A wealthy woman meets a bum on a park bench and marries him the same evening.A wealthy woman meets a bum on a park bench and marries him the same evening.A wealthy woman meets a bum on a park bench and marries him the same evening.
- Director
- Writers
- Stars
Wilson Benge
- Jordan's Butler
- (uncredited)
George Cooper
- $50 Passerby
- (uncredited)
Richard Cramer
- $35 Passerby
- (uncredited)
Jack Daley
- Quarter Passerby
- (uncredited)
Charles Dorety
- Fifty-Cent Passerby
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Back in the Thirties every studio was making a film or three a year about an heiress and the guy she eventually would marry in the film. Probably the actresses most identified with playing heiresses were Carole Lombard and Myrna Loy. In Lucky Night Myrna Loy teamed for the one and only time with Robert Taylor where she is another madcap heiress that movies loved back in those Thirties.
Probably the genre was overdone by the time Lucky Night came out because there certainly isn't anything original about it. It probably could have been put over a lot better had they done this at Paramount with Loy lent out over there to appear with Bing Crosby. With a couple of songs this film might have worked better because the part that Taylor has here, the footloose and fancy free charmer was something Crosby could do in his sleep.
As it is Loy is bored with the stuffed shirts that she sees in her social set, none of them quite do it for her including the last one Joseph Allen. So she meets Robert Taylor sitting on a park bench and the two have a madcap evening and wind up the next day hung over and married. That doesn't please Loy's father Henry O'Neill a bit.
It's when they try to make a go of it as an ordinary 9 to 5 average American couple that the film just bogs down. And it never really gets back on track by the time it ends.
In the Citadel Film series book on The Films of Robert Taylor Lucky Night is described as the first of three dud films that Taylor made, the others being Lady Of The Tropics and Remember. It's not that Lucky Night was as bad as the other two, but it never does gel after the first third is over. It certainly created no demand to team Loy and Taylor again.
Probably the genre was overdone by the time Lucky Night came out because there certainly isn't anything original about it. It probably could have been put over a lot better had they done this at Paramount with Loy lent out over there to appear with Bing Crosby. With a couple of songs this film might have worked better because the part that Taylor has here, the footloose and fancy free charmer was something Crosby could do in his sleep.
As it is Loy is bored with the stuffed shirts that she sees in her social set, none of them quite do it for her including the last one Joseph Allen. So she meets Robert Taylor sitting on a park bench and the two have a madcap evening and wind up the next day hung over and married. That doesn't please Loy's father Henry O'Neill a bit.
It's when they try to make a go of it as an ordinary 9 to 5 average American couple that the film just bogs down. And it never really gets back on track by the time it ends.
In the Citadel Film series book on The Films of Robert Taylor Lucky Night is described as the first of three dud films that Taylor made, the others being Lady Of The Tropics and Remember. It's not that Lucky Night was as bad as the other two, but it never does gel after the first third is over. It certainly created no demand to team Loy and Taylor again.
This may be the golden age of movies, but now and then (e.g. Penny Serenade) MGM could produce a certified turkey. This gets almost as bad as it gets. And it's 1939, the best year ever for films. Whew.
Myrna Loy and Robert Taylor are cute together. This movie is about two people that meet and have one lucky night together and decide to try and make their luck last a life time. I saw this movie on cable one night and enjoyed it a lot. I would like to have it on DVD but can't even find it on VHS. Check out some of Myrna Loy's films you wont be sorry, watch The Thin Man collection, and The Best Years Of Our Lives. They are all great movies. If you have time watch Robert Taylor in Ivanhoe. Why can't Hollywood make them like they did back in the day when there were real "MOVIE STARS" in Hollywood. Where did the Class go in Hollywood. No more greats like Katherine Hepburn or Cary Grant, we are left with these mild at best actors. George Clooney which is one of the best ones we have now days is still not up to Cary Grant league.
Lucky Night gets off to a roaring start, with Loy and Taylor tearing up the town and obviously having a ball together. There's great chemistry and the situations they get themselves into are a lot of fun to watch. For awhile I was really thinking this movie was going to turn out to be an underrated and little-known gem.
Unfortunately, when the pair sober up the next morning, the story goes off the rails and becomes a dreary, incoherent mess. Taylor's character keeps rambling about how he has some "idea" about what life should be, but he can't articulate what he means. The dialogue actually becomes so bizarre at times that I wondered if the writer was all there.
This one is worth checking out if you're a fan of Loy -- she's always a pleasure to watch -- but if you start to get antsy halfway through, change the channel. You won't be missing anything.
Unfortunately, when the pair sober up the next morning, the story goes off the rails and becomes a dreary, incoherent mess. Taylor's character keeps rambling about how he has some "idea" about what life should be, but he can't articulate what he means. The dialogue actually becomes so bizarre at times that I wondered if the writer was all there.
This one is worth checking out if you're a fan of Loy -- she's always a pleasure to watch -- but if you start to get antsy halfway through, change the channel. You won't be missing anything.
I first saw this movie on Turner classic movies, and really enjoyed it. It was a fun, flirty and wild (as wild as you could be in the movies of the 30's) story of two people who hit it off and had a crazy life together. Not a brain teaser of a movie, nor was it made to make you think or entertain your brain. In the course of this movie, the two love birds accidentally marry each other, get drunk, beg for a quarter, get rich, and buy a car - all in one night! For a girls' night, or a veg-out session, Myrna Loy is entertaining and fun in this film. Turner should play this more often as an option to the tired and repetitive movies they sometimes show. If you haven't seen this movie, give it a try!
Did you know
- TriviaOverton is supposed to be flat broke and homeless, but he's wearing an immaculate three-piece suit and tie and is freshly shaved. (Loy is also well-dressed in a fur-trimmed suit, but she's only pretending.) As was so often the case at MGM, Louis B. Mayer loathed the depiction of poverty.
- GoofsThe neon sign over the gaming establishment is Play Palace, but the sign painted on the glass over the front door is Play Place, both identifications appearing in the same shot, at the same time, as the couple drives out with their new car. This identical shot, but shortened to end before the car appears, is used again in Third Finger, Left Hand (1940), also starring Myrna Loy who apparently visits the Play Palace again, this time with Melvyn Douglas.
- Quotes
Cora Jordan: Bill!
Bill Overton: [Asleep] Hmmmm?
Cora Jordan: I don't know where we are. Do you?
Bill Overton: Hmmmm.
[Wakes up, startled]
Bill Overton: It looks like a hotel!
Cora Jordan: Look outside and see if we're still in America.
- ConnectionsReferences Le dernier négrier (1937)
- SoundtracksYou Are My Lucky Star
(1935) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played by an Organ Grinder
Reprised twice by the orchestra at George's
Incorporated into the score often
- How long is Lucky Night?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Roligt hela natten
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $589,000 (estimated)
- Runtime1 hour 22 minutes
- Color
- Aspect ratio
- 1.37 : 1
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