Capitaine Furie

The best way to describe this film is by saying it's like an Australian version of ROBIN HOOD. In this case, the film is set during the penal colony days in Australia. George Zucco plays an unscrupulous jerk who buys up all the prisoners to be his indentured servants (though he treats them like his ranch is Devil's Island). In addition, he's power-mad and wants to force all the small nearby farmers to run away by having his thugs attack them one at a time. However, Brian Ahern plays an Irish patriot who was banished to the land down-under and he won't live like a slave, so he leads a small rebellion. With his group of suddenly free men, they embark on a campaign to unify and protect the small nearby farms from the evil Zucco.

Brian Ahern, not a familiar leading man, does a fine job and he is very ably assisted by Victor MacLaglen in a semi-comedic role. The film is exciting and fun, though a tad predictable--much like a Saturday morning B-adventure film from the era.

Hal Roach who more often than one would think as his reputation has come down today sometimes left the two reel comedies and occasional feature films for Laurel&Hardy and did some big budget stuff. One of his biggest was this 18th century costume drama Captain Fury. It even snagged an Oscar nomination for Art settings.

This story which borrows most liberally from the legend of Robin Hood casts Brian Aherne as Irish convict who was fighting for independence in Ireland which activities got him arrested and sent to Australia which as we know was a penal colony in those days.

He's indentured to a most cruel and rapacious landowner George Zucco who treats the army of convicts in his charge like slaves. He's our Sir Guy of Gisborne in this tale. It doesn't take long for Aherne to escape with a few good men and take up his rebel ways once again. In the process he wins June Lang away from her puritan father Paul Lukas.

Lukas's mittel europa accent is easily explained when one realized that the King of Great Britain had some considerable real estate in the heart of Germany. The Hanover dynasty were first Electors of the Palatine. Lots of settlers from there migrated to all kinds of British colonies so Lukas by no means would have been out of place.

His is a strange character, a great example where one can get truly warped overindulging in religious doctrine. He doesn't like Zucco and his cutthroats, but can't get past Aherne's criminal activity.

The film also features Victor McLaglen just being his charming self. That's enough for a lot of people to watch the film.

Even without McLaglen's oafish ways, Captain Fury is a fine and dashing action/adventure film. I'm sure the parallels with The Adventures Of Robin Hood which came out the year before could not help being noticed by the movie going public.

I've always wondered why Brian Aherne wasn't the star Errol Flynn was, when he was incredibly handsome, a good actor, and resembled the new Australian star. If you'd like to see him in his own version of Captain Blood, check out Captain Fury four years later. He plays an Irish convict sent to Australia, where he escapes his environment and forms a band of rebels.

This movie really isn't good. Much like we all forget about Errol Flynn's In the Wake of the Bounty for his sake, this is a good one to forget about for Brian Aherne's sake. I couldn't even make it all the way through, and if I couldn't sit through a movie with a handsome man in it, you know it has to be bad. I'm a fan of swashbuckling adventure flicks, but only when they're good. Stick with Captain Blood.

Although lower-tier Hollywood mogul Hal Roach is deservedly best-known today for nurturing many legendary comedians over the years (especially the greatest comic duo in film history, Laurel and Hardy), his production company also made other types of movies – with the TOPPER movies (2 of which I have recently watched) and the celebrated original version of OF MICE AND MEN (1939; which I have just acquired) being arguably their best 'extracurricular' ventures. To a much lesser degree, Roach was a director himself and the well-crafted and, in hindsight, unjustly forgotten adventure film CAPTAIN FURY is perhaps his finest personal effort; for the record, I have recently also come across the prestigious prehistoric epic ONE MILLION B.C. (1940; starring Victor Mature and Lon Chaney Jnr.) and, on account of my positive experience with the film under review, plan to check it out presently. Anyway, CAPTAIN FURY may not strictly be swashbuckling fare but it is clear that Roach was following the classic Robin Hood/Zorro templates in this story of the titular Irish rebel (Brian Aherne) exiled to an Australian penal colony headed by a brutish landowner (George Zucco) who is also harassing the nearby settlers. Bonding with the fellow inmates – particularly incorrigible, thuggish thief Victor McLaglen and a sickly philosopher John Carradine – Aherne soon escapes to rouse the settlers against their oppressor. The excellent cast rounded up for this action-packed and amiable romp (that, for a 70-year old movie, features at least one extraordinary stunt involving a horse leaping down a waterfall!) is completed by the familiar faces of top-notch character actors like Paul Lukas (as a religious fanatic initially opposed to Aherne for setting sights on his daughter), Douglas Dumbrille (as Zucco's henchman), Charles Middleton, Claud Allister, Lumsden Hare, Mary Gordon, Edgar Norton, Billy Bevan, etc. Like the film itself, Aherne is a largely forgotten actor nowadays – despite having portrayed the legendary figure of King Arthur twice on screen in PRINCE VALIANT (1954) and LANCELOT AND GUINEVERE aka SWORD OF LANCELOT (1963) – but, seeing him cutting such a dashing figure here in the Errol Flynn mould, made me want to check out more of his work…and, indeed, his Oscar-nominated turn as Emperor Maximilian in William Dieterle's star-studded biopic JUAREZ (released just one month prior to CAPTAIN FURY) should be just around the corner! It is always so refreshing to take these nostalgic trips to the lightweight entertainment Hollywood provided during its Golden Age and, as in previous occasions, I have the former sexton friend (and renowned film buff) to thank for introducing me to this rare gem via his personal (and understandably hazy) 16mm print.

This definitely isn't a bad film, but it is very standard.

It's a western, pure and simple, with none of the interesting bits that made Quigley Down Under such a blast. We have the put upon hero who rallies the people. The evil land baron. The good guys standing up to be counted.

The only real difference is that it happens in Australia, although good luck telling that, since the scenery bears as much resemblance to Aus as a fart does to a hurricane. Not even the two poor Kookaburras shown in one shot can convince me otherwise!

The acting here from all the main cast is good, especially Carradine, as usual. George Zucco plays the evil land baron as well as the man played all the dastardly villains he did in his long career.

There are a few good action scenes (check out where our hero uses a whip!), but other than that, this is a B Western through and through. I could almost hear the dialogue before it was spoken.

There's also the bad feeling that the hero is helping these "great pioneers" destroy the actual locals, as with most westerns from this time.

Fun, but you'll forget it almost as soon as it ends.