In 1923, Gregory Vance, a widower with two children, is a former scholar who has turned from book-to-bottle. He works, slightly, as a night-watchman and his children, who know him for what h... Read allIn 1923, Gregory Vance, a widower with two children, is a former scholar who has turned from book-to-bottle. He works, slightly, as a night-watchman and his children, who know him for what he is and what he isn't, are his only admirers. Then, it is discovered that he is the only ... Read allIn 1923, Gregory Vance, a widower with two children, is a former scholar who has turned from book-to-bottle. He works, slightly, as a night-watchman and his children, who know him for what he is and what he isn't, are his only admirers. Then, it is discovered that he is the only registered voter in a key precinct and the politicians, from both parties, arrive in drove... Read all
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- Awards
- 2 wins total
- Davy McCarthy
- (as Bennie Bartlett)
- Tri-County Distribution Truck Driver
- (uncredited)
- Davy's Friend
- (uncredited)
- 'Brad' Bradley
- (uncredited)
- Children's Society Report Writer
- (uncredited)
- Ms. Markham
- (uncredited)
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Featured reviews
The plot is very similar to the 2008 movie Swing Vote. Like that one, there is a good amount of fanciful mechanics being written and some kind of civic lesson being promoted. Also like that one, I like the kids more. It is interesting that Gregory is portrayed as a happy drunk. This is a light comedy with an ambitious premise and most of it is fine.
A "B" comedy-drama with a lack of big star names (except for Barrymore, whose career by this time was at a decline), the movie plays fast during its 73 minutes running time. During one of its frequent showings on American Movie Classics in 1999, former host John Burke mentioned that Barrymore disliked working with children because they become scene stealers. Indeed the children are here, and are believable in their roles, especially Virginia Weidler, but they don't take away from that Barrymore magic. And director Garson Kanin successfully mixes the plot with sentiment and comedy without making it appear too "hokey." The supporting cast includes William Demarest as Charlie Dale; Donald MacBride as "Iron Hat" McCarlty, and Bennie Bartlett as his bully son, Davie McCarlty. And whatever became of that boy actor named Peter Holden, who makes his one and only screen appearance as Barrymore's intellectual son?
THE GREAT MAN VOTES, which presently shows on Turner Classic Movies, is the sort of movie that would be best shown on Election Day. (****)
Off screen, Barrymore had lost control of his own drinking, but he could still deliver large, succulent slices of acting ham for director Garson Kanin and RKO Radio Pictures. Later roles helped by having Barrymore play an alcoholic. It wasn't all smooth sailing during this film, however. This is the one where Barrymore allegedly threw Miss Weidler across the set. The little scene-stealer was playing with Barrymore's tie while the acclaimed actor was speaking. Notably, Weidler plays practically the entire movie with a black eye. Weidler did not work with Barrymore again, and young Holden never made another film. Making a great impression, the bully who calls Barrymore a "drunk old bummer" is future "Bowery Boys" series regular Bennie Bartlett (as David "Davy" McCarthy).
******The Great Man Votes (1/13/39) Garson Kanin ~ John Barrymore, Virginia Weidler, Peter Holden, Bennie Bartlett
*** (out of 4)
Tender RKO drama about a former Harvard professor (John Barrymore) who has lost everything due to being an alcoholic but when there's a threat of him losing his children (Peter Holden, Virginia Weidler) fate steps in and he gets a shot at proving he's a great man. THE GREAT MAN VOTES is a nice little gem that certainly has its heart in the right place but what really carries the picture is the wonderful performance by Barrymore who really gets to shine in one of his last major roles. It's a well-known part of Hollywood history now that Barrymore was an alcoholic and it's fascinating seeing how Hollywood added this into the majority of roles he did in the later stages of his career. The way it's used in this film is certainly a lot more respectable and better handled than in such stuff like PLAYMATES and THE GREAT PROFILE but it's still interesting because you can't imagine a major star of today's times suffering from alcoholism and it being used in roles. With that said, Barrymore is simply divine here because he bounces off each and every wall within the frame of the picture and in the end you really can't help but love the character. Barrymore was known for going over-the-top at times and he certainly does that here but at the same time when the script calls for something more dramatic he pulls it off like no other could. The final speech he gives really comes out of no where and the drama and passion Barrymore puts into it is certainly something special. The supporting players add fine work and I was really impressed with Holden and Weilder who played the children. I was somewhat shocked to see that Holden didn't appear in any movies before or after this one, which is too bad because he's quite charming here. Katharine Alexander does a nice job as a school teacher and Donald MacBride is very good as the dirty politician. The entire story is a bit too far-fetched at times and especially how quickly Barrymore's character goes from a push-over to a "great man" but the film has a good message to deliver and with the actors great performance you can't help but want to bring attention to the film.
In this one, Barrymore plays Gregory Vance, a "Great Man" under the thumb of the bottle since the death of the love of his life. He loves his two children, who are part of her, and they believe that he is still a "Great Man." The kids at school label him a drunk, and that's what he is to them.
Hearing Vance speak, learning his history, you know he was a Great Man, and you yearn for him to be one again, for his sake and for that of his children. He has that opportunity, and his children are happy for it. (They kids handle the negotiation. It's splendid.) But does he have to sell his soul, in a manner of speaking, to attain it? There's a heavy streak of partisan politics, though the party name is never specified, and you have a ward boss called Iron Hat who doesn't seem so bad as his awful son.
This movie worked. Since this was Barrymore's last important leading role, he goes out on a wonderful note. And, yes, he played a good drunk.
Did you know
- TriviaGarson Kanin wrote that he insisted that everyone working on the film call John Barrymore "Mr. Barrymore" in a attempt to perk up the actor's sagging self-image, including people who had known Barrymore for years. Several members of the crew quit the film instead of following Kanin's edict.
- GoofsWhen Davy pushes the new kid in the school yard, shadows of the camera and the boom microphone can clearly be seen on the ground behind them. The shadow of the camera then moves as it follows Davy afterwords.
- Quotes
Gregory Vance: Gregory Vance, magnified briefly, by a kindly destiny, in a kindly land where... where greatness is within a people, not within a man; and where any man who calls himself great, is only looking at his shadow, from the shoulders of those who have lifted him up. Today, his own feet must carry him. Side by side we walk today, the big and the little, and, those we sometimes call: the down and out. A voter, by the name of Mr. Whittier, once spoke of that. Today, of all the weary year, a king of men am I. Today alike are great and small, the nameless and the known. My palace is the people's hall, the ballot box, my throne. Tomorrow, I will be quite forgotten - a bit of shadow glory, who, like the rest of you, left his mark only in a ballot box. But I will be no less a part of that total greatness because being even the least in a land where strength is so generous, is greatness in itself.
- Crazy creditsThe opening credits are presented on four-sided campaign-like signs mounted on poles and carried around as if in a parade.
- Soundtracks(Hail, Hail,) The Gang's All Here
(1904) (uncredited)
Music by Theodore Morse and Arthur Sullivan (uncredited)
Lyrics by Dolly Morse
Played during the opening credits
Reprised by the marching band at the parade
Details
Box office
- Budget
- $265,000 (estimated)
- Runtime
- 1h 12m(72 min)
- Color
- Aspect ratio
- 1.37 : 1