Charlie Chan et l'Île au trésor

A lot of people think this was Sidney Toler's best Charlie Chan film. I don't know about that, but it is one of his better ones, that's for sure. It featured a lot of suspense, along with action and humor - a good bit of everything that makes the Chan movies popular among its fans.

Charlie travels to San Francisco to find out if a friend of his really committed suicide or was murdered. Son "Jimmy" (Sen Yung) comes along for the ride, for some help and some humor. The story revolves around the occult, a familiar theme in films back in the '30s and '40s. Charlie provides an a solid challenge to the charlatans who practice the occult and bilk people out of their money believing in that hocus-pocus. While Chan disproves that stuff, there is one case of a woman definitely having mind-reading abilities that our Chinese friend acknowledges.

A very young (and almost unrecognizable the first time I saw this) Caesar Romero plays a magician, and skeptic ghost-buster and something I can't say without giving away the ending. He was a likable guy and a good edition to the movie.

In all, a fun 75 minutes. Now, if we could just get this to come out DVD.

On a plane headed to San Francisco, Charlie Chan and one of his sons witness the death of a famous writer. The man's death sets the film's plot in motion, as Charlie and company investigate the mysterious "Dr. Zodiac", a grim and extremely intimidating figure who is tall, wears a large mask, and has "psychic" powers.

This is one of the better films in the Charlie Chan series. The story has some really good plot misdirection, consistent with the theme of magic. I correctly picked the killer, but only after a certain plot point toward the end. Up to that point, I was way off in my guess.

But this film is superior to other Charlie Chan films mostly because of the terrific B&W cinematography. The lighting trends toward stark contrasts, with spooky shadows. Some good cross lighting and black curtain effects, together with great close-ups of eyes in the darkness, amplify the suspense. Overall visual styling is more complex, more artistic than in other Charlie Chan movies. The other-worldly persona of Dr. Zodiac combined with the striking visuals give the film real atmospheric character.

I do have a couple of complaints. The suspect pool is not terribly exciting. I would have liked for the existing suspects to have more screen time; also, I would have preferred a larger number of suspects. Second, the way in which the whodunit puzzle is solved is not standard, to say the least. But maybe back in those days, people gave as much credence to mental telepathy as they did to logical deduction.

The film uses San Francisco's "Treasure Island" as a backdrop to the story, which adds some contextual flavor to the film, though unnecessary to the plot. Overall, this is a fine film, one that will appeal especially to die hard Charlie Chan fans.

I recently bought this video on Ebay. I'm told it's hard to find in stores. I recall the Dr Zodiac scenes being frightening as a kid and you know, there are still scenes in this that give me the creeps.

The scene where the female psychic keeps sensing evil (evil looking like two eyeballs illuminated in the darkness) and that nasty looking Dr Zodiac gave me nightmares. I wonder why they don't make a Charlie Chan movie today with some Asian actor finally playing Charlie.

Fast-paced Sidney Toler who-done-it set at and around the Century of Progress Exhibition in San Francisco harbor. The exhibition was the West Coast's parallel to the 1939 New York World's Fair and the man-made Treasure Island existed and some of its building survived as parts of a naval station for many years. A new writer and producer contributed to the successful direction of Norman Foster who also excelled in his previous Chan effort. The use of close-ups and lighting contribute to the success of this film: Charlie Chan at Treasure Island is simply the best of the Sidney Toler Chan films and runs neck and neck with Charlie Chan at the Opera done by Warner Oland.

The author of 'The Secret of the Pigmy Arrow' dies aboard an eastbound 4-engine flying boat China Clipper and the manuscript disappears as the passengers and crew disembark. 'Suicide induced by blackmail is murder.' The story line is believable and aided by Cesar Romero whose role as Fred Rhandini is reminiscent of a modern James Randi, exposing fraudulent faith healers and spiritualists. Pauline Moore returns for her third Chan film and is believable as a psychic who cannot resist the stronger mind of Dr. Zodiac.

Clues and suspicious characters abound. It is possible to figure out the mystery along with Chan who shares most of what he uncovers with the viewer. 'Obvious clues like tricks in magic – usually prove deceptive.' Comic relief is provided by Victor Sen Yung as No. 2 son, Jimmy, to include a hilarious scene wearing a magician's coat. Only one racial slur directed his way 'A chip off the old chopstick.' Other supporting cast members are excellent in their roles.

Highly recommended.

When a young friend of Charlie Chan's, mystery writer Paul Essex, receives a strange message on the flight to San Francisco connected with 'Zodiac', and before the landing strangely commits suicide, Charlie feels it his duty, of course, to find out who drove him to kill himself - because, as he remarks in a conversation about the occult: black magic very often goes with blackmail...

He's invited to 'Treasure Island', part of the San Francisco World Fair, by magician Rhadini, who soon reveals that his great antagonist is - 'Mr. Zodiac'! So Charlie knows he's on the right track, especially since strange things keep happening: Essex' last script, 'The Mystery of the Pigmy Arrow', which he'd just finished on the plane, vanishes, and Charlie and son Jimmy suspect ominous 'Mr. Gregory', allegedly an insurance agent. At 'Treasure Island', they meet again; and we also get to know quite some other illustrious characters: Eve Cairo, who possesses REAL psychic powers as a mind reader and for some reason seems to believe very much in Dr. Zodiac's abilities - a fact of which her boyfriend, police reporter Pete Lewis, disapproves greatly; then there's Bessie Sibley, a reckless man-hunter, who seems quite fond of Rhadini, which in turn makes his wife Myra (a former knife thrower from vaudeville) pretty jealous...

Charlie finally manages to be granted entrance to Dr. Zodiac's house, who gives a 'performance' of his psychic abilities, communicating in a really eerie dark room séance through an ancient Egyptian priestess with Paul Essex, who declares that he hadn't been blackmailed - but Charlie is convinced otherwise. So, he returns to the house when he knows that Zodiac is out; and actually finds, hidden in a secret room behind a huge safe, a whole filing cabinet with files full of ideal blackmail information on people from all over the country! He sets the whole room on fire to destroy once and for all Zodiac's 'income source' - and then thinks of a clever way to expose the ruthless blackmailer publicly: he suggests to Rhadini to challenge Zodiac to a 'spiritual duel'...

This is certainly one of the VERY best entries in the 'Charlie Chan' series, most magnificently and literally hauntingly photographed, and marvelously acted (guest starring as 'Rhadini' is none less than one of the great matinée idols of the 30s, Cesar Romero!) - the atmosphere in this movie is so fascinating that you can't take your eyes off the screen even for a moment. And yet, amid all those creepy, murderous ongoings there is always room for some humor: Jimmy Chan, as always eager to help his Pop, rushes onto the stage for an announcement - and grabs Rhadini's 'magic' coat, which starts producing flowers, ribbons and rabbits while he's trying to make his speech! There's really NOTHING missing in this magnificent thriller...