Invitation au bonheur

Surprisingly effective story about bullheaded boxer (Fred MacMurray) and the society girl (Irene Dunne) who fall in love but then face some hard times.

The two stars are top-notch and turn in solid performances even when the material goes astray and the story turns soapy. Dunne is warm and gracious as always and makes the most of the comedy here; MacMurray is excellent as the goofy fighter determined to be world champ. His final fight scenes are among the best and most realistic I've seen.

Solid support from William Collier as Dunne's wise father and Charlie Ruggles as the wary fight manager. Billy Cook is the son, Marion Martin the the blonde, Virginia Brissac is the nurse, Oscar O'Shea is the judge.

But the stars here dominate this film. I've always been a big Irene Dunne fan but I must say I'm gaining a whole new vision of Fred MacMurray. Having grown up with "My Three Sons," it's amazing to see the young MacMurray in a variety of solid 30s roles (many with Carole Lombard).

Excellent film with something for everyone.

Charles Ruggles has a potential champion heavyweight boxer in Fred MacMurray, but he needs money, so he goes to old friend William Collier Sr. For $2000 versus a half-interest. Collier's daughter, Irene Dunne, thinks it's a ridiculous speculation, and MacMurray doesn't like spoled dames, so they quarrel. And then they get married. While MacMurray goes on the road, Miss Dunne raises their son in Collier's mansion. By the time ten years have passed and McMurray is due a late title bout, their son, Billy Cook, is alienated from him. Miss Dunne thinks that if MacMurray wanted to be a father, he had enough money five years earlier to retire and be one; instead, he has pursued his selfish goal.

Well, maybe. MacMurray does a nice bit of acting as an unself-aware mug, but Miss Dunne's strength in weepers is she's always fully aware of the risks she's taking, and goes into these misery-producing relations with her head held high. Here she knows precisely what's wrong with MacMurray, but not with her, and she seems a bit bitter and even shrewish here as she does the noble thing.

Director Wesley Ruggles has directed everyone just fine, and it's good to see Ruggles in a straight role. The brutal championship fight at the end is wince-inducing. But given that she starred in LOVE AFFAIR the same year, this one comes in a distant second.

Invitation To Happiness is the story of a pair of unlikely marriage between society girl Irene Dunne and prizefighter Fred MacMurray. It happens when Irene's father William Collier buys an interest in MacMurray's contract and Dunne takes an interest in her sportsman father's new acquisition.

They have a son who is played by Billy Lee, but they grow apart and divorce. But eventually MacMurray gets his long dreamed of title shot.

Billy Lee was 14 when he made this film and looks it. Which means that Fred would have been boxing for 14 years when he got his title fight. That is an awfully long time in the fight game to wait for a championship bout. MacMurray would have been fighting for eating money by that time as a trial horse if he was still in the fight game.

Irene is her usual soap opera heroine in this film. She and Fred don't quite gel in this film. One wonders what kind of future they would have after his fighting days are over.

Can't quite accept the movie's favorite milquetoast Charlie Ruggles as a boxing manager.

Invitation To Happiness is not in the top 10 for Dunne or MacMurray.

Solid performances by the entire cast earn this movie its eight stars. "Invitation to Happiness" has a good plot that Irene Dunne and Fred MacMurray make into a very good love story. He is Albert "King" Cole, a heavyweight boxer, and she is Eleanor Wayne, a smitten socialite. The rest of the cast contribute as well. Charles Ruggles gives one of the supporting cast performances that made him a favorite supporting actor in more than 120 films and in many TV series over four decades. Ruggles plays Pop Hardy. Billy Cook does a good job as Albert Cole Jr.

Dunne and MacMurray only played in two films together – this one and the comedy-romance "Never a Dull Moment" in 1950. It would have been interesting to see them in more, especially comedies. Both were among the most versatile performers in their trade. Dunne made drama, comedy and war films with excellence. MacMurray played in many films from family fare, to westerns, mysteries and crime flicks, drama, war and comedy. She played opposite many of the best leading men of Hollywood, and he played opposite most of the leading women of the silver screen over four decades.

Invitation to Happiness is a good story about love and family, and reconciliation. As noted, the performances earn it the eight stars I give. Otherwise, the screenplay is choppy and disjointed in places. It's a story that most should enjoy.

Invitation to Happiness, my first evening flick. I was eight and already a sports fan and, during an earlier matinée preview, Invitation to Happiness flashed on - a prizefight movie.

Fifteen or twenty seconds of solid slam-bang action were shown. I had to see it. It was only playing for two nights in the middle of the week and I understood the importance of school the next day. But I knew I had to go. Problem: I couldn't go alone. I launched a campaign of such ferocity that my parents gave in. Grudgingly, we trooped off to Invitation to Happiness- -and it wasn't a prizefight movie, it was a kissing movie. All they did was kiss, the hero and the lady. Those precious fifteen seconds of slam-bang action were there, all right, but that was the sum total of prizefighting. I never dreamed a preview would snooker you that way.

The kisses went on and on. I began to groan. Then I started counting. Eleven kisses. Now a quick buss on the nose, but that counted. Twelve. On and on they went, and by now I was counting out loud.

There were twenty-three kisses in Invitation to Happiness and I hated every one.

-- from William Goldman's Adventures in Screen Trade