Chantage

Back in the mid-1930s, Warner Brothers came out with a shockingly brutal and absorbing drama about the evils of chain gangs. Paul Muni's performance and the script for "I Was a Fugitive From a Chain Gang" were superb and the film has held up great over the years. Because of this, films like "Blackmail" seem incredibly bland and pale in comparison.

When this MGM film begins, John Ingram (Edward G. Robinson) is a successful and well respected man whose job it is to put out oil fires. Unfortunately, he's also a fugitive from some Southern chain gang-- an innocent man who couldn't prove this but managed to escape. Since then, assuming a new identity, he's gone on to make a productive life and a nice family. However, when a scumbag (Gene Lockhart) comes to town, Ingram is in trouble. While he's just asking for a job, this guy is a crook and is the guy who is actually responsible for the crime Ingram was arrested for years ago.

So far, while the plot is hard to believe, it is worth seeing. What happens next, however, sure strains credibility way past the breaking point. The scum-bag EASILY convinces Ingram that he is willing to own up to his crime but only if he gets a huge payoff. In other words, he'll admit to the crime but escape--leaving evidence that will clear Ingram's name. Not at all surprisingly (since he IS a crook), he tricks Ingram and it's Ingram who is sent to prison. Duh.

For the rest of the film, Robinson spends his time in prison. However, the chain gang is run by a bunch of brutes (though they are FAR less brutal than the guys in the earlier film) and eventually he realizes he must escape in order to ever see his family again.

So why does this film earn a 5? Well, it is entertaining but it breaks absolutely no new ground and pretty much neuters the old plot. The chain gang, while unpleasant, doesn't seem all that bad and instead of this form of imprisonment being indicted, the film actually is all about capturing the real baddie and sending him to prison where he rightfully belongs. Amazingly poor considering the material.

Edward G. Robinson is rather implausibly cast as an oil-field firefighter named John Ingram who is even more implausibly married to beautiful Ruth Hussey. Turns out Eddie G. has a big secret in his past: he's a fugitive from a chain gang. Slimy Gene Lockhart shows up and tries to blackmail him. When that doesn't work, Lockhart cooks up a plan to steal Eddie's business and send him back to the chain gang.

Excellent work by Gene Lockhart. I've seen him in lots of movies, usually playing very similar roles in a very similar manner. But here he's playing a hobo shakedown artist -- with an accent, no less! He gives the best performance in the film, though Eddie Robinson is solid, as usual. Ruth Hussey is lovely and plays the courageous wife well. Guinn Williams plays Robinson's annoying friend. Some nice footage of the oil firefighters. The chain gang parts are a little reminiscent of a certain classic Paul Muni film. Diminutive Robinson's escape scene is lots of fun to watch, though. Look at him go! An enjoyable movie that fans of Robinson will enjoy. It's not one of his best but it's good entertainment.

Here's to You Mr. Robinson. Even when Slightly Miscast and Upstaged by the Villain Edward G. managed to put Verve and Gusto in any Role. Here he goes from Family Man to a Rage Filled, Revenge Seeking Psycho Hell Bent on Saving His Family and Fortune from a Slimy and Totally Repugnant former "Friend".

There are some Minor Cringe-Inducements mostly at the Beginning with some Comedy Relief and Smarmy Family Stuff, but Once the Blackmailer Shows Up Things Kick into Overdrive and there are some Very Effective Chain Gang Scenes and a Suspenseful Escape.

The Oil Fires are Realistic and this is one of the Few Times that MGM tried to be Gritty and Deliver a Message. They were Aping Warner Brothers and did a Pretty Good Imitation.

Poor title for what is a movie patterned on "I Was A Fugitive From A Chain Gang." It would appear that some of the shots were either taken from that masterpiece or re-done virtually identically with new cast. Edward G. Robinson is presented in the Paul Muni role but this time the hero has been willfully framed -- not wrongfully convicted. This framing is necessary for the rest of the story line and the plot unfolds as believable. Gene Lockhart steals the show in his portrayal of the villain. Robinson never looks as gaunt as Muni and is less convincing as someone who has suffered on the chain gang. Watching Robinson's rotund body run through the swamps just doesn't hack it. If given a choice, see the Muni movie but this one will serve for those who prefer a different ending. A better title might have been "Vengeance."

All chain gang movies take us on a journey. We start with a nice guy, usually innocent, being brutalized on a chain gang until he becomes a seething mass of controlled rage out for vengeance. This movie is no exception.

Edward G Robinson has been victimized before so his situation here is no real surprise. The surprise is the object of his rage. A total psychopath named Ramey, played by non other than Gene Lockhart of all people. The casting director in this movie was a genius. Who would have ever thought of this perennial nice guy as a villain. Crybaby Bobs Watson does his bit as EGR's kid Hank. Big Boy Williams is his loyal affable self. It is no wonder he stayed busy for decades. Only Ruth Hussy drops the ball in this one. She just doesn't seem gritty enough for this kind of melodrama.

It may sound crazy, but there is something comforting about the savage routine of a chain gang when compared to the terror of escaping and becoming a fugitive. You would think that every police force in the country has nothing to do but search for this guy.

I won't get into the ending - it's a little hard to swallow, but I think it's worth waiting for. Just remember, this takes place long before the Miranda decision. This is a little programmer that gets lost between "I Was a Fugitive From a Chaingang" and "Cool Hand Luke", but as chain gang movies go, this is a winner.