They Drive by Night

"They Drive By Night" is difficult to find (as are many pre World War II British titles) but well worth the effort. What starts out as a standard crime drama takes a startling turn into horror in the final reel.

Ernest Thesiger (best known as Dr.Pretorius in 1935's "Bride of Frankenstein") adds the most interesting element to the film and to share any more would ruin the fun.

Emlyn Williams as ex-con Shorty Matthews carries the film. Pity this poor fellow...he has the worst luck in the world. Upon release from prison, his intention is to return to the arms of his girlfriend. Unfortunately, someone has murdered her that very day. Naturally, police think he is the killer.

Shorty takes to the road, hitchhiking rides with truck drivers, hoping to stay free long enough for the police to find the real killer. One of the uncredited stars of this film has to be rain! The constant pouring rain accentuates Shorty's troubles as he tries to clear his name and (excuse the pun) adds buckets of atmosphere to the movie.

Don't confuse the British "They Drive by Night" with the later US version starring Humphrey Bogart. The only thing they have in common is the presence of truck drivers.

This is a somewhat "lost" film from England in the late thirties. It definitely does have Hitchcokian overtones as a young con just released from prison goes to visit a girl he knew, only to find her dead, and himself accused of the crime. The bulk of the film follows this young man as he tries to hide from the police by traveling North on a lorry(truck). From there he meets a female of his acquaintance, convinces her of his innocence, and they both embark on a quest to find the real killer. The film has a nice, tight directorial style that creates lots of suspenseful moments. The script is also pretty good. The biggest key to the film's success is the acting. Emlyn Williams does a good job in the lead, but acting honors easily go to Ernest Thesiger playing a highbrow, effeminate, erudite former teacher and student of psychology with a deadly secret. Thesiger's character acting is a joy to behold as he talks about the power of killing in one moment and then in another talks to pussycats in a baby voice. He is so wonderful with these kinds of quirky characterizations(a must-see in The Bride of Frankenstein). A good, old-fashioned suspense story.

Taut British noir. set mostly after dark and indoors, about an innocent man on the run for a crime he did not commit (Emlyn Williams), the girl who helps him (Anna Konstam with a blonde perm), not quite a tart but with a heart of gold, and a creepy serial killer (Ernest Thesiger).

Interesting for its inversion of the usual values of 1930s British films, in which the lower classes tend to be either comic or villainous or both. Here the murderer has the accent, the education, the aesthetic taste and the comfortable house while virtually all the other characters share the camaraderie of the working class, which includes a disinclination to say too much to the police.

A number of similarities with Hitchcock films of the period, in particular "Young And Innocent", which also has a falsely accused man and a girl who believes in him trying to find the real murderer in a transport café and a dance hall.

They Drive By Night is an amazing British classic. It has to be one of the most sombre British films of the thirties.It is also extremely interesting as as a timepiece

The truck drivers and their local pit stops are all captured well in this slice of early British cinema. Shorty , played by Emlyn Williams in a superb performance is released from prison and sets off to see his girlfriend, he discovers her dead body in an amazingly powerful sequence. Terrified he will get the blame he goes on the run hitching a ride from a sympathetic truck driver.On the way he encounters an assortment of various characters , all diverse and entertaining. This film is wonderfully acted by all the cast. If you don't blink you will see William Hartnell who played TV's very first Dr. Who as a bus conductor.

Much later as the tone of the film completely changes from gripping thriller to downright terror he meets Ernest Thesiger who in a remarkable performance completely dominates the last 25 minutes of the film as a very eccentric chap indeed.It is a tragedy that the director Arthur B. Woods died so young, he displayed a unique talent. If you can search this film out you will be highly rewarded with a film that you will never forget.

They Drive by Night is directed by Arthur Woods and collectively written by Paul Gangelin, Derek Twist and from his own novel; James Curtis. It stars Emlyn Williams, Ernest Thesiger and Anna Konstam. Music is by Bretton Byrd and cinematography by Basil Emmott.

Just released from Pentonville Prison, Shorty Matthews (Williams) visits a lady friend and finds her murdered in her own bed. Pannicking and believing the police will have him marked for the crime, Shortie goes on the run in the hope that the real killer will be caught...

It's still something of a lost British treasure is Arthur Woods' They Drive By Night, it's a film that has gained justifiable high regard by those who have managed to track it down for viewing. Essentially a innocent man on the run picture at its plot core, it's the surrounding meat on the bones that lift it to classic suspense noir status.

The Thrill Of Evil.

It's a picture of persistent rain that lashes the streets and highways, the wind an aural accomplice of some magnitude. A tale infused with grim snack bars, gambling dens, abandoned buildings or artisan abodes that are inhabited by either crafty cockney's, spivs, macho truckers or camp fetishist maniacs! And of course our protagonist is up against it from the off, wherever he turns he seems destined to be the victim of fate and circumstance.

Sex In Relation To Society.

As a portrait of pre Second World War British society it's gloomy and unrelentingly bleak, with Woods (sadly to die in the War) and Emmott achieving a stunning sense of time and place by way of dim lights and contrasts that ensures moody atmospherics go hand in hand with the machinations of the story. This can very much be seen as a forerunner (influence) to some of the great British noirs that followed a decade later.

Studies In Murder.

Some scenes get under the skin and stay there, while others surprisingly enchant the soul; such is their beauty. Lead cast performances are mightily strong, with Thesiger the star as he enters the tale late in the day and turns in a creepy show that startles in the way that calmness of evil is portrayed. While Thesiger's facial features are used to maximum potential by the astute director.

Only real problem here is the musical score by Bretton Byrd. Too often the music is ill fittingly jolly, it immediately conjures up images (to those familiar with 1930s British comedy movies) of the films made by the great Will Hay. Sure enough on examination we find that Byrd did indeed provide the music for four Hay movies in the 30s, and it sadly shows in a film that doesn't deserve such jollification.

Musical problem aside, this is a ripper of a movie, worthy of better exposure and definitely of major interest to anyone interested in the early steps of British film noir. 8.5/10