Nick joue et gagne

Another Thin Man is at times quite funny but is less a comedy than a screwball mystery, which is to say it is a nice little atmospheric whodunit with laughs, populated by an assortment of urban types and set largely on a Long Island estate.

The film is well-paced and has just a hint of the supernatural, which gives it at times an eerie flavor. Photographically it is darker in tone than its jollier predecessors despite the oftentimes comical goings-on.

The occasionally somber mood of the picture perhaps anticipates the coming of the world war, as there is an undercurrent of urgency and dread in the way its story is told that seems to come from outside the movie itself.

William Powell and Myrna Loy prove themselves once again to be the Fred and Ginger of detective movies.

After the monumental success of The Thin Man (1934) and After The Thin(1936), William Powell and Myrna Loy reprise their roles as the movies most beloved and celebrated husband and wife super sleuths.

In their third mystery, Another Thin Man, Nick and Nora Charles with the newly arrived Nick Jnr, find themselves drawn into a web of intrigue and murder while visiting an old family friend in Long Island.

The friend is the aged and stuffy Col. MacFay (C. Aubrey Smith) who is being threatened, blackmailed and terrorised by ex-employee Phil Church (Sheldon Leonard).

When MacFay is murdered in the night, Church becomes the prime suspect, but the affable, scotch swigging Nick Charles believes otherwise. He intends to prove this by once again coming out of retirement and investigating the case as only he knows how.

All the great Thin Man ingredients are here, the suspense, the mystery, the romance, and above all the comedy as Powell and Loy, one of cinemas most frequently paired and enjoyable double acts once again spar off each other to perfection. Its plain to see why their films were so popular. Never before or since has Hollywood seen such a perfectly matched comedy partnership.

Suspects in this murder include Otto Kruger, Nat Pendleton, Tom Neal, Virginia Gray, Patric Knowles, Abner Biberman and Don Costello, and in a typical Thin Man ending, Nick gathers them together to pick out his man.

This movie maintains the wit and humour of the first two offerings, and Powell and Loy's screen chemistry is never better. All in all, a great addition to the series and one in keeping with two previous movies, but alas all good things must end.

It was plain to see, that with the obvious war clouds looming, Nick and Nora's sophisticated banter and well-to-do lifestyle would soon be out of touch and out of date with the difficult times that lay ahead. In point of fact I believe that when we watch this film, we are witnessing the last true great Thin Man film to be made.

The series struggled on through three more disappointing efforts, before ultimately being laid to rest, and I think the reason for their failure was purely down to changing times and attitudes. In the next two films Nick and Nora live in a modest flat, and references to their vast fortune, have been sensitively toned down if not obliterated as a nod to a sombre, struggling and rationed war-time audience.

However the public could not accept The Charles family in a mediocre fashion so the films suffered as a result from the gesture.

By the time the final film, Song of the Thin Man was made in 1947, and with the war still fresh in the publics mind it was too late to bring back the humour and attitudes of the prosperous and carefree days of the late 1930's and the Charles' had irreparably lost touch with their audience.

Luckily we still have the first three movies to show us what a true screwball comedy mystery should be, and why William Powell and Myrna Loy will always be remembered as two of the greatest.

I hadn't seen this one before, probably the thought of the Charles' with a baby tagging along worried me. But although he formed a double act with Asta for the first half by the time the plot went into overdrive he was virtually ditched. And I've not come across this Hammett story, but with the comedy turned up to maximum there is so much going on in here I'm amazed it all got squeezed into 98 minutes. The complete box-set print is absolutely pristine and gleamingly atmospheric as was only achievable with nitrate stock.

The plot you can liken to a game of keeping a ball in the air, the members of the cast who let it drop to the ground get murdered. It's impossible to explain the complexities of it all - in short Nick's trying to prevent a murder, then trying to catch the murderer - from a dizzying array of suspects. This is Red Herring City, right up to the very end when Nick unmasked the surprise murderer and even the housekeeper's motives are explained in a dismissive sentence - but not corroborated. If you want to work out whodunnit for yourself my advice is keep a very open mind! If you don't like whodunnits at all watch this solely for the astonishing dance routine by Rene & Estela - Fred & Ginger were awkward in comparison!

I'm going to have to watch this again, soon and sober to tie up some of the threads I lost along the way. I noticed Nick hardly drank at all in here - was that Hays Office pressure? All in all not quite as good as the first two but still one Hell of a ride!

... that I had to abandon any hope of understanding it and just enjoy the performances, which is what most people do with "The Big Sleep".

Nick and Nora return to New York City, and are immediately contacted by Colonel MacFay (C. Aubrey Smith) who runs some of Nora's business interests. He tells Nick he must come out to the Colonel's Long Island estate to go over the financial statements of Nora's business holdings. So out the Charles' go with their baby and the baby's governess in tow. Nick thinks he sees a dead body on the road to the estate, but when he stops to investigate, it is gone. At the gate of the estate the Charles' are met by tons of people with shot guns and rifles demanding proof that they have an invitation to be there. Once inside, MacFay tells Nick about a disgruntled former employee, Mr. Church, who went to prison for ten years for doing dishonest things at MacFay's behest. Now out of jail, Church is demanding money. In spite of all of the armed guards, things keep happening inside the estate that looks like Church or whoever is working for him can come and go at will. Then, that night, a shot rings out and MacFay is found dead in his bed, his face badly battered. So this starts Nick down the path of solving the murder.

Past this point things get very convoluted very quickly. There are just too many characters, most of whom have involved stories. Nick and Nora are apart for much of the film, with Nick usually working and sleuthing alone. The high points are the times when some of that great Nick and Nora banter is going on. I wouldn't rate this film above a 5 if not for the great chemistry of Powell and Loy. For that alone it is worth a watch.

The third of the Thin Man films finds Nick and Nora out on Long Island answering a distress call from an old friend of Nora's father, C. Aubrey Smith. Sheldon Leonard went to prison and he's got the idea that Smith should have been there with him. He's making all kinds of threats against Smith and eventually Smith winds up dead. Three other deaths occur, two of the human and a dog (not Asta) before William Powell solves the mystery.

Another Thin Man boasts the usual tightly written script with a good group of plausible suspects, the ending I have to confess was a real surprise to me.

MGM always gave Powell and Loy a great group of supporting players to work with. Some of the ones I enjoyed here not previously mentioned were Virginia Grey as Smith's daughter, Harry Bellaver as one of Nick's old criminal cronies and Marjorie Main as a landlady who thinks she's seen it all.

Abner Biberman has an unusual role given the times. He's a hatchetfaced stone cold killer named 'Dum-Dum' who works for Sheldon Leonard and has a devotion to him that leans pretty heavily on the gay side. I'm not sure it could be explained any other way.

Myrna is her bright and cheery self aiding Powell more with moral support than assisting Powell with the case. It's what the audiences expected from The Thin Man films and in this they were not disappointed.