M. Moto court sa chance

The characters are what make this movie intriguing, and stupid.....at the same time! One is never quite sure who is what except we know Mr. Moto is a good guy and the two cameramen are innocent but too goofy. This, the fourth in the Peter Lorre-starred series of Moto films, re minded me of the Monogram latter-day Charlie Chan films, with Mantan Moreland, in which some silliness sometimes overtook the crime story. It also reminded me a bit of some old Tarzan films where you see stock footage of animals.

The mystery starts right in the beginning when we see "Victoria Mason," a Amelia Earheart- type female who flying solo around the world, suddenly sabotaging her plane and parachuting to safety. We never find out until the end what that was all about. The pretty and nicely- shaped Rochelle Hudson plays Victoria.

Anyway, to summarize briefly, the story is about a few Cambodian revolutionaries and a secret tomb- like cache for munitions. Along the way, we see Lorre in another one of his disguises, this one as an old "guru" with magical powers. I do enjoy Moto's disguises even though they fool everyone but us, the audience.

The story is fair, nothing super, but the characters in here are odd, which is good because it keeps our interest in the film. The silliness is supplied by a two-man American two-man film crew working the jungles of Cambodia. Robert Kent and Chick Chandler play "Marty" and "Chick," respectively. Yes, an actor named Chick playing a guy named Chick!.They are more like Abbott and Costello than documentary filmmakers, and their lines are really dumb most of the time.

What looked even more unrealistic but, in reality, wasn't as much as I thought, were the two main characters of from the host country in this story. They are George Regas, who plays the villain "Bokar" and J. Edward Bromberg who plays "Rajah Ali." Both these guys look and sound American, especially Bromber but Regas, who looks like comedian Henny Youngman, is from Greece and Bromberg is from Hungary/Romania! Go figure!

Hudson was an attractive actress whom I remember from the 1935 Shirley Temple movie "Curly Top," in which she was only 19 but looked more mature. When this film was shot, she was 22 or 23 and still could have passed for a good-looking 30-year-old. Sadly, this actress died of pneumonia while only in her 50s.

Anyway, if you don't mind some of the sappy dialog and you still enjoy Lorre and his disguises, this Moto episode should be worth your time checking out. It's a pretty fast-moving story and these restored editions out on DVD offer outstanding transfers. They really look good!

Another reviewer has disparaged this film, indicating that P. L. has a small part and that HE is the sole reason to watch it.

Not true.

Rochelle Hudson is an important addition to this film. Her performance in this Mr. Moto movie is well worth watching. She is also one of the most beautiful actresses you're ever likely to see.

If this movie ever becomes available on DVD, I hope I learn of it--I would gladly purchase same.

On the basis chiefly of Rochelle Hudson's contributions, I would rate this film 3 1/2 stars out of 5--or 7 out of 10. Viewers who are real Rochelle Hudson fans might well give it a 9 or a 10.

For the 4th Fox Moto the script took a nosedive and crashed like Rochell Hudson's plane did at the beginning. You could tell it was going to be a bumpy ride as she was flying over Angkor Wat and awe-struck by its beauty for a full half second. The overall intelligent production and sinister atmosphere generated by the sets more than make up for it though and keep me coming back.

"Grave-digger" Moto played beautifully superciliously by Peter Lorre is trying to discover and stop a plot to overthrow a Cambodian Rajah (?) played by mincing and wincing J. Edward Bromberg. Two grade A American newsreel cameramen get in the way, one falling for Hudson the other supplying the comedy. It takes a long time coming but the 2 Yanks escape an execution, Moto gets to show his incredible disguising (!) and energetic jujitsu skills off, and Hudson nearly got raped too (well, what was that about with the pervy High Priest if not?!) The High Priest/Temple scenes reminded me of George Zucco in The Mummy's Hand a few years later, another great film with a gossamer-like plot than smacked of Serial. Even so, there's a few surprises along the way, and the 61 minute running time simply flew by, because you see, I enjoy watching this type of movie: I can laugh at its many faults at the same time as revelling in its many good points.

I only wish they had made this as a 13 part serial, there'd be so much more to enjoy.

In the jungle near Angkor Wat in Cambodia, Mr. Moto (Peter Lorre) poses as an ineffectual archaeologist and a venerable holy man with mystical powers to help foil two insurgencies against the government.

When one of the characters say this of Lorre, you know the film is a winner: "If I was casting a horror picture, I'd have him playing the murderer." Just a brilliant nod to Lorre's career at that point, with such notable films as "M" and "Mad Love" under his belt.

One cannot deny the excellent makeup, which remains creepy even close up. Although uncredited, the work seems to have been done by Bill Cooley, a largely unknown figure. Of the mere twelve makeup jobs IMDb lists for him, only three were actually credited on screen. How much other work did he do and go unrecognized?

Mr. Moto is posing as an archaeologist but in reality he's investigating reports that there is soon to be an uprising against the colonial government. Soon after he arrives, an Amelia Earhart-like woman conveniently "drops in" as well as two wildlife documentary film makers--making this part of rural Thailand about the busiest place in the entire country!!

Some things about MR. MOTO TAKES A CHANCE are very good and make this a stand out film. First, instead of being stuck on a cruise ship or in the big city, Moto is in Thailand--a nice departure indeed. Second, like the earliest Moto films, our hero is NOT above killing his enemies--making Moto quite the different from Charlie Chan. Later Moto films are quite different, with Moto acting almost exactly like Chan--so in general, the later the films were made the worse they were.

Unfortunately, the film also had more than its share of dopey moments, such as the bats that flew up out of the trap door. Not only were they obviously fake, but you could very, very clearly see the strings! There was also an overuse of stock footage. While fortunately the animals were correct (such as Asian elephants, tigers and orangutans) but sometimes the clips were a bit grainy and seemed like they were thrown in for padding. In addition, the one cameraman character (the obviously "goofy" one) was a bit annoying. He seemed to be some sort of unnecessary comic relief and really detracted from the film.''

Overall, not a particularly inspired film and far from one of the better films in the series. Watchable but it's only a time-passer for everyone but Moto fans.