Charlie Chan et l'Île au trésor

Fast-paced Sidney Toler who-done-it set at and around the Century of Progress Exhibition in San Francisco harbor. The exhibition was the West Coast's parallel to the 1939 New York World's Fair and the man-made Treasure Island existed and some of its building survived as parts of a naval station for many years. A new writer and producer contributed to the successful direction of Norman Foster who also excelled in his previous Chan effort. The use of close-ups and lighting contribute to the success of this film: Charlie Chan at Treasure Island is simply the best of the Sidney Toler Chan films and runs neck and neck with Charlie Chan at the Opera done by Warner Oland.

The author of 'The Secret of the Pigmy Arrow' dies aboard an eastbound 4-engine flying boat China Clipper and the manuscript disappears as the passengers and crew disembark. 'Suicide induced by blackmail is murder.' The story line is believable and aided by Cesar Romero whose role as Fred Rhandini is reminiscent of a modern James Randi, exposing fraudulent faith healers and spiritualists. Pauline Moore returns for her third Chan film and is believable as a psychic who cannot resist the stronger mind of Dr. Zodiac.

Clues and suspicious characters abound. It is possible to figure out the mystery along with Chan who shares most of what he uncovers with the viewer. 'Obvious clues like tricks in magic – usually prove deceptive.' Comic relief is provided by Victor Sen Yung as No. 2 son, Jimmy, to include a hilarious scene wearing a magician's coat. Only one racial slur directed his way 'A chip off the old chopstick.' Other supporting cast members are excellent in their roles.

Highly recommended.

The infamous Zodiac Killer might have been inspired by this film. The most probable suspect, who has since passed away, used to love this movie and became obsessed with it. If you watch the film and then read about the Zodiac case, you'll see eerie patterns in the writings of the Zodiac Killer and the character of Dr Zodiac in the film. I can easily see how a young kid could be influenced by the creepy Dr Zodiac and the way he taunted authorities..just like the Zodiac Killer would do decades later with similar phrases. Anyway, the film is easily one of the best in the series and still manages to entertain and frighten a bit. I urge you to view this one!

While in route to San Francisco, Chan's friend Paul Essex dies of an apparent suicide. The only clue is a threatening note from someone calling himself the Zodiac. Chan soon discovers that the Zodiac is a successful mystic. Together with a would-be psychic-buster and magician named Rhadini (Cesar Romero), Chan sets out to discover the source of the Zodiac's mysticism and unmask a killer.

I thought I had seen the best of the Charlie Chan series. Man, was I ever wrong. After a first viewing, Charlie Chan at Treasure Island has become one of my very favorite Chan films. It's not just one of Toler's best, it's one of the three or four best entries in the entire series. It's got everything a fan could ask for - an interesting plot, a larger than life villain, solid acting, compelling characters, real suspense, comic relief that's actually funny, and some of the best writing I've seen in a Chan movie. The final reveal is also one of the best in the series. It's not the usual drawing room gathering of the suspects (which I usually prefer), but a drawn out, tension filled scene in a theater full of people. And speaking of tension, Chan's first meeting with the Zodiac is amazing, if not a bit frightening. Charlie Chan at Treasure Island also benefits from a strong supporting cast. Cesar Romero, Douglas Fowley, Pauline Moore, and, personal favorite, Douglass Dumbrille add considerably to the film. Overall, this is one Charlie Chan film that I'm very much look forward to revisiting - and soon.

This worthy addition to the Charlie Chan canon is chock full of the usual genre gimmicks: lightening storms, seances and Confucianism. The inscrutable Sydney Toler travels to the Century of Progress Exhibition in San Francisco to investigate the apparent suicide of a friend. Naturally his "number two son" Jimmy tags along to provide comic relief. Young Cesar Romero plays a skeptical ghost-buster. Pauline Moore is typically shrill and hysterical. There is no sign of Mantan Moreland at all, thank heavens. Director Norman Foster and cinematographer Virgil Miller suffuse everything with ominous gloom. By any standard, this mystery-thriller is a complete success. If you need further chills, it might interest you to know that California's uncaptured Zodiac Killer is believed to have modeled certain elements of his M.O. upon the villain of this film.

Before history gets rewritten (incorrectly) on more of these comments, this movie was set at the Golden Gate International Exposition (sometimes erroneously known as the San Francisco World's Fair) which was held in San Francisco on what was known as Treasure Island in 1939 and 1940. (There is still a small museum of Expo artifacts in the horseshoe-shaped Administration Building.) It was not the "Century of Progress Exhibition" as some people have thought. That was the 1933 Fair held in Chicago! The real footage of this Exposition is terrific, especially the aerial views. I think the writers used the backdrop of the Expo to their advantage. The magic show was very entertaining and the clairvoyant was eerie. All in all, this is one of the best of the Chan series.