Nick joue et gagne

The Thin Man movies all depend on the fantastic chemistry between stars

William Powell and Myrna Loy. Without these two talented, charismatic

performers, the movies would be a bit hard to watch today, as many of the

supporting players have rather stilted, "theatrical" acting styles. The movies are well-directed, however, move fairly quickly, and have a lot of humor and

dialogue that still hold up quite well. "Another Thin Man" is no exception; although not quite as charming as the first two, this movie still has great

interplay between Powell and Loy, as well as an extremely cool and unusual

Cuban dance number (about 55 minutes into the movie) which is really worth

seeing.

... that I had to abandon any hope of understanding it and just enjoy the performances, which is what most people do with "The Big Sleep".

Nick and Nora return to New York City, and are immediately contacted by Colonel MacFay (C. Aubrey Smith) who runs some of Nora's business interests. He tells Nick he must come out to the Colonel's Long Island estate to go over the financial statements of Nora's business holdings. So out the Charles' go with their baby and the baby's governess in tow. Nick thinks he sees a dead body on the road to the estate, but when he stops to investigate, it is gone. At the gate of the estate the Charles' are met by tons of people with shot guns and rifles demanding proof that they have an invitation to be there. Once inside, MacFay tells Nick about a disgruntled former employee, Mr. Church, who went to prison for ten years for doing dishonest things at MacFay's behest. Now out of jail, Church is demanding money. In spite of all of the armed guards, things keep happening inside the estate that looks like Church or whoever is working for him can come and go at will. Then, that night, a shot rings out and MacFay is found dead in his bed, his face badly battered. So this starts Nick down the path of solving the murder.

Past this point things get very convoluted very quickly. There are just too many characters, most of whom have involved stories. Nick and Nora are apart for much of the film, with Nick usually working and sleuthing alone. The high points are the times when some of that great Nick and Nora banter is going on. I wouldn't rate this film above a 5 if not for the great chemistry of Powell and Loy. For that alone it is worth a watch.

When a movie begins with C. Aubrey Smith, that craggy paragon of old-fashioned values, beaten, shot and stabbed to death and then finishes with Shemp Howard, one of the Stooges, dandling a baby, you might believe you're in some odd alternate universe. In a way, you are, but the universe is the world of Nick and Nora Charles and the movie is Another Thin Man. It's the third film William Powell and Myrna Loy made about the debonaire amateur sleuth and his wealthy wife. If it doesn't quite reach the heights of witty sophistication of the first two, it'll do.

Nick and Nora, together with their new baby and Asta, are at the Long Island estate of the aging and imperious Burr MacFay (Smith), the partner of Nora's father before her father died. He's a financial wizard who still manages much of Nora's wealth...and he believes he's a man under a death threat. Within hours of their arrival, late at night, a fire starts in the ornate bath house, a fuse apparently blows taking out all the lights, the huge dog of the house is found killed...and MacFay is discovered shot, beaten and stabbed. Yet everyone seems to have an alibi. And what a bunch there is: MacFay's adopted daughter, Lois MacFay; Dudley Horn, the man she plans to marry who seems to love her money as much as he says he loves her; Freddie Coleman, MacFay's young, baby-faced secretary who is smitten with Lois; Mrs. Bellam, the curiously uncurious housekeeper; and Dorothy Waters, the nanny Nora engaged to help look after Nickie, Jr., who suddenly disappears. Those are the ones in the mansion. Lurking outside is a former employee of MacFay, Phil Church, who went to prison and now has schemes to cash in; his girl friend, his loyal goon and a slow-speaking piece of muscle who wears thick glasses. Nick and Nora head back to New York as soon as they can, but the mystery and the threats follow them. It takes a visit to the apartment of a woman no one seems to have met and some clever thinking before Nick brings everyone together in the Charles' hotel apartment where the ruthless murderer is exposed. Even that is complicated by Nickie, Jr.'s boithday party thrown by some of Nick's disreputable acquaintances and their kids.

In the meantime, we get to enjoy the imperturbable, affectionate and wittily ironic relationship between Nick and Nora, and delight in the expert playing of William Powell and Myrna Loy. Nick and Nora, especially Nick, enjoys his martinis and scotch, but this time around it's a little less obvious and a little more fun. "A Bacardi," says Nick to the waiter in a Latin nightclub. He glances over at Nora and adds, "Two Bacardis." Says Nora with a straight face to the waiter, "I'll have the same." The waiter brings four Bacardis. The mystery is complicated and, in my view, a little too much time is spend on it at the expense of time with the two of them. Still, the movie's extended nightclub scene shows just how witty, light and affectionate Powell and Loy could be when they had enough time to work their characters together. They made 14 movies together over 20 years, including the six in the Thin Man series. Individually or together, Powell and Loy were class acts.

And yes, Shemp Howard really is there. So's a chest-thumping Marjorie Main.

Another Thin Man is at times quite funny but is less a comedy than a screwball mystery, which is to say it is a nice little atmospheric whodunit with laughs, populated by an assortment of urban types and set largely on a Long Island estate.

The film is well-paced and has just a hint of the supernatural, which gives it at times an eerie flavor. Photographically it is darker in tone than its jollier predecessors despite the oftentimes comical goings-on.

The occasionally somber mood of the picture perhaps anticipates the coming of the world war, as there is an undercurrent of urgency and dread in the way its story is told that seems to come from outside the movie itself.

William Powell and Myrna Loy prove themselves once again to be the Fred and Ginger of detective movies.

I've enjoyed all the Thin Man movies over and over, although the first is my favorite. But my favorite part of this movie is the gorgeous Latin dance show a the India Club. I am mesmerized by the elegant and smooth dance performance which I understand from an earlier comment was done by Carmen D'Antonio and Miguel Fernandez Mila. It is a marvel to watch and I always look forward to this part of the movie. What a shame that, in those days, such gorgeous artistry could be "uncredited."

I also enjoy the Nora's dance with the gigolo. The whole India Club business is quite funny and entirely in the spirit of the Thin Man series.