M. Moto court sa chance

The characters are what make this movie intriguing, and stupid.....at the same time! One is never quite sure who is what except we know Mr. Moto is a good guy and the two cameramen are innocent but too goofy. This, the fourth in the Peter Lorre-starred series of Moto films, re minded me of the Monogram latter-day Charlie Chan films, with Mantan Moreland, in which some silliness sometimes overtook the crime story. It also reminded me a bit of some old Tarzan films where you see stock footage of animals.

The mystery starts right in the beginning when we see "Victoria Mason," a Amelia Earheart- type female who flying solo around the world, suddenly sabotaging her plane and parachuting to safety. We never find out until the end what that was all about. The pretty and nicely- shaped Rochelle Hudson plays Victoria.

Anyway, to summarize briefly, the story is about a few Cambodian revolutionaries and a secret tomb- like cache for munitions. Along the way, we see Lorre in another one of his disguises, this one as an old "guru" with magical powers. I do enjoy Moto's disguises even though they fool everyone but us, the audience.

The story is fair, nothing super, but the characters in here are odd, which is good because it keeps our interest in the film. The silliness is supplied by a two-man American two-man film crew working the jungles of Cambodia. Robert Kent and Chick Chandler play "Marty" and "Chick," respectively. Yes, an actor named Chick playing a guy named Chick!.They are more like Abbott and Costello than documentary filmmakers, and their lines are really dumb most of the time.

What looked even more unrealistic but, in reality, wasn't as much as I thought, were the two main characters of from the host country in this story. They are George Regas, who plays the villain "Bokar" and J. Edward Bromberg who plays "Rajah Ali." Both these guys look and sound American, especially Bromber but Regas, who looks like comedian Henny Youngman, is from Greece and Bromberg is from Hungary/Romania! Go figure!

Hudson was an attractive actress whom I remember from the 1935 Shirley Temple movie "Curly Top," in which she was only 19 but looked more mature. When this film was shot, she was 22 or 23 and still could have passed for a good-looking 30-year-old. Sadly, this actress died of pneumonia while only in her 50s.

Anyway, if you don't mind some of the sappy dialog and you still enjoy Lorre and his disguises, this Moto episode should be worth your time checking out. It's a pretty fast-moving story and these restored editions out on DVD offer outstanding transfers. They really look good!

Mr. Moto goes undercover in the Cambodian jungle as an archaeologist. There he tangles with a nefarious high priest and a Rajah (J. Edward Bromberg) who's more threatening than he seems. Also in the mix are a couple of goofy newsreel photographers (Robert Kent, Chick Chandler) and an aviatrix (Rochelle Hudson).

In most of these Moto films, Peter Lorre seems to be having lots of fun and this one's no exception. He's great to watch. As another reviewer pointed out, Moto uses a disguise that strongly resembles Yoda. Chick Chandler is often annoying. Robert Kent isn't much better. The movie could only have been improved by removing their characters. J. Edward Bromberg seems like comic relief at first but his character's pretty sinister. He serves Mr. Moto his carrier pigeon for dinner! Next to Lorre, Rochelle Hudson is the best reason to watch this. She's gorgeous and does a great job playing the adventuress. She has more sex appeal with a ripped shirt exposing one bare shoulder than most actresses have fully nude.

This one plays more like a jungle adventure film than a detective one. But it's pretty fun, with neat temple sets and nice performances from Lorre and Hudson.

Peter Lorre stars in "Mr. Moto Takes a Chance," in this 1938 entry into the series. Lorre, of course, as Moto is the main reason for watching this film, but the rest of the cast here is very good: Rochelle Hudson, J. Edward Bromberg, Robert Kent, and Chick Chandler.

Working for the government, Moto is on assignment in French Cambodia to defuse two antigovernment plots, one lead by a holy man, Bokor against the local leader, Rajah Ali, and the other plot, led by Rajah Ali, who wants to start war against French rule. Parachuting into all this is Victoria Mason, aviatrix, an Amelia Earhart type but awfully pretty, flirtatious, and glamorous for someone whose plane just caught on fire. There are also two goofy newsreel photographers who keep getting into trouble.

Moto plays a double role here, that of Moto and an elderly mystic who looks like he could be over 150. Lorre gives that role just the right touch - he's not fooling the audience and he knows it. Petite Rochelle Hudson is very pretty and vivacious.

This film was the second Moto film but held back because it was thought to be not as strong as Thank You, Mr. Moto, to follow the first film. Like another poster, I'm not buying it, so the holdup remains a mystery. It's highly unlikely that Darryl Zanuck wasted five minutes thinking about the Mr. Moto series, except, of course, when the Japanese bombed Pearl Harbor. Then he thought about the series long enough to pull it.

Indeed this movie is a great deal like a Republic serial. For those who like their meat raw, that's a good thing, and fun can be had here. Granted, there is more than enough silliness to go around -- Lorre's disguise as an Asian sage is, to be blunt, not *entirely* successful, but he plays the impersonation tongue in cheek, and the end result is nothing if not amusing.

I cannot imagine what is offensive except possibly the dreaded racial stereotypes, which surely are endemic to the whole series. The idea that a B picture would be "held back for a few months" because of a matter of taste doesn't seem likely. Zanuck didn't expect Bs to be any good, and rarely screened them. There's no reason to single this film out as any sillier than many Bs of the period. There's more than enough to enjoy, and the running time is mercifully short. I'd rather watch this than any of the interminable Charlie Chan films.

For the 4th Fox Moto the script took a nosedive and crashed like Rochell Hudson's plane did at the beginning. You could tell it was going to be a bumpy ride as she was flying over Angkor Wat and awe-struck by its beauty for a full half second. The overall intelligent production and sinister atmosphere generated by the sets more than make up for it though and keep me coming back.

"Grave-digger" Moto played beautifully superciliously by Peter Lorre is trying to discover and stop a plot to overthrow a Cambodian Rajah (?) played by mincing and wincing J. Edward Bromberg. Two grade A American newsreel cameramen get in the way, one falling for Hudson the other supplying the comedy. It takes a long time coming but the 2 Yanks escape an execution, Moto gets to show his incredible disguising (!) and energetic jujitsu skills off, and Hudson nearly got raped too (well, what was that about with the pervy High Priest if not?!) The High Priest/Temple scenes reminded me of George Zucco in The Mummy's Hand a few years later, another great film with a gossamer-like plot than smacked of Serial. Even so, there's a few surprises along the way, and the 61 minute running time simply flew by, because you see, I enjoy watching this type of movie: I can laugh at its many faults at the same time as revelling in its many good points.

I only wish they had made this as a 13 part serial, there'd be so much more to enjoy.