is charming as Maria Theresa, slated to be Queen of France. Joseph Schildkraut is notable as the Machiavellian adviser Fouquet and Walter Kingsford also gives a commendable performance as rival adviser Colbert. Warren William gives the best performance of the Musketeers as the noble D'Artagnan, but the other Musketeers are well-portrayed.
This film features superb sets, scenes, costumes and a score to match. Some of the special effects work is noticeably dated, but is overall fine. The story is interesting and well-paced and doesn't suffer the slow patches that some other adventure films of the era do. It should be noted that this film features some action scenes, but viewers looking for a number of swordfights would probably do better with another film. The action scenes that were included were certainly well-made. Overall, "The Man in the Iron Mask" proves to be an interesting hypothetical story set in the time of Louis XIV.
All positive comments are agreed to. This is truly one of the finest ones. The only minor dig that I could come up with is that they could have had more dueling sequences. Louis Hayward was capable of more robust fencing than what was portrayed here and I don't think they utilized his skills to any great degree. Outside of that this is a truly enjoyable film, black and white or not and while I don't advocate doing every B/W film over by colorizing it, I think I would like to see what this one Australia, What Guy Pearce Remake??????? Guy Pearce did Count of Monte Cristo, not M.I.T.I.M. as far as I have been able to determine.
Intermittently exciting "Musketeers" tale, highlighted by the "Jekyll-Hyde" performance of Louis Hayward as the King of France and his undiscovered (then, discovered) twin brother. Mr. Hayward does a great job; especially when the "Good" twin confronts the "Evil" twin with his "Iron Mask".
"The Man in the Iron Mask" might have been better as a swashbuckling horror story; and, director James Whale could have delivered the goods. The Iron Mask of the title is designed for Edgar Allen Poe-type horror it is locked around a Hayward's neck, so that he will slowly be strangled by his own beard. A gruesome death! I expected a little more excitement, and suspense, in this film.
The other characters are enjoyable; Joseph Schildkraut was my favorite supporting character. Joan Bennett is the beautiful love interest, but she doesn't have much of an opportunity to show any acting skills. By the way, her scene in the coach shows her looking very much like Scarlet O'Hara from "Gone with the Wind." After seeing her in this, you can picture her testing for Scarlett.
******* The Man in the Iron Mask (6/26/39) James Whale ~ Louis Hayward, Joan Bennett, Joseph Schildkraut, Warren William
"The Man in the Iron Mask" might have been better as a swashbuckling horror story; and, director James Whale could have delivered the goods. The Iron Mask of the title is designed for Edgar Allen Poe-type horror it is locked around a Hayward's neck, so that he will slowly be strangled by his own beard. A gruesome death! I expected a little more excitement, and suspense, in this film.
The other characters are enjoyable; Joseph Schildkraut was my favorite supporting character. Joan Bennett is the beautiful love interest, but she doesn't have much of an opportunity to show any acting skills. By the way, her scene in the coach shows her looking very much like Scarlet O'Hara from "Gone with the Wind." After seeing her in this, you can picture her testing for Scarlett.
******* The Man in the Iron Mask (6/26/39) James Whale ~ Louis Hayward, Joan Bennett, Joseph Schildkraut, Warren William
Did you know
- TriviaPeter Cushing did double duty on this film. In additional to his own role, he would feed Louis Hayward the lines for the split screen shots. Director James Whale initially cast him only to play opposite Hayward in the sequences where both twins appear together, but was impressed enough with the newcomer that he offered Cushing a small part on horseback. This was Peter Cushing's film debut, and he had the unique opportunity to view the rushes and improve his own performance, especially since none of it would be used in the finished feature. As 'Second Officer,' he can be seen 17 minutes in, with two lines of dialogue: "How could I mistake it. I've been here before".
- GoofsIn one chase scene, a character fires a pistol three times in quick succession. 17th century firearms had to be reloaded after each shot.
- Crazy creditsThe credits are printed into a old book. An unseen male hand pages through it.
- ConnectionsFeatured in Peter Cushing: A One-Way Ticket to Hollywood (1989)
- How long is The Man in the Iron Mask?Powered by Alexa
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- Release date
- Country of origin
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- Also known as
- The Man in the Iron Mask
- Filming locations
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- Runtime
- 1h 53m(113 min)
- Color
- Aspect ratio
- 1.37 : 1
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