Nous irons à Paris

...and dull rom coms like this go into the vault until or unless they are exhumed by TCM for god knows what esoteric reason. Just a hymn to the un funny with, as a previous reviewer noted, a too old Joan Blondell (at least too old to be playing a college town lunchroom waitress) and a too somber Melvyn Douglas with, as another previous reviewer noted, zero chem with Joanie. Throw in the usual trying too hard performance of Walter Connolly, dialogue that is at best half ass "Philadelphia Story", and a director who is clearly uncomfortable or unfamiliar with physical comedy of any sort and you can see why this thing is best forgotten. Solid C.

PS...Googled Joan Perry, who played Silvia. Saw that she survived marriage to both Harry Cohn and Laurence Harvey. Now there's a movie I'd like to watch.

Joan Blondell saved many a movie. Here, as the star, she tries hard, but she is given lines which change her character from minute to minute. The lines are seldom funny. She was always at her best, both early and late in her career, as the brassy city broad, cynical, but with a heart of gold. She doesn't have this kind of role here. Her gold digging ambitions are out of character and are only a minor plot device. Melvin Douglas is Melvin Douglas, urbane, sophisticated, with a dry wit, but no witty lines at all. Walter Connelly, as usual, shouts his lines, but none of them are funny.

The good films of this type seem effortlessly written and performed. This kind of film shows, by its failures, just how great an effort those good films required.

Joan Blondell spent her career in average and mediocre movies. Warner Bros churned out the TV shows of that day and unfortunately for Joan, she was the studio's workhorse. In later years she often said she couldn't remember much about most of them because they were all the same, and the only thing that changed were the clothes. Her assessment is sadly true; most of them are pretty desultory.

But she got a chance to shine with 'Good Girls Go To Paris' and the results are spectacular!

Jenny Swanson is one of the great characters of '30s films, a girl who moves through life purely on the surface, showing only the most superficial understanding of each situation in which she finds herself. But that 'public face' is only her defense. It conceals her real person, deeply understanding, able to perceive the problems of the people around her, pierce their defenses with ease, and dominate the proceedings to bring about the most satisfactory solution. No man can resist her brilliant personality, as one after the other they fall madly in love with her - even the cold millionaire, played brilliantly by Walter Connelly, is vanquished by Jenny's honesty and charm. None of these poor men have a chance!

All time great romantic comedy.

This is not a well crafted or written piece of cinema. I have been arbitrarily watching comedies from this era of late largely to stick my head in the sand from the horrors of the world at the moment. This film could easily be remade with some updates to the increasing gender equality in the world. The setup was unusually clever for one of these early romantic comedies, the characters were fun, some even had a bit of depth. Joan Blondell is utterly charming and her Jenny Swanson is the original Manic Pixie Dreamgirl, it is delightful fluff entertainment. The whole web of mistaken identity was probably clever for the time and a nod to A Midsummer Nights Dream.

Special appreciation to Walter Connolly's performance, his cartoonish exasperation and chemistry with Blondell were some of the best moments in the film. The actors are genuinely enjoying themselves.

Is the writing silly, sure, the dialog a bit basic, absolutely, but holy crap I enjoyed this ever so much more than anything I've seen in awhile.

Based on its plot, this film might have been one of the funniest movies of all time. It is a far-out story, but an ingenious one for comedy. And it's well scripted to that end. As it is, it's very funny and very good. But it misses being great because of a single casting choice - Joan Blondell in the female lead.

As the very good actress she was, able to play diverse roles in many films, Blondell had a particular persona in comedy that should have limited the roles she played in that genre. I can't think of a single comedy film of the many I have seen with her in, in which her character didn't have a bubbly, wide-eyed, overly energetic and smiling personality. It was right or okay for some films, but not the best for others.

Blondell's Jenny Swanson can't shake the image of the cute, bubbly girl next door. While some of her lines impart some maturity, her mannerism remains almost childish. The biggest give-away of the miss in casting here is in the lack of any spark between Jenny and Melvyn Douglas's Ronald Brooke. With Blondell's giddiness, any potential chemistry is lost.

Unfortunately, much of the funny dialog is lost or so quickly glazed over by the overriding air of Jenny's giddiness. On a second viewing of the film, I could imagine another actress in the role who would give just the touch of maturity to the witty dialog and add some on-screen chemistry with Professor Ronnie Brooke. Jean Arthur, Carol Lombard or Constance Bennet would have been perfect for the part.

But, now for all the good things about this film. The story is fantastic, with half a dozen characters with misunderstandings of the main character. But the character herself, Jenny, feeds that because of the several different sub-plots she is part of or knows about that have to do with the others individually. All of the cast give very good performances. The cast is a superb collection of supporting actors of the day. Columbia, which was not one of the Big Five Hollywood studios at the time, managed to get two of the best-known actors of the time who played irascible characters - Walter Connolly and Clarence Kolb.

This is a wonderful comedy based on multiple cases of mistaken assumptions about the lead character. The film has much great dialog. Here are some favorite lines. For more funny dialog see the Quotes section under this IMDb Web page of the movie.

Tearoom hostess, "And remember, you're waitresses, not entertainers. No unnecessary conversation with the students."

Tearoom Hostess, "The students are supposed to keep their minds on their studies. And you girls must remember, that we are only here to satisfy their appetite... for food."

Professor Ronald Brooke, "That was a flutter, Jenny. That was your conscience talking." Jenny Swanson, "Oh, does that mean I'll never be able to do anything wrong?" Ronnie Brooke, "Not with your solar plexus. No Jenny, I'm afraid you're doomed to be a good girl."

Jenny Swanson, "I've got to leave town tonight. If I don't, they'll scramble eggs on the sidewalk. Mr. Dayton said so."

Ronnie Brooke, "And, Jenny, keep away from young men with large cars and small characters. And don't accept things from them." Jenny Swanson, "Nothing?" Ronnie, "Well.... flowers, fruit and candy." Jenny, "And hospitality?" Ronnie, "Only of the right sort, Jenny."

Ronnie Brooke, "But, Jenny, don't be discouraged. Good girls go to Paris too."

Olaf Brand, "You modern girls certainly are cold fish. It wasn't that way when I was young."

Ronnie Brooke, "Jenny, why did you have to pick on this family to blackmail?" Jenny Swanson, "Oh, but I didn't. It was an accident."

Olaf Brand, "Oh, well, cheating in business, ha, ha, that's good. Where would you be in business if you didn't take advantage of the other fella?"

Ronnie Brooke, "Jenny, why are you running?" Jenny Swanson, fleeing from Paul Kingston, "I always run before breakfast. It stimulates your heart, c'mon."

Ronnie Brooke, "I suppose you didn't make yourself as pretty as possible last night. Why, you... you caught him like a rat in a trap." Jenny Swanson, "Did I really look pretty?" Ronnie, "You were wonderful. You looked radiant. You... you were positively starry-eyed. I tell you, I won't have it."

Ronnie Brooke, "Oh Jenny, don't you realize how empty a loveless marriage can be?" Jenny Swanson, "Yes, I do. That's why I told Tom I couldn't Marry him."

Ronnie Brooke, "Now look here, that's no answer. You started to say something." Jenny Swanson, "Aesop says 'Wise men say nothing in dangerous times.'"

Ronnie Brooke, "Good heavens, when I told you to steer clear of Tom, that wasn't a signal to go after every other male in sight."

Ronnie Brooke, "Jenny, have you lost your flutter?" Jenny Swanson, "Oh, no. I'm fluttering something awful right now."

Olaf Brand, "This is insane. You were out with Dennis. You're going to marry Tom. A...and Ronnie in in love with you." Caroline Brand, "And Paul has just proposed to her."

Olaf Brand, "Four men aren't enough. It had to be five. Jenny, weren't you at Briarmont with Sylvia? Were you a waitress?"

Olaf Brand, "I've been having flutters all my life. Why else would I have three doctors?" Jenny Swanson, "You don't need a doctor for a flutter. That's just your conscience telling you what to do, and you don't pay any attention to it."

Olaf Brand, "What do you think of the idea of your son marrying my granddaughter?" Jeffers, "Well, Miss Sylvia is a little wild, sir, but Dennis is the right man for her." Olaf, "That's all I wanted to know."