Frank, a hobo, ends up in a garage-truck stop in the middle of nowhere. Nick Marino, its older, kind and naive owner, is married to Cora, a sexy and mercenary woman half his age. Frank, alth... Read allFrank, a hobo, ends up in a garage-truck stop in the middle of nowhere. Nick Marino, its older, kind and naive owner, is married to Cora, a sexy and mercenary woman half his age. Frank, although not a fan of hard work, accepts Nick's offer to work for him. Of course, it is not fo... Read allFrank, a hobo, ends up in a garage-truck stop in the middle of nowhere. Nick Marino, its older, kind and naive owner, is married to Cora, a sexy and mercenary woman half his age. Frank, although not a fan of hard work, accepts Nick's offer to work for him. Of course, it is not for Nick's sake that the young man becomes his attendant, but for the love of Cora under who... Read all
- Le prêtre
- (as Boverio)
- Le commissaire
- (as Bergeron)
- Un camionneur
- (as Blavette)
- Un joueur
- (as Douking)
- Le monsieur pressé
- (as Duhamel)
- Le patron du bistrot
- (as Ducroux)
- Un camionneur
- (as Labry)
- L'architecte
- (as Martial)
- Le motard
- (as Nadaud)
- Un joueur
- (as Pasquali)
- Le greffier
- (as Paulais)
- L'assureur
- (as Peclet)
- L'avocat
- (as Sergeol)
Featured reviews
It's the first movie version of James M. Cain's THE POSTMAN ALWAYS RINGS TWICE, and it's far more frank about what's going on and the weakness of Gravey and Luchaire. Simon plays one of his monsters, a man who disgusts his wife, whines, and loves everyone indiscriminately. Charles Spaak's script is capably brought to the screen by Pierre Chenal.
The cast are good apart from Gravey who is not good at all in the lead role mainly due to his unpleasant nature. You just cannot relate to him and he doesn't seem to be able to produce any acting nuances that could help build tension. He's just a straightforward arse-hole.
The language in this film is funny as the dialogue is very direct. These people say what they feel - ha ha. My wife particularly enjoyed the lines as spoken by Luchaire when she tells Gravey that she is beginning to like him less and less. I hear this on a regular basis!
We get a body count that seems disproportionately high given the number of characters we are introduced to. The introduction of judge Marcel Vallée and the blackmailing cousin Robert Le Vigan add to the tension as they both have suspicions about the actions of Gravey and Luchaire. The film unfolds as a tragedy and is an enjoyable first run of 'The Postman Always Rings Twice'.
Despite this, Le Dernier Tournant follows Cain's plot closely. The investigation is altered, but the end result is the same in both novel and film. In addition, all of the actors turn in good performances. Corinne Luchaire has an earthy beauty that is a nice contrast to the more glamorous actresses who have played the role (Lana Turner, Jessica Lange), and she fills out a sweater well. The direction is seldom flashy, but it tells the story economically. There are a handful of well done scenes. Particularly effective are the murder attempts, climaxing with the haunting use of an echo.
Le Dernier Tournant is no forgotten masterpiece, just a solid 1930's melodrama. It's still a far cry from the James M. Cain novel though.
Pierre Chenal would never equal this success:the end of his career never finds back the noir atmosphere of his pre-war movies."La foire aux Chimères" ,his chef d'oeuvre, was a different matter.
Did you know
- TriviaFrench visa # 1536 delivered on 23-10-1945.
- ConnectionsVersion of Les amants diaboliques (1943)
Details
- Runtime
- 1h 30m(90 min)
- Color
- Aspect ratio
- 1.37 : 1