New York store clerk (Ford) joins a hobo (Conte) and an illegal immigrant (Rogers) heading for his newly bought land in Arizona.New York store clerk (Ford) joins a hobo (Conte) and an illegal immigrant (Rogers) heading for his newly bought land in Arizona.New York store clerk (Ford) joins a hobo (Conte) and an illegal immigrant (Rogers) heading for his newly bought land in Arizona.
- Awards
- 1 win total
Richard Conte
- Tony Casselli
- (as Nicholas Conte)
Paul E. Burns
- Railroad Dispatcher
- (uncredited)
Alex Chivra
- Undetermined Secondary Role
- (uncredited)
Nick Copeland
- Brakeman
- (uncredited)
Nigel De Brulier
- Russian Priest
- (uncredited)
Edward Gargan
- Truck Driver
- (uncredited)
Otto Hoffman
- Station Agent
- (uncredited)
Paul Hurst
- Empire State Building Guard
- (uncredited)
Fred Kelsey
- Pete - Railroad Detective
- (uncredited)
Featured reviews
The scenario is amusing and primed for storytelling, and all throughout the small length is sufficient mild humor to provide entertainment. There are also dubious recurring themes of sexism, racism, xenophobia, and the inhumanity of established law - all generally glossed over with equally questionable casual indifference, only partly repudiated, and capped off with bizarre (dimwitted and unintentional) gaslighting. The movie is scarcely over one hour long, and is so generally modest in craft and content that it's difficult to find words for discussion without betraying narrative details. Both for better and for worse, 'Heaven with a barbed wire fence' is a bit of a curiosity.
Like everything else here, plot development is very moderate - coming at its own pace, and no sooner. There's not a great deal to the narrative, but it's suitable enough to keep us watching. The performances aren't terribly striking overall, seeming like little more than straight repetition of lines. Only Jean Rogers and Raymond Walburn give any meaningful personality to their characters in their portrayals - it's not much, but I suppose it will do.
And... that's about it.
This isn't a bad movie. But it's hardly remarkable, and not truly noteworthy in any way; it's not really worth taking time to consider writing, direction, or technical aspects, because by the time you do, the movie's over. There's no reason to seek it out, but I guess it's marginally worthwhile if you chance upon it. Keeping in mind firstly that it's not particularly engaging, and secondly the inclusion of some suspect substance - 'Heaven with a barbed wire fence' is a little middling, and a little iffy, but slightly better than not. Take that as you will.
Like everything else here, plot development is very moderate - coming at its own pace, and no sooner. There's not a great deal to the narrative, but it's suitable enough to keep us watching. The performances aren't terribly striking overall, seeming like little more than straight repetition of lines. Only Jean Rogers and Raymond Walburn give any meaningful personality to their characters in their portrayals - it's not much, but I suppose it will do.
And... that's about it.
This isn't a bad movie. But it's hardly remarkable, and not truly noteworthy in any way; it's not really worth taking time to consider writing, direction, or technical aspects, because by the time you do, the movie's over. There's no reason to seek it out, but I guess it's marginally worthwhile if you chance upon it. Keeping in mind firstly that it's not particularly engaging, and secondly the inclusion of some suspect substance - 'Heaven with a barbed wire fence' is a little middling, and a little iffy, but slightly better than not. Take that as you will.
Glenn Ford, a New York boy who has been saving his cash, thumbs and hobos his way to the Arizona ranch he has bought, where he hopes to find HEAVEN WITH A BARBED WIRE FENCE.
A film with a Dalton Trumbo script and story, directed by villain extraordinaire Ricardo Cortez, and starring the frequently twitchy Glenn Ford and the restless Richard Conte just shouldn't be so bloody nice. Though the system -- mostly seen as mean cops and railroad bulls and real estate con men -- is as awful as one might expect from the leftish Mr. Trumbo, every single proletarian is just so sweet and nice and salt of the earth that one feels nausea. It doesn't help that the heroine -- a sweet blonde thing who is an illegal alien refugee fleeing Franco's Spain -- is annoying for reasons of both scripting and acting.
So why watch? Richard Conte, in his first role, already has his persona and a pretty good part. And there are some moments of 30s leftist camp that are pretty astonishing. (Did Dalton absolutely have to set a major portion of the movie in the Russian Worker's mission? All that was missing was a portrait of a beaming Joe Stalin!) Also, this is Glenn Ford's first substantive role (though his performance isn't good).
Why not watch? Essentially, the movie offers an unconvincing vision, is wedded to a political viewpoint that is risible, and the two leads have made much better movies. Also, the strengths of Dalton Trumbo as a screenwriter are nowhere in evidence. Instead, we get a film that the Coen Brothers Barton Fink could have written in a flash (and avoided that hellish bout with writer's block).
A film with a Dalton Trumbo script and story, directed by villain extraordinaire Ricardo Cortez, and starring the frequently twitchy Glenn Ford and the restless Richard Conte just shouldn't be so bloody nice. Though the system -- mostly seen as mean cops and railroad bulls and real estate con men -- is as awful as one might expect from the leftish Mr. Trumbo, every single proletarian is just so sweet and nice and salt of the earth that one feels nausea. It doesn't help that the heroine -- a sweet blonde thing who is an illegal alien refugee fleeing Franco's Spain -- is annoying for reasons of both scripting and acting.
So why watch? Richard Conte, in his first role, already has his persona and a pretty good part. And there are some moments of 30s leftist camp that are pretty astonishing. (Did Dalton absolutely have to set a major portion of the movie in the Russian Worker's mission? All that was missing was a portrait of a beaming Joe Stalin!) Also, this is Glenn Ford's first substantive role (though his performance isn't good).
Why not watch? Essentially, the movie offers an unconvincing vision, is wedded to a political viewpoint that is risible, and the two leads have made much better movies. Also, the strengths of Dalton Trumbo as a screenwriter are nowhere in evidence. Instead, we get a film that the Coen Brothers Barton Fink could have written in a flash (and avoided that hellish bout with writer's block).
I saw this movie when I was 8 years old, so my memories are not nearly as cynical as the previous comments. I've never forgotten a funny scene when Glenn Ford is sitting at the counter in a restaurant. He asks for a cup of hot water and proceeds to add ketchup, salt , pepper, and crackers. He's making soup, for free. When the owner realizes what Glenn is doing, he removes the doughnuts from the counter. Disparage his acting, if you want. I remember being so struck with Glenn Ford looking for Shady Acres that I watched for his other movies. The Depression didn't really end until 1942 with the beginning of WW2 and full employment. But even an 8 year old could see this was a future star.
In film school, when the 'chewing up the scenery' class comes up, this B movie is the feature presentation!
Four likeable, yet different characters traverse the country from East to West. They are all fairly aimless, but the general goal is to find the unseen treasure that Glenn Ford has sold his soul for... a ranch in Arizona.
Despite the terrible conditions, this somehow manages to maintain a high level of comedy and the travelers rarely complain. In fact, it's a lot of fun (mainly) and a rewarding way to spend time.
Four likeable, yet different characters traverse the country from East to West. They are all fairly aimless, but the general goal is to find the unseen treasure that Glenn Ford has sold his soul for... a ranch in Arizona.
Despite the terrible conditions, this somehow manages to maintain a high level of comedy and the travelers rarely complain. In fact, it's a lot of fun (mainly) and a rewarding way to spend time.
This is a wonderful movie! Really. It's not a 'Blockbuster" by today's standards, but it IS extremely heartwarming, well acted, and you-never-know-what's-going-to happen-next type film. Sure, most of us have money, now, to buy groceries and essentials, but what if that all changed?
With such a bumbling potato-head in the WH, right now, who knows what can happen? This film depicts life in the 1930's. For many of you who don't remember that era, or if your 'History Book' conveniently left that part of our recent heritage out -- this was after the Great Depression -- hardly anyone had anything. My parents grew up in that era, and they made their way through it; but they didn't talk about it much.
This film depicts that era. If 'Something Happened', and grocery store shelves were empty and/or you had no money -- or your money was worthless, what would YOU do? How long could you really survive on your pitiful stockpile of "Prepper supplies"? It's worth thinking about.
Watch this movie. Yes there is camaraderie among relative strangers, also fights, trouble with the Law -- however, it all comes out OK -- and it's worth your time to view this film!
I hope to God that part of our History does NOT repeat itself; but NEXT TIME be more careful who you vote for -- AND be far MORE careful about who counts the Votes!!!!!! Oh, and get out of your comfy easy chair -- and GET INVOLVED with politics and governance at your LOCAL levels too!!!
With such a bumbling potato-head in the WH, right now, who knows what can happen? This film depicts life in the 1930's. For many of you who don't remember that era, or if your 'History Book' conveniently left that part of our recent heritage out -- this was after the Great Depression -- hardly anyone had anything. My parents grew up in that era, and they made their way through it; but they didn't talk about it much.
This film depicts that era. If 'Something Happened', and grocery store shelves were empty and/or you had no money -- or your money was worthless, what would YOU do? How long could you really survive on your pitiful stockpile of "Prepper supplies"? It's worth thinking about.
Watch this movie. Yes there is camaraderie among relative strangers, also fights, trouble with the Law -- however, it all comes out OK -- and it's worth your time to view this film!
I hope to God that part of our History does NOT repeat itself; but NEXT TIME be more careful who you vote for -- AND be far MORE careful about who counts the Votes!!!!!! Oh, and get out of your comfy easy chair -- and GET INVOLVED with politics and governance at your LOCAL levels too!!!
Did you know
- TriviaFeature debut of Glenn Ford, whose debut had been two years earlier in the short subject Night in Manhattan (1937).
- Quotes
Anita Santos: Maybe we go together.
Joe Riley: Oh no - oh no we don't.
Anita Santos: Why not?
Joe Riley: Think I wanna get in trouble?
Anita Santos: But I am no trouble.
Joe Riley: All dames are trouble and I'm not gettin' into any jams - so long.
- SoundtracksForty-Second Street
(1932) (uncredited)
Music by Harry Warren
Variations in the score during the empire state building scene
Details
- Release date
- Country of origin
- Language
- Also known as
- Nebo s zaborom kolyuchey provoloki
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 2m(62 min)
- Color
- Aspect ratio
- 1.37 : 1
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