IMDb RATING
6.7/10
363
YOUR RATING
In the Dutch islands, the sister of a pious missionary attempts to reform a womanizing, drunken beach bum.In the Dutch islands, the sister of a pious missionary attempts to reform a womanizing, drunken beach bum.In the Dutch islands, the sister of a pious missionary attempts to reform a womanizing, drunken beach bum.
- Director
- Writers
- Stars
- Awards
- 5 wins total
Rosita Garcia
- Kati
- (uncredited)
Fred Groves
- Dutch Sea Captain
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a pretty broad comedy with some fun performances by Laughton, Lanchester and Newton. The plot's rather thin and really relies on the great character work by all involved.
Even though the characters seem to transform far too quickly for my tastes, you almost don't even care because it's so enjoyable to see.
Frankly, I'd almost recommend this film just to see Charles Laughton's classic facial expressions alone.
Obviously The African Queen owes much to The Beachcomber and while the former is the superior film, I'd recommend this to any fan of Laughton, Lanchester and 1930's romantic comedies.
Even though the characters seem to transform far too quickly for my tastes, you almost don't even care because it's so enjoyable to see.
Frankly, I'd almost recommend this film just to see Charles Laughton's classic facial expressions alone.
Obviously The African Queen owes much to The Beachcomber and while the former is the superior film, I'd recommend this to any fan of Laughton, Lanchester and 1930's romantic comedies.
It is hard to watch this movie without noticing its similarities, intentional or not to the so-called American classic "The African Queen". I will have to say I enjoyed this movie more. The director whose credits state this as his only movie directs this 1930s movie as it were made in the sixties and seventies when the motif of camera movement became essential. Hand-held cameras are used to good effect. Charles Laughton who is the best film actor of the 20th Century shines again as he totally immerses himself in the part of the scalawag drunk. Elsa Lanchester, a woman with perfect demeanor and grace and wearing absolutely no make up shines as the woman whose aim is to tame the natives and tame the irascible Laughton. Good support from the cast round up this romantic drama. Bogart won an Oscar for doing a role very similar to this one, but Laughton is better. Catch it if you can. It's nice, smartly written, subtle and an English treat.
I don't recall exactly when I became a fan, although Witness for the Prosecution must have had something to do with it, so now I catch whatever I can of this wonderful, towering actor.
And, I was not disappointed with the Beachcombers, although the plot let me down, and I did not watch it all the way through.
That being said, Charles Laughton is riveting as usual and dead-on as a stumble bum. I always wonder if modern-day actors can emulate the truly greats, and my answer is essentially no they cannot because, first, there aren't the scripts today, which greatly enhance an actor's performance and, second, it doesn't matter because, perhaps with the exception of Leonardo, D. Washington, D. Hoffman, and perhaps a few others, no actors today can tie on the bootstraps of the actors of yesteryear.
Not considering the greats of the silent age (I'm thinking C. Chaplin, B. Keaton and H. Lloyd, all exceptional, and the many, fantastic character actors throughout cinema who added inestimable richness to many a movie, my personal favorites, and I know it's subjective, and I'm speaking of film presence including Charles Laughton, are: William Powell, Spencer Tracy, and Jack Lemmon. Heck, I'm not allowing myself to include Steve McQueen, one of my favorites because he is a notch below the above-mentioned, in my overly haughty assessment.
P.S. I'm sure I'm leaving someone of the list, and, by the way, I notice the inherent sexism of my comments, but I chalk most of it up to contemporary society where woman are not afforded the stardom or roles of men. Again, an overly presumptuous statement.
And, I was not disappointed with the Beachcombers, although the plot let me down, and I did not watch it all the way through.
That being said, Charles Laughton is riveting as usual and dead-on as a stumble bum. I always wonder if modern-day actors can emulate the truly greats, and my answer is essentially no they cannot because, first, there aren't the scripts today, which greatly enhance an actor's performance and, second, it doesn't matter because, perhaps with the exception of Leonardo, D. Washington, D. Hoffman, and perhaps a few others, no actors today can tie on the bootstraps of the actors of yesteryear.
Not considering the greats of the silent age (I'm thinking C. Chaplin, B. Keaton and H. Lloyd, all exceptional, and the many, fantastic character actors throughout cinema who added inestimable richness to many a movie, my personal favorites, and I know it's subjective, and I'm speaking of film presence including Charles Laughton, are: William Powell, Spencer Tracy, and Jack Lemmon. Heck, I'm not allowing myself to include Steve McQueen, one of my favorites because he is a notch below the above-mentioned, in my overly haughty assessment.
P.S. I'm sure I'm leaving someone of the list, and, by the way, I notice the inherent sexism of my comments, but I chalk most of it up to contemporary society where woman are not afforded the stardom or roles of men. Again, an overly presumptuous statement.
Charles Laughton was a short, fat, and ugly man. He was the complete anthesis of what you would expect a lead actor to be. However, despite these considerable handicaps, his tremendous acting ability and amazing range of emotions catapulted him to the top of the acting chain in the 1930s. His wife, Elsa Lancaster, was also a very fine actress, as evidenced by her superior work in The Bride of Frankenstein, an underrated film.
Add these two giants to the unparalleled writing talent of Somerset Maugham, and you have an unbeatable combination for a classic comedy in The Beachcomber. No one ever did colonials better than Maugham. His incisive writing captured the true essence of missionary work and its irritating side-effects on native cultures. All of his characters have great depth. This is the best of all beachcomber films. It is not to be missed. Also billed as The Vessel of Wrath.
10beech488
I really enjoyed this movie. Laughton looked like he had a great time with this one playing the indolent womanizer as well his wife as the uptight missionary. Fun!
Did you know
- TriviaThe nursery rhyme that Ted quotes is "Jack Sprat." The most common version of the rhyme is: Jack Sprat could eat no fat/ His wife could eat no lean/ And so between them both, you see/ They licked the platter clean.
- GoofsThe shadows on Ginger Ted's verandah change between shots in the opening scenes. In the first shot most of the verandah is in muted shadow, in the next most of it is in full sun with clear shadows. Later, his dog is seen sitting on the verandah in full sun late in the day with the shadows in the same place as earlier.
- ConnectionsRemade as Le vagabond des îles (1954)
Details
- Release date
- Country of origin
- Language
- Also known as
- The Beachcomber
- Filming locations
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- See more company credits at IMDbPro
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was L'Excentrique Ginger Ted (1938) officially released in Canada in English?
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