Tarzan et la déesse verte

This is the second of two feature-length films re-edited from the original 12-chapter serial titled "The New Adventures of Tarzan" (1935). Neither film is technically edited well, but they do tell individual stories. Muscularly handsome Herman Brix, later known professionally as Bruce Bennett, is an appropriately athletic Tarzan. Our hero is much more cultured than he appears in the MGM Johnny Weissmuller films; he has discovered his noble British identity, and occasionally returns to the jungle for new adventures.

This "sequel" begins with the group attending a costume party (dressed as gypsies) at Tarzan's estate.

Previously, "Tarzan" and his friends concluded their search for an ancient relic known as "The Green Goddess" (among other things). Herein, we learn how this relic was then stolen, by dastardly Don Castello (as Raglan). He had been interested in the relic from the previous feature - for nefarious reasons, of course; the statue came with a secret formula (worth millions). "Don Castello" is a pseudonym for the serial's producer, Ashton Dearholt. Lewis Sargent (as George) has the most notable supporting role.

*** Tarzan and the Green Goddess (2/27/38) Edward Kull ~ Bruce Bennett, Ula Holt, Ashton Dearholt, Lewis Sargent

I'll take this movie to comment on as my platform for the Tarzan yell. There is still none better than Weissmuller's to this day. I've only started to watch Tarzan the Tiger, with Frank Merrill, quite possibly the best physical Tarzan there was by the way, and his Tarzan yell was "YAAAA! YAAAA!!! YAAAA!!!!" It pales in comparison in imagination to Herman Brix' yell, but Herman Brix yell is none too pleasing. "AAAAaaaaaaaAAAAAAAAAHHHHHHHH MAAAAAAANNNNGGGAAAAAAANNNNEEEEEEEEEE!!!!!!" While quite amusing, it's too long and therefore loses its significance. In the Weissmuller films, it's used to call man or beast, or signify that Tarzan may be in trouble. More accurately in Herman Brix' films, it's used as the victorious cry of the bull ape after a successful conquest, as it should be used. But it shouldn't be a pronounced cry, but rather a savage, eerie, unsettling cry that most would loath to associate with a human.

Talk about recycling! As a Zorro fanatic, I have watched a couple of the old serials that used to show in movie theaters. You had to come back every Saturday to see the next part of the story. The original 12-part serial, The New Adventures of Tarzan, was re-edited into two movies, this being one of them.

The most interesting thing about this movie is the star, Bruce Bennett, or as he was known then, Herman Brix. Brix was given this role after losing out on a previous film, Tarzan the Ape Man, which cast an unknown BVD underwear model, Johnny Weissmuller. A shoulder injury prevented Brix from getting this role. The rest is, as they say, history. Weissmuller went on to be the greatest Tarzan of all time, and Brix had to eventually drop out of acting, take acting lessons and change his name before returning.

I couldn't believe that rhinos, wildebeests, chimps and giraffes had invaded Guatemala. Couldn't they get South American stock footage! The other silly thing was Tarzan's yell...aaaaaahmazeeeee or something like that; it sounded more like Ma Kettle calling the kids to supper. I did like Herman Brix/Bruce Bennett as Tarzan but his loin cloth had belt loops and a belt. He was wearing pants in one scene so that may explain it. He definitely resurrected his career later with some really good roles like "Treasure of the Sierra Madre", etc. The acting was equal to the Weissmuller films, meaning pretty good but I think it was the producer and director who were at fault here. Watch the battle scene where the natives (wearing pants & shirts) carry swords but don't use them. I guess for its time and for kids it was an OK film, but nobody can "hold a candle" to the Weissmuller Tarzan films!

Crazy to think that in the 1930s, 3 different production companies were all making TARZAN films at the same time! MGM (with loads of money & Johnny Weismuller), Sol Lesser (budget knock-off of same), and Edgar Rice Burroughs, the creator of the character. Burroughs' 12-chapter serial, "THE NEW ADVENTURES OF TARZAN" (presumably a follow-up to an earlier silent serial) featured by far the single MOST-AUTHENTIC Tarzan ever seen on film, until producer Sy Weintraub came along in the late 50s.

It also featured Herman Brix, who was, until Jock Mahoney and Ron Ely, the most authentic-LOOKING Tarzan ever seen on film. Brix had been cast for MGM's 1st film, but had to be replaced because of a broken shoulder. If not for that accident, there might NEVER have been an "illiterate" Tarzan plaguing movies for decades. Had Brix been in "TARZAN THE APE MAN" in 1932, I feel certain that film would have been EVEN BETTER than it was, since MGM felt compelled to "dumb down" the hero due to Weismuller's thick accent.

Many serials were recut to produce "feature" versions; this one's unusual in that the 1st film only covered chapters 1-2, while this sequel covers chapters 3-12!! That should "explain" why this "runaround" seems so choppy. I've seen the complete serial, it definitely holds together far better.

4 groups are after a mysterious stone known as "The Green Goddess", which contains hidden jewels, and, an ancient formula for a powerful explosive that could endanger the world if it fell into the wrong hands. We have the Maitland expedition, accompanied by our intelligent, cultured, and physically-imposing "ape man"; Raglan, the obligatory bad guy; Ula Holt, a very capable government agent; and the near-mindless savage brutal HORDES inhabiting the "lost city" who will stop at nothing to get their stolen idol back.

When I called this a "runaround", I wasn't kidding. It's my experience that stories like this almost always work better when watched ONE chapter at a time, spaced a day (or a week) apart.

Burroughs' film, shot ON LOCATION under horrific conditions in Guatemala, looks fabulous, but tragically, is missing the gloss and slickness and professionalism of MGM (the biggest studio in hollywood at the time), or even the mid-level quality of Sol Lesser's independant films (Lesser wound up taking over the "official" series when MGM bowed out after the first 6 Weismullers). As a result, this can be a chore to plow through... but, if you're a fan of the REAL Tarzan as I am, it's worth the extra effort.

I found numerous bits to laugh at for various reasons. These included Tarzan, tied up as a prisoner, using his voice to imitate various wild animals, causing the local bad guy henchmen to run off in terror. I also loved when Brix, looking more like the character in the Russ Manning newspaper strips than anyone else I've ever seen, would DIVE into action against a whole group of assailants; it would usually require at least 6 opponents to take him down! And then there's the scene where comic-relief "George" foolishly toys with a large turtle, only to be assaulted by about a DOZEN of them in retaliation. That'll learn 'im! (Well, in his case, maybe not... heh.)

Most absurd line in the film (maybe): "You will PRODUCE the Goddess, or you will DIE." I felt like somebody should have replied, "Well, that's going to be awful difficult if we're PRISONERS, wouldn't you say?"

Brix later took acting lessons and changed his name to "Bruce Bennett", and appeared in such fun flicks as "DAREDEVILS OF THE RED CIRCLE". It's kind of a shame he didn't get to appear in a Tarzan film with FAR-better technical elements.

Although the Ron Ely TV series was a direct spin-off of the official film series (under the then-guidance of Sy Weintraub), I view THIS project as the REAL precursor to Ely's series. I hope to upgrade both to DVD eventually.