A professor marries a nightclub singer, much to the consternation of his family and friends back home.A professor marries a nightclub singer, much to the consternation of his family and friends back home.A professor marries a nightclub singer, much to the consternation of his family and friends back home.
- Nominated for 2 Oscars
- 6 wins & 3 nominations total
- Italian Waiter at Nightclub
- (uncredited)
- Student
- (uncredited)
- Nightclub Patron
- (uncredited)
- Spectator
- (uncredited)
- Minor Role
- (uncredited)
Featured reviews
However, facing the family isn't too easy. Peter's domineering father keeps ordering him around, his mother keeps getting faint from a weak heart whenever there's a conflict...and somehow, no one knows that Francey and Peter are married and think she's dating Keith. Then, in order to get her into the prom, they have to say she's a botany student. One of the best scenes occurs at the prom, when Francey and Peter's fiancé get into a horrific catfight outside of the dance just as Peter brings his father out in another attempt to announce he's married.
But the best scene takes place in the room Francey has rented. She has a temperamental Murphy bed, and Stewart does everything he can to bring it down - banging doors, drawers, stomping, hoping it will fall.
Stewart is delightful as a young man who has to decide on priorities, and Rogers is a great match for him. She is incredibly beautiful in this movie. Handsome James Ellison gives a wonderful performance as cousin Keith, and Coburn and Bondi are perfect as the parents.
A light movie, some great scenes, fantastic stars glowing with youth - you can't ask for more.
The only "exasperating" part is Stewart's character's cowardice to tell his parents that he's married; but, without it, there wouldn't be any film!
The only Rogers film I personally like better than this film (and, only slightly) is "Bachelor Mother". But, SEE THIS!
Norm
Ginger Rogers' upbeat and fun-loving leading lady is perfect opposite Stewart's shy, but stouthearted leading man. The two work amazing together. It is the epitome of the screwball comedic-romance popular in the 30' and 40's. I have never been a big fan of Ginger Rogers, but I love her in this.
If you can tear yourself away from whiz-bang special effects and poorly-written blockbusters featuring today's megastars... movies like these are worth a look. Not only are the actors much more interesting, but the writing is superior to the majority of films released today.
The funny thing about this movie is it accepts the family dynamics as just another wacky family, and by the standards of 1940s screwball comedies I suppose it is, but I couldn't help but think about how you could take the same family dynamic - dominating patriarch, a frail, timorous wife, two sons, one fearful and the other somewhat dissolute - and you've the makings of some grim stage drama by Arthur Miller or someone.
Well, that's the danger of getting older; when I was watching every old movie as a teenager I was oblivious to these contextual issues, but happily I am still able to enjoy a dopey comedy like this one.
Did you know
- TriviaGinger Rogers recommended Jimmy Stewart for this film, even though they had not worked on a film together previously. The two were dating at the time, and with Rogers being one of RKO's biggest stars, she got her way.
- Quotes
Helen: You know, Peter and I are engaged to be married.
Francey: Oh, is that so?
Helen: Not that I think knowing that would make a big difference to you.
Francey: Well, no.
Helen: You see, Peter needs protection against a certain type of woman.
Francey: Oh, I could work on that.
Helen: Now, are you going to mind your own businesses, or must I really give you a piece of my mind?
Francey: Oh, I couldn't take the last piece.
[the female fisticuffs begin after this, with Helen slapping Francey]
- Crazy creditsOpening credits are listed on the glass panels of a revolving hat display.
- ConnectionsEdited into Les incorruptibles: Search for a Dead Man (1963)
- SoundtracksYou'll Be Reminded of Me
(1938)
Written by George Jessel, Jack Meskill, and Ted Shapiro
Played during the opening and closing credits
Sung by Ginger Rogers (uncredited) at the nightclub
Played as background music often
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Details
Box office
- Budget
- $703,000 (estimated)
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 1.37 : 1