Kenny, a lieutenant on the homicide squad, is engaged to Maxine, the Mayor's secretary-- or is he married to his job? Every date is thwarted by his devotion to duty. Will Maxine succeed in d... Read allKenny, a lieutenant on the homicide squad, is engaged to Maxine, the Mayor's secretary-- or is he married to his job? Every date is thwarted by his devotion to duty. Will Maxine succeed in dragging him to the altar?Kenny, a lieutenant on the homicide squad, is engaged to Maxine, the Mayor's secretary-- or is he married to his job? Every date is thwarted by his devotion to duty. Will Maxine succeed in dragging him to the altar?
- Buck Moseby
- (as Edward S. Brophy)
- Rinaldo
- (uncredited)
- Wedding Guest
- (uncredited)
- Citizens Committee Woman
- (uncredited)
- Pedestrian
- (uncredited)
- Elevator Boy
- (uncredited)
- Little Man
- (uncredited)
- Headwaiter
- (uncredited)
Featured reviews
This hodge-podge may not appeal to all viewers today, but in its day, it had something to offer every member of the movie-going family, and the resolution to the rather tired feeling-versus-duty plot is original and refreshing, and well worth the wait.
"The Amazing Mr. Williams" contains what must be among the most outrageous blind dates in film history, and its bright comic repartee sparkles. Ludicrously frocked, Melvyn Douglas delivers some of the best lines: "I'd walk down Main Street in a Turkish towel before I'd let any woman control my life!" And the effervescent Joan Blondell lets her barbs fly with typical aplomb: "Good grief! You look like my Aunt Nellie!'
The crime-solving here is standard fare, although a fine cast of character actors helps bring the material to life.
From today's vantage point, "The Amazing Mr. Williams" is perhaps most interesting for its insightful commentary on gender as a socially defined construct, all the more malleable for its seemingly rigid boundaries. While much of the gender commentary takes place in a superficial battle of the sexes, at times it is both subtle and penetrating, playing out not only in some of the finer details of the film, but in the battle of genres that reaches its culmination in the final scene.
This was the third picture Joan Blondell did with Melvyn Douglas: after a mediocre Thin Man rip off, they got into their stride with a very funny screwball comedy followed almost immediately by this quite witty crime comedy. It's well made, you take an instant liking to the characters and it keeps your interest by having a fairly intelligent and engrossing story. It's not laugh out loud funny but it gives you a comforting and cosy warmth that will make you smile. Somehow because the characters seem like real people, you don't actually notice how ridiculous this story gets at times. For example, it seems quite normal that Melvyn Douglas disguises himself as a woman simply by putting on a dress and a blonde wig still wearing his moustache. Those of you with exemplary musical taste will all be thinking what I thought at that point - that he bears a remarkable resemblance to James Young, the guitarist from STYX or is that just me?
Although her pre-code days and saucy outfits were long behind her by 1939, Joan Blondell has possibly never looked more gorgeous. Her character here is a bit more sophisticated than her earlier roles and it must also be said that she looks particularly voluptuous in this. It's a Melvyn Douglas movies so her role isn't quite as meaty as it could have been as most screen time is devoted to Mr Douglas. Having however escaped the treadmill of Warner Brothers, she certainly looks more relaxed and seems as though she is having fun which of course makes us enjoy it too. It's hardly a dramatic role but it's good to see her playing just slightly different rather than just a caricature of herself which plagued the latter part of her career at Warners.
Even if you're not obsessed with Joan Blondell, if you like 1930s comedies you'll probably enjoy this. It's no BRINGING UP BABY but it's a grade above most of the comedies which were made just before the war.
Sorry I've never heard of director Alexander Hall, but it's obviously my loss. As good as the players are, they couldn't have created such an enjoyable ensemble production without a very able director.
Probably there is no reason to list all the actors because you can see that in the IMDb listings, and, really, they were ALL so good, it would be a shame to leave out anyone.
This is a fairly low-budget movie, since it's from Columbia, but it is an incredibly high-quality motion picture, one I recommend very highly.
There is a very good print at YouTube. Please watch it.
Did you know
- TriviaThird of three pictures that Columbia paired Melvyn Douglas with Joan Blondell from 1938-9. The other films were Miss catastrophe (1938) and Nous irons à Paris (1939). They would not work together again until MGM's Le bataillon des lâches (1964).
- GoofsWhen Kenny and the Captain are walking out of the hotel together, a moving shadow of the camera falls across a column in the foreground.
- Quotes
Maxine Carroll: May I make one suggestion? Ladies usually wear their garters inside their slips. Outside that, you look scrumptious.
- ConnectionsReferences Blanche-Neige et les Sept Nains (1937)
- How long is The Amazing Mr. Williams?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Amazing Mr. Williams
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 20m(80 min)
- Color
- Aspect ratio
- 1.37 : 1