Les gars du large

This is a real good movie. Henry Fonda and George Raft Play the rival fishermen. Near the end of the movie George Raft is shot. While resting in bed he smokes a cigarette and the smoke comes up out of the bullet holes in his chest!? I remember when I was in high school. We were learning about first aid. The teacher told us about never giving a cigarette to an injury victim. Then he told us about a Humphrey Bogart movie where after being shot he smoked a cigarette and the smoke came out of his chest. I searched for years and found out it was the "Spawn of The North", With GEORGE RAFT not Bogart. Watch for this movie on AMC or TCM, just to see this scene. It is well worth watching, with fine acting and great scenery.

Fishermen buddies Henry Fonda (Jim) and George Raft (Tyler) meet up in Alaskan waters when Raft gives Fonda a business proposition to move away from fishing Alaskan salmon and join him for bigger profits. Raft is set on buying a bigger boat and just needs to make the purchase. However, Fonda has settled into his own business and is now very much part of the Alaskan village community. Raft needs to make money fast - he wants his new boat. Akim Tamiroff (Red) is the Russian bad guy who steals fish from everyone else's traps and George Raft allies himself with this evil-doer. This brings him into conflict with Fonda.

The film is ok. It is also too long and a bit boring and we've seen the story before - a buddy-buddy movie where friends fall out. The best in the cast is Tamiroff followed by barmaid Dorothy Lamour (Nicky) who is Raft's girlfriend. Raft and Lamour are a more interesting couple than Fonda and snooty Louise Platt (Di). John Barrymore is also put into the mix as Platt's father and pretty much plays an old drunkard who thinks he's eloquent. The standout moment for me comes one evening when the Alaskan Indians perform a salmon ceremony to encourage a good fishing season. The chanting is quite haunting and provides a memorable occasion.

At the film's start, we see a documentary montage showing the wildlife - salmon and bears - as well as the fishing vessels carrying out their tasks for this particular industry. It ends with a climax - literally - as we see the salmon reproductive process and lots of sperm. I mean spawn. It's a fish porno. What a horrid title for a film and what a horrid word 'spawn' is. Spawn. Say it again. Spawn. See what I mean?

Some surprisingly violent action scenes are the highlights of this Alaska-set adventure tale of boats and salmon fishermen, which plays like a disguised Western. Unfortunately, they're lost in a sea of footage (almost two hours), and the savvy viewer can see the ending coming from halfway to Skag

This has been called a western at sea and deservedly, considering the shootouts and roughhousing and a plot line of conflicted loyalties. There is great wildlife and glacier footage and tasty atmosphere. George Raft and Henry Fonda are an odd-couple match, but the chemistry works for the worldly-innocent contrast. In the "egg" incident, notice how both of them seem genuinely tickled. Fonda, of course, is the do-gooder and has little to do here until emotions build toward the climax. Raft has the more interesting role, and a salmon fisherman is a part definitely out of the norm for him. He gets an opportunity to lightly display a variety of talents (singing, swimming, stuntwork). But best of all, this is an example of the kind of performance that thoughtful direction like Hathaway's could bring from him. A vital sequence is emotionally honest without being hysterical or histrionic, and it's perfectly toned to the point of being wrenching. Also having good turns out of the usual are Dorothy Lamour and Akim Tamiroff, though John Barrymore seems a bit wasted - no pun intended.

Because we're so familiar with Hollywood's ability to use computer graphics imagery in today's top blockbusters, we can't fathom how movies before computers were made creating and showing breathtaking visuals. Many older films were produced ingeniously using effects that are now no longer practiced, such as seen in Paramount Pictures' August 1938 "Spawn of the North," the first movie to be given an Oscar, albeit honorary, for its special effects. The award opened the way for the Academy Awards to establish the "Best Special Effects" category the following year.

Before 1938's "Spawn of the North," cinema had a long history of producing special effects ever since France's George Melies took his journey into space in 1903's "A Trip to the Moon." The Academy was slow to recognize such achievements, restricting its 'Best Engineering Effects' to only the silent film 1929's "Wings" before eliminating the category. When 1933's "King Kong" mesmerized audiences, RKO producer David O. Selznick unsuccessfully lobbied the Academy to highlight the work of stop-motion wizard Willis O'Brien. Academy board members finally felt the need to honor the work of effects technicians in "Spawn of the North." The spectacular movie was the first to use a huge 36-foot rear projection screen to create realistic depth of field images, matte paintings and other tricks that brought the wilds of Alaska to the neighborhood screen.

Director Henry Hathaway assigned a film crew to the northern territory to capture Alaska's boundless, rugged country. Once he received over 75,000 feet of footage in the six months of shooting, Hathaway, through the magic of special effects, brilliantly used the clips to complement his Hollywood studio shooting for "Spawn of the North." Spectacular shots, including the salmon migration up the rivers seen in the beginning of the movie as well as the spell-bounding sequences with their glacier calving near our heroes' boats, added tremendously to the picture's excitement. Additional footage taken at Lake Tahoe, Lake Arrowhead, the coastal areas of California as well as the mock Indian villages gave viewers a sense that all the motion picture's action took place in Alaska. A massive 375,000 gallon tank complete with piers and fishing boats built inside the Paramount studio lot allowed Hathaway to direct his controlled shots.

Film reviewer Laura Boyes noticed, "Even with our modern, sophisticated eye, it's not always possible to decide how certain effects were obtained."

The story loosely follows the structure of 'The Virginian,' where two close friends, Jim (Henry Fonda) a salmon cannery owner, links up with buddy Tyler (George Raft), who has taken out a loan on a boat to hunt seals. After Jim rejects his offer to partner on his ship, Tyler seeks out Ruskie Red Skain (Akim Tamiroff), who's notorious for stealing fishing traps. Jim and Tyler eventually come to blows, but the ending is one that brings tears to even the most unsentimental muscle men. Lending the requisite romantic angle to "Spawn of the North" is Dorothy Lamour as Nicky Duval, girlfriend of Tyler's. Lamour replaced an ill Carole Lombard as the proprietor of the fishing community's hotel who goes around not wearing a bra. Louise Platt as 'Di' Turlon, an East Coast gal who's a little startled by the wildness of Alaska, is visiting her father Windy Turlon (John Barrymore), a newspaper editor.

"Spawn of the North" was a huge hit for Paramount, and produced a remake in 1954 called "Alaska Seas," starring Robert Ryan and Brian Keith.