Overland Stage Raiders

A real solid class "B" western with a pre-John Ford John Wayne at his shooting and roping best. Second of the "Three Mesquiteers" series, the plot is both far-fetched and intriguing for its ingenuity. Who would expect to go to a Saturday matinée and see a second billed western that involves the tactical integration of aerial spotting in defense of overland lines of communication, communications deception, gas hand grenades used to defend an improvised landing strip, parachuting cowboys and passengers, the hijacking and retaking of a cattle train, a talking ventriloquist's dummy in flight gear, and an in-flight robbery -- all within less than an hour! A more thorough examination of the plot reveals that John Wayne is aligned with the common folks against the evil and unscrupulous capitalist bus company owner who will go to no end to prevent the loss of his lucrative contract to carry the gold. I mean this movie introduces some basic economic theory into its entertainment. Quite a lot to process within such a short time. The bad guys are either shot outright, roped and hog-tied, or beaten into submission. Oh yes, Louise Brooks plays a quite forgettable part as the sister of the pilot. Not your run of the mill film. Not well made with a very lackluster ending, but worth your time. This one is a hoot!

Continuity was not a big thing back in the day with A films let alone B film serials. The Three Mesquiteers in their various adventures flipped back and forth between the old west and the modern west. Overland Stage Raiders is about as modern as you can get in their stories though.

The boys have decided to invest in an airline in this film. It seems as though the modern stage, make that bus, is constantly being held up and this seems a practical way to avoid robbers. Not to mention that Louise Brooks kind of perks John Wayne's interest.

The robbers however are not to be denied. I have to say that this is the only western I know with a plane holdup. That in and of itself is enough reason to try and see this film.

The once in a lifetime teaming of John Wayne and silent screen legend Louise Brooks is also a reason to see Overland Stage Raiders. Who would ever have figured on them as a screen team.

Overland Stage Raiders is one of the best of the three Mesquiteer series with a very novel setting for a story.

A very competent B western, well edited and scored, but of no consequence, beyond entertainment.

Wayne is charming, Brooks in her 13 scenes in a supporting role, is vocally and facially competent as a sound film actress, but not in any way special. Any back lot actress could have acted the role as well. Her last film, and indeed, it was not a loss. She was special as a silent actress, but on the sound screen, she was mediocre to competent at best.

A 30's Western where there are cars, there is a train... and there is a plane! Well, a Western with an airplane is quite unusual. Despite that, it is a very conventional and unpretensious Western, whitout any deepness or subtancial innovation. This B-Western from "Three Mesquiteers" franchise is starred by John Wayne as the leading man of the three (the three raiders changed from film to film, but the two other actors were the most frequently recurring in the series; Wayne played Stony Brooke in seven other flicks). Young and still cheerful John Wayne, with his long white good-cowboy hat, and with his equally white horse to highlight him among all the others (as if his height were not enough!), has all opportunities to ride, chase, flirt, fight, shoot, propose partnership in aircraft business, investigate, and protect mining company's gold, followed by his two sidekicks. In the very latest film of her career, silent cinema star Loise Brooks has a unremarkable supporting role.

_Overland Stage Raiders_ marks the convergence of two great performers, one on her way out of film, the other about to begin the most successful run in film history. Louise Brooks, star of G.W. Papst's erotic masterpiece _Pandora's Box_, makes her last appearance in this run-of-the-mill, twentieth-century entry in the "Three Mesqueeters" series. Though the plot is a preposterous hodgepodge involving the opening of air freight service to an isolated cattle town, Brooks is ever the stunner next to John Wayne, who was still a year away from A-line box office success in _Stagecoach_.

I recommend this film for three reasons:

1. The sheer curiousity value. The greatest western actor opposite the greatest actress in the history of German Expressionism while he was on his way up and she was on her way out. They met in obscurity and went on to immortality.

2. The chance to see the raw potential of John Wayne before his work with John Ford. The presence, the charisma, and the physicality that would make him a colossus are all here. Under a competent directior, these would bloom from reliable entertainment into art.

3. Everyone should see a "Three Mesqueeters" movie. This is probably the best series of the 1930s "poverty row" films, and it is a pure joy to see the workmanlike love put into these programmers. They aren't auteur classics, but for many viewers in the period, they were what movies were all about.