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Rich Man, Poor Girl

  • 1938
  • Approved
  • 1h 12m
IMDb RATING
6.2/10
409
YOUR RATING
Robert Young and Ruth Hussey in Rich Man, Poor Girl (1938)
A rich businessman wants to marry his secretary, but first he has to pass muster with her middle-class family.
Play trailer2:46
1 Video
22 Photos
ComedyDramaRomance

A rich businessman wants to marry his secretary, but first he has to pass muster with her middle-class family.A rich businessman wants to marry his secretary, but first he has to pass muster with her middle-class family.A rich businessman wants to marry his secretary, but first he has to pass muster with her middle-class family.

  • Director
    • Reinhold Schünzel
  • Writers
    • Joseph Fields
    • Jerome Chodorov
    • Edith Ellis
  • Stars
    • Robert Young
    • Lana Turner
    • Lew Ayres
  • See production info at IMDbPro
  • IMDb RATING
    6.2/10
    409
    YOUR RATING
    • Director
      • Reinhold Schünzel
    • Writers
      • Joseph Fields
      • Jerome Chodorov
      • Edith Ellis
    • Stars
      • Robert Young
      • Lana Turner
      • Lew Ayres
    • 14User reviews
    • 1Critic review
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Videos1

    Official Trailer
    Trailer 2:46
    Official Trailer

    Photos22

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    Top cast24

    Edit
    Robert Young
    Robert Young
    • Bill Harrison
    Lana Turner
    Lana Turner
    • Helen
    Lew Ayres
    Lew Ayres
    • Henry Thayer
    Ruth Hussey
    Ruth Hussey
    • Joan Thayer
    Rita Johnson
    Rita Johnson
    • Sally Harrison
    Don Castle
    Don Castle
    • Frank
    Guy Kibbee
    Guy Kibbee
    • Pa
    Sarah Padden
    Sarah Padden
    • Ma
    Gordon Jones
    Gordon Jones
    • Tom Grogan
    Virginia Grey
    Virginia Grey
    • Miss Selma Willis
    Marie Blake
    Marie Blake
    • Mrs. Gussler
    Herbert Ashley
    Herbert Ashley
    • Stationmaster
    • (uncredited)
    Barbara Bedford
    Barbara Bedford
    • Kate
    • (uncredited)
    James Conaty
    • Nightclub Patron
    • (uncredited)
    Jules Cowles
    Jules Cowles
    • Man With Radio
    • (voice)
    • (uncredited)
    Hal K. Dawson
    • Mr. Allen
    • (uncredited)
    Bess Flowers
    Bess Flowers
    • Typist Sitting Next to Helen
    • (uncredited)
    Beatrice Hagen
    Beatrice Hagen
    • Typist
    • (uncredited)
    • Director
      • Reinhold Schünzel
    • Writers
      • Joseph Fields
      • Jerome Chodorov
      • Edith Ellis
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews14

    6.2409
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    Featured reviews

    6planktonrules

    Enjoyable fluff.

    Ruth Hussy is the secretary to her rich boss (Robert Young). Suddenly, out of the blue, they realize how much they love each other and plan to marry. But first, he needs to meet her family. During this kooky meeting, it becomes obvious to Ruth that her working-class background is so completely unlike Young's upper-crust world that they should slow down--and wait to marry. So, to help things along, Young decides to 'slum it'--to hang with her family and get to know them better. However, some of her family are pretty annoying and what will happen when Young tries to help out and improve their lives? Oddly, his kind gestures aren't always appreciated.

    This is a pretty enjoyable comedy with some fun performances. However enjoyable though, it is a bit uneven and is not a great comedy--just a nice one that fans of old films will likely like. When you watch, get a load of Lana Turner before her big Hollywood makeover. She sure looked very, very different--and a lot more natural.
    7JLRMovieReviews

    Meet the Thayers, the Great Working Class

    Ruth Hussey works for Robert Young and is preparing to go on vacation, so she instructs Virginia Grey what to do and how and when to do it in her absence. But then Bob enters the office and we see that Bob and Ruth are more than boss and secretary. Long story short, she doesn't go on her vacation after all, when Bob on the spot proposes to her. But, after missing her train, instead of jumping in with both feet, her pride gets in the way and she tells him they need to wait, because essentially they come from different backgrounds. So he decides, in order to understand her point of view, he must live with her family for a spell. Enter Ruth's zany family, especially Lew Ayres, who plays a cousin and who is constantly spouting off about "the great working class." Picture this. A rich man needs his appendix out. No problem. He can pay it. A poor man needs his appendix out. No problem. He's poor and not expected to pay. But the working class, woe is him. He's always behind the eight ball with bills and an operation he's expected to pay and go in debt because of it. This film is never dull and is very stimulating with constant bickering between him and sister Lana Turner, who dreams of a plush life, with nice things and keeps calling their place "a dump." Lana makes the most of her supporting role and gives a great performance, especially in her big crying scene. It could be said that she stands out as the highlight of the film, aside from Lew's tirades. (Lana had already been in the Andy Hardy series at this point and would make two more pictures with costar Lew Ayres. Lana's stardom was definitely on the ascendant. And, by the way, this is the first time she and costar Virginia Grey would be in the same picture together. Ms. Grey would be Lana's most frequent costar in her career.) Guy Kibbee is the father, who works in a hardware school and the mother loves the sea, as her ancestors were whalers. From stimulating conversation about "the great working class" and health reform (ideas still relevant today) and the chaotic life it appears the Thayers live, this short film delivers a punch and will leave you pleasantly fulfilled. "Rich Man, Poor Girl" is a stepping stone in the career of Lana Turner that has gotten lost in the shuffle, but its ideas are timeless and its characters are too vivid to forget.
    5malcolmgsw

    Is this a comedy or drama?

    Maltins book indicates that this is an imitation of"You Cant Take It With You".Given that i was never keen on that film my worst fears were realised.This is a bit of a mess as it lurches uncomfortably from comedy to drama and back again.The highlight of this film is a dark haired Lana Turner giving some indication of the star she would become within the next couple of years.Given that she does not have the poise of a star yet makes her performance that much more appealing.When she is on the screen lights up,when she is not the film becomes tiresome particularly the wild overacting of Lew Ayres who was rather more suited to the sobre role of Dr Kildare that he was about to take on.As for the leads well the less said the better.
    10verakomarov

    10/10

    The wealthy entrepreneur wants to marry his secretary, but must first get along with her middle-class family.

    How She Landed On Millionaire? What About You Guys?

    Best Movie Ever.
    DeepJedi

    Lovely Lana.

    After first being awestruck over Lana Turner in The Postman Always Rings Twice, I was eager to see any film she appeared in. Rich Man, Poor Girl appeared without fuss on television and a part of my heart was stolen by a black and white image! Oh the wonder of film. I recall the film as being 'worthwhile' even if you weren't in Love with Lana but I was left wishing I had recorded it! I looked the film up afterwards in my movie guide and it said that the film is remarkable only as a record of Lana Turner's beauty, describing her as radiant. I agree wholeheartedly. Imagining the film with another actress in Lana's role, I can only see an average film.

    Lana makes every single one of today's screen beauties fade into mediocrity by comparison. See this film if you want to see a bona fide legendary screen beauty in full bloom.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      This film was a success at the box office, earning MGM a profit of $240,000 ($4.1M in 2017) according to studio records.
    • Quotes

      Bill Harrison: Those industrial accident statistics you quoted last night, are they on the level?

      Henry Thayer: Absolutely.

      Bill Harrison: Oh, thank you, Ma.

      Henry Thayer: Why you take hospitalization alone...

      Ma: You let Bill eat his breakfast, Henry.

      Bill Harrison: That's alright, Ma.

      Henry Thayer: Just to show you the injustice: you take a millionaire's appendix. It goes wrong; what happens? They take him to the hospital, cut it out, charge him five, ten, fifteen thousand dollars for the job and he never even feels it.

      Bill Harrison: Never feels it?

      Henry Thayer: Paying the bill, I mean.

      Bill Harrison: Oh.

      Henry Thayer: Now then, you take your poor labourer's appendix that starts acting up. He goes to a clinic. The same surgeon operates on him but doesn't charge him a dime. So he doesn't feel it either, does he?

      Bill Harrison: uh-uh.

      Henry Thayer: But, get between them. Look at the other 80% of the population, me for instance, the great middle class. Let's assume that my appendix goes haywire; sooner or later, I've got to come across with five hundred smackers. And before I've paid it, I've gone without clothes and starved myself to death for a year. Is that fair?

      Bill Harrison: No.

    • Connections
      Referenced in The John Garfield Story (2003)
    • Soundtracks
      Sailing, Sailing, Over the Bounding Main
      (1880) (uncredited)

      Written by Godfrey Marks

      Sung a cappella by Sarah Padden twice

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    Details

    Edit
    • Release date
      • August 12, 1938 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • It's Now or Never
    • Filming locations
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA(Studio)
    • Production company
      • Metro-Goldwyn-Mayer (MGM)
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $240,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 12m(72 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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