Un meurtre sans importance

"A Slight Case of Murder" is a delightful gangster comedy written by the legendary Damon Runyon and directed by Lloyd Bacon. It's also a nice change of pace for star Edward G. Robinson who gets to display his comedic talents as he spoofs his gangster image.

Remy Marco (Robinson - in an obvious spoof of his "Rico" character in "Little Caesar") is a bootlegger who has made his fortune running illegal beer during prohibition. When prohibition ends, Marco proudly announces that he's going to be strictly legit, believing that he will no longer need strong arm tactics, and that he will continue to rake in the money from legal sales. What he doesn't realize is that because he's never actually tasted his own brew, is that it tastes awful.

Now that the public can buy well brewed better tasting beer legally, Marco sees his fortune disappear over the ensuing four years. On the verge of bankruptcy, he finds himself in debt over a half a million dollars and has to deal with two predatory bankers Post (John Litel) and Ritter (Eric Stanley) who are trying to foreclose on him.

Marco's daughter Mary (Jane Bryan) has returned home and plans to marry the bumbling State Trooper son, Dick Whitewood (Willard Parker) of business tycoon Paul Harvey. Marco and his wife Nora (Ruth Donnelly) plan to host an engagement party at their country house in Saratoga. What he doesn't know is that a rival gang has heisted $500K from bookies and are holed up in Marco's house.

With his three stooges, Mike (Allen Jenkins), Lefty (Edward Brophy and Gip (Harold Huber), Marco learns that four of the five gangsters have been murdered and their bodies left in a guest bedroom while the fifth hangs around trying to escape with the money. The satchel containing the money is found by an orphan with the distinguished moniker of Douglas Fairbanks Rosenbloom (Bobby Jordan), who had been brought by Marco from the orphanage for the weekend.

And then the fun starts.

Robinson proved that he could play comedy and ranked this film among his favorites. But Warner Bros. saw him as a gangster and so he had difficulty breaking away from that genre. After he left Warners in the early forties, he turned in a number of great performances notably in "Double Indemnity" (1944) and two FRitz Lang classics, "The Woman in the Window" (1944) and "Scarlett Street" (1945). Oddly enough, he returned to Warners Bros. in 1948 to play gangster Johnny Rocco in "Key Largo" (1948).

Edward G. Robinson stars as an ex-bootlegger who tries to go straight after the repeal of Prohibition. The problem is he decides to stay in the beer business, not knowing his beer is swill. Making matters worse, his dopey daughter is back from school in Europe and her boyfriend is a cop. All hell breaks loose at his rented summer house in Saratoga Springs when the family, his stooges, and some unlucky bank robbers all converge during a big house party. What fun! Ruth Donnelly is good as the wife, Margaret Hamilton has fun as the orphanage director, Bobby Jordan (as little Douglas) is hilarious, as is Paul Harvey as the dyspeptic father. Good cast all around includes Allen Jenkins, Harold Huber, Jane Bryan, Willard Parker, John Litel, and Edward Brophy. Carole Landis is one of the party guests, and the great Betty Compson, an Oscar nominee for The Barker, has a bit part as dark-haired Loretta on the piano bench. Best of all, however, is Robinson who is totally at home in this zany comedy.

Edward G. Robinson has been typecast so often as "THE gangster", that it's quite unusual to see him in a COMEDY!

A gangster who owns a brewery decides to "go straight" and become "respectable" (along with his unwilling gang); and all sorts of funny things happen: his daughter wants to marry a state trooper (!), bodies show up in his house, etc.

As the other reviewer said, many people don't like this film, but *I* found it thoroughly enjoyable!

If you want to see Robinson in an even BETTER comedy, check out "The Whole Town Is Talking", where he plays a dual role: Public Enemy # 1, and a timid clerk who happens to be a dead ringer for him!

Norm

This clever spoof has bosses, mugs, dames, robbers, state troopers--and corpses galore. Everything needed for a neat crime take-off.

Edward G. Robinson has great fun heading a stable of fine character actors from the late 30's in this surprise black and white treat, directed by Lloyd Bacon.

Just be on guard for what's stashed under the upstairs bed--not to mention what's hiding in the closet!

Edward G. Robinson is excellent in this hilarious, sometimes surreal gangster spoof from Warners, directed by Lloyd Bacon. Robinson is an ex-bootlegger who goes legit after the repeal of the Prohibition. His daughter is in love with a state trooper and his former business associates turn up as corpses in his upstairs apartment. One of the joys of "Slight Case of Murder" is that it is so harmless and never takes itself too seriously. You get the impression that everyone in it seems to be having a great time. It is a fun picture, I'd love to watch it again.