Délicieuse

***SPOILERS*** ***SPOILERS*** "Mad About Music" (Universal, 1938), directed by Norman Taurog, is Deanna Durbin's third feature film, and ranks one of her finest in many ways, especially with a delightful storyline and Durbin's likable charm, but unfortunately, this is one overlooked treasure from the golden age of teenage musicals.

The story opens with Gwen Taylor (Gail Patrick), a celebrated movie actress, placing her hand prints in the cement block at Grauman's Chinese Theater. Unknown to many, Gwen has been separated from her daughter for ten years because of her great popularity, and finds that she cannot reveal to her fans that a glamor girl like herself is a mother of a 14-year-old girl. Gloria Harkinson (Deanna Durbin), the daughter in question, is being educated at a Swiss school for girls. Well liked by her classmates, she is immensely disliked by one in particular, Felice (Helen Parrish), who is not only jealous of her popularity around school, but is very eager to learn more about Gloria's questionable family background, especially when she refuses to believe that Gloria's father is a famous African explorer. To cover up her lies, Gloria has her middle-aged friend, Pierre (Christian Rub) back her up by writing letters to her, signing them from "her Dad." Because her little white lies are getting her deeper and deeper in trouble, Gloria, realizing that she is being followed by her classmates as she is heading for the train station, suddenly approaches a man named Richard Todd (Herbert Marshall), and his valet, Tripps (Arthur Treacher). Before Todd realizes what has happened, the distinguished gentleman finds himself suddenly acting as Gloria's father and coming to her school where he impresses the girls by talking about his "hunting adventures in Africa." More problems arise when Gloria learns that her mother is visiting in Paris, and must manage to sneak away from the school without arousing any more attention.

The storyline to "Mad About Music" may sound corny in print, but in reality, it is highly amusing and entertaining throughout its 98 minutes screen time, and it's easy to see why Durbin became such a box office attraction, having both voice and personality. The supporting cast consists of a younger William Frawley playing Dusty Turner, Gwen Taylor's agent; Marcia Mae Jones as Olga, Gloria's best friend; Elisabeth Risdon as the school official; Jackie Moran and Charles Peck as military academy students interested in Gloria and Olga; Franklin Pangborn seen briefly as the hotel manager; plus a cameo appearance by Sidney Grauman of Grauman's Chinese Theater in the opening segment of the story. One scene finds Frawley's character in a sentimental moment as he tells Gloria that she mustn't see her mother, as much as he knows in his heart that seeing her mother would mean a lot to her. The way this scene is handled is well done, showing the warmer side of Frawley, a fine character actor known for his grumpiness and his sarcastic comedic one-liners, especially used to great advantage in the immortal long running TV series from the 1950s, "I Love Lucy," starring Lucille Ball. It is also interesting to see the young and sassy Gail Patrick cast against type playing a mother.

New songs by Harold Adamson and Jimmy McHugh include: "I Love to Whistle," "Ave Maria" (by Charles Francois Gounod); "Chapel Bells" "I Love to Whistle" and "Serenade to the Stars." Aside from Durbin's singing, the Capps Barros Harmonica Players also participate in a song number.

"Mad About Music" resembles the story lines used by MGM, especially those Jane Powell Technicolor musicals of the late 1940s, mainly because it was produced by Joe Pasternak, who brought over his charm of teenage musicals from Universal to MGM, revamping the formula he originated in the Durbin films. Universal-International would remake "Mad About Music" as "The Toy Tiger" (1956) featuring Jeff Chandler, Laraine Day and Tim Hovey in the Marshall, Patrick and Durbin roles. While "The Toy Tiger" did get some television exposure on American Movie Classics in the 1990s, "Mad About Music" at present, did not. This Durbin original is available on video cassette and DVD, and made its Turner Classic Movies cable channel premiere September 11, 2022. After watching this, it would be impossible not to become "Mad About Deanna." (****)

Tasteless movie with bad singing and worse acting or overacting

One of Deanna Durbin's early films, and one that showcases her acting and singing abilities like few others do. Watch out for how her facial expression changes when Herbert Marshall is about to expose her storytelling and then re-considers, or when she sings the serenade to the stars and is about to burst into tears. She was definitely one of the best teenage actors Hollywood ever attracted. Her singing is awesome, too, especially Gounod's Ave Maria: I never heard it sung better. Herbert Marshall is perfect for the role of willing Ersatz-father, and it is a pleasure to see Gail Patrick cast against type. Still, it is Deanna's film - next to her, all others, no matter how experienced, are no more than supporting actors.

Universal Pictures spared no expense when it came to support its new teen sensation. After her first two movies became socko hits, the studio went all out in Deanna Durbin's third film, February 1938's "Mad About Music." Universal just re-signed Durbin to an adult-like salary of $1,250 per week with a $10,000 bonus for each of the films she made, an astronomical figure in those days for a girl just turning 16.

Durbin is known as the actress who saved Universal from bankruptcy. Her "Mad About Music" was 13th in the year's box office rankings. The film gave her a boast in confidence after rejected by Walt Disney as the voice of Snow White after he felt her voice was "too old" for the part. The studio assigned the Durbin film A-listed Herbert Marshall, whose services were much sought after, to play her fictitious father. Contemporary columnist Edwin Schallert noted, "The demand for Herbert Marshall's talents continues to spread far and wide. Even the newer and younger leading women, it is felt, need to have his proficient romanticism displayed in their pictures."

Universal spent a ton of buckaroos to construct a Swiss village on its studio lot for "Mad About Music," where Durbin's character Gloria Taylor attends school in Switzerland. Her mother in the film, Gwen (played by Gail Patrick, who was in real life only 10 years older than Durbin), is a Hollywood star whose studio as well as her manager Dusty Turner (William Frawley) want to keep secret the fact she has a daughter. Gloria's father died in the war when she was a baby, but incredulously she feels the need to invent a story that her father is alive and is a big-time explorer. One of her so-called friends, Felice (Helen Parrish), doesn't believe her story, forcing Gloria to say her father's arriving on a train to visit her. She picks a man at random at the station, who happens to be Richard Todd (Marshall), a music composer. Once he discovers Gloria's predicament, he goes along with her tall tale, with hilarious results.

Norman Taurog had just finished directing the first color-film version of Mark Twain's Tom Sawyer in 1938's "The Adventures of Tom Sawyer." "Mad About Music" showcased several Durbin songs, including one backed by The Vienna Boys Choir, touring in California at the time of the production.

The Academy Awards nominated "Mad About Music" in five categories, including Best Art Direction for the Swiss village sets. Joseph Valentine earned a nomination for Best Cinematography, Frank Skinner and Charles Previn (Andre's cousin) for Best Music Scoring, and Marcella Burke and Frederick Kohner for Best Original Story.

Deanna Durbin is irresistible as 14-year-old Gloria Harkinson. Living at a ritzy girls' school in Switzerland and blessed with friends and talent, Gloria is nevertheless lonely for a parent—and gets herself into a mess by writing herself letters from her imaginary big-game-hunter father.

Composer Richard Todd (Herbert Marshall) steps off a train in the small Swiss village and finds himself recruited to play the role of that father; Marshall gives a most charming performance as the initially reluctant phony parent who rather quickly takes to Gloria and looks to help her out.

Durbin sings beautifully….the picture opens with a bicycle-riding gang of girls singing "I Love to Whistle"; she sings "Ave Maria" in front of a boys choir; and she performs a beautiful number called "Chapel Bells" with Marshall (a composer, after all) sitting at the piano.

A strong cast includes Gail Patrick as Gloria's movie star mother—although she misses her daughter, she follows the guidance of her agent (William Frawley), who thinks his "glamor girl" client's fans would be shocked if it were known that she even had a daughter. Arthur Treacher is amusing as Marshall's (very) English valet.

The best supporting roles belong to the kids: Jackie Moran as Gloria's young would-be suitor; Marcia Mae Jones as her loyal friend Olga; and especially Helen Parrish as Felice—suspicious from the start of Gloria's tales about her father, she is eventually softened by kindness received.

The plot is of course fantastic, but when characters are this charming, who cares? It all comes across as the kind of thing we would love to believe if only it could be true. –And I guess that's what the movies are all about.