Mademoiselle et son bébé

How many of us can sympathize with this? Your job is hanging precariously, your social life is not what it could be, and customer service won't let you return a malfunctioning Donald Duck toy without a receipt in triplicate.

This is the irresistible comic situation for the forgotten classic "Bachelor Mother". A young, urbane department store worker happens to run across a baby left on a social office's doorstep. Under the circumstances she is confused as the mother of the baby. She flatly denies this but no one will believe her including her boss, a wealthy, prim David Niven. Following a comedy of errors reminiscent of a Shakespeare play these two are thrown together and Niven is then assumed to be the baby's father by his own father, the inimitable Charles Coburn. The movies dances dizzyingly from one comic scenario to another, including a scene where Niven misdirects Rodgers to rub baby food into the baby's navel, and the cathartic comic moment where Niven, the store manager disguised a customer, demands to have his Donald Duck toy returned, to no avail.

Niven: "What is wrong with our Sales Return desk?"

Rodgers: "They don't return anything!"

Filled with scintillating wit, bubbling chemistry and a feel-good plot it is the perfect comedy to enjoy over and over again.

Ginger Rogers is young, single, and unemployed when, as the result of doing a good deed, she gets stuck with a baby in "Bachelor Mother," a 1939 film also starring David Niven and Charles Coburn.

Rogers plays Polly Parrish, who on her way home from her last day at the department store she worked for over Christmas, sees an old woman leaving a baby on the steps of an orphanage. Fearful the child will fall down the steps, she is kneeling over him when someone from the orphanage opens the door and mistakes Rogers for the baby's mother. Polly gives the place her name and place of employment before she realizes they think she's the mother. When she runs away and leaves the baby, the orphanage gets busy contacting her employer. She gets the baby and her job back, plus a raise. No one will listen to her, so she gives in and makes up a story. Complications arise with a date who wants to move up in the store to floorwalker and believes the son of the owner (David Niven) is the baby's father. Eventually the store's irascible owner (Coburn) thinks Polly has given birth to his grandchild and insists that his son marry her.

This is a charming little film with wonderful performances. Niven in that stuffed shirt way of his is very elegant and likable, Coburn is great as his demanding father who breaks down and cries as he holds the baby. "I'd know that chin anywhere," he sobs. Rogers is fantastic. She looks gorgeous and even has a chance to dance without Fred around.

Highly recommended. Wonderful entertainment.

This is a romantic comedy in the fullest sense of both terms. it is both hilariously funny and touchingly romantic (in the old-fashion boy sweeps girl off her feet even though she can give as good as she gets kind of way).

I totally loved the New Year Party scene, and the complications with the other boyfriend were great fun. And Donald Duck has a small but key role to play in this story.

Obviously some of the social attitudes are a bit hackneyed today, but the character personalities certainly shine through brilliantly still.

Ginger Rogers, David Niven and Charles Coburn achieve intense comic chemistry under the direction of Garson Kanin. Hardly a dull moment in this stylish and breezy 1940's "department store" romance. The film is constantly funny, often hilarious and always engaging. Rogers and Niven are so stellar they transcend their era, their characters are as contemporary as they are classic. Overall, a brilliant effort by all concerned!

Having seen most of GR's movies (both solo & with Fred Astaire), I must admit that I much prefer her "solo" (as opposed to merely a "dancing partner") & "Bachelor Mother" is, without a doubt, her funniest film!

There are many great comedic "bits" in this film -- her pretending not to speak English at a New Year's Eve party, the dancehall sequence, David Niven's run-in with a toy "Donald Duck" (and many more), that make this film an absolute JOY!

The only other GR film that comes close to it is "Vivacious Lady". Both of these are "Must See"! -- And, try not to laff so hard!