Une femme disparaît

The Lady Vanishes is a wonderful piece of fluff, the culmination of Hitchcock's British period, after which he started to explore more serious themes in his American films. Of course the basic plot is absurd, centering around the most ridiculous way to get a secret message through one can think of, and why did.....o well, never mind, it's the handling that matters, and Hitchcock achieves a near perfect balance here of humour and suspense that he only really matched on one other film, North By Northwest.

The film spends 20 or so minutes just introducing it's characters, but they are all so great, especially the two men so obsessed with returning to a cricket match that a case of disappearance and possibly murder is relatively unimportant, that it hardly matters, while Michael Redgrave and Margaret Lockwood simply sparkle as the main couple who of course initially can't stand each other. Once on the train, the ensuring mystery and sleuthing are riveting,and full of fantastic little details- the name on the window, the nun with high heeled shoes, the fight amidst a magician's paraphenalia The final shootout is excellently staged and still quite exciting. The laughs are constant, with some helarious lines, but they never detract from the suspense. Of course there's those shoddy model shots, but hell, this is a film from 1939!

Hitchcock had countless classics to come, including such complex masterpieces as Vertigo and Rear Window, but the delightful, hugely enjoyable The Lady Vanishes is a little masterpiece of it's own.

For what turned out to be his last masterpiece in the United Kingdom before leaving for Hollywood, Alfred Hitchcock went back to a familiar theme of someone being innocently caught up in intrigue.

The someone here is the beautiful Margaret Lockwood who is being gaslighted while on a train in Eastern Europe. She's made the acquaintance of Dame May Witty who disappears from the moving train and no one but Lockwood remembers she even exists.

Lockwood gains a sympathetic if skeptical ally in Michael Redgrave and they search the train for Witty. Of course as it is in Hitchcock films, the train's passengers and crew are not all they seem to be either and in the end the passengers have to fight for their lives.

Although Lockwood is a striking dark beauty, not the cool blondes that Hitchcock normally favored, she's a fine Hitchcock heroine. Best in the supporting cast are Naunton Wayne and Basil Radford who seem like a pair of silly English twits whose only concern is getting back for a big cricket match. They actually come through when the chips are down.

Viewers should also take note of Cecil Parker who plays a barrister on holiday with his mistress whose main concern is staying uninvolved lest news of a scandal kill a judicial appointment he wants. He is one absolute horse's patoot and his death must have been cheered by film audiences in the theaters.

Alfred Hitchcock was about to leave his homeland and the less expensive British film industry for Hollywood and bigger budgets. The Lady Vanishes however is a great example of what can be done even on a skimpy budget by a master craftsman.

"Well, anyway, I refuse to be discouraged. Faint heart never found old lady."

Ah, this was a great movie! One of Hitch's best, and certainly one of his most entertaining. It was funny, thrilling, and just plain old fun to watch.

The story is quite simple. A sweet old lady disappears on a train, and the only person who admits ever seeing her, is a young woman who met her the night before. As she searches for the old lady, she's helped by a roguish young man, and they soon begin to wonder just who this lady is, where she went, and why on earth would so many people go through so much trouble to make it seem like she never existed. It all makes for a very compelling mystery. 

The Lady Vanishes features some of the best characters I've ever seen in a Hitchcock film. Margaret Lockwood and Michael Redgrave were great as the two main protagonists, and the witty banter between the two was equaled only by the two dry, cricket-obsessed Englishmen who provided so much of the humor of the film. I found this movie to be similar to Rear Window (no wonder I enjoyed it so much), as there are many subplots among the minor characters that are almost as interesting as the main story. 

I firmly believe that this is the best I've seen of Hitchcock's early movies. It has everything from shootouts to nuns in high heels. The Lady Vanishes will convert you to being a fan of Alfred, if you're somehow (drugs?) not already.

Dame Mae Witty gives a memorable performance as the old woman who goes missing. The rest of the cast is great with Margaret Lockwood as the woman she befriends on the train. Sir Michael Redgrave also is wonderful as the obvious love interest of Lockwood. The film is truly filled with Hitchcock's stamp all over it. He takes a simple story and makes us not only intriguing but entertaining as well. They remade the film again in 1978 more than 40 years after this film debuted in British cinema. This classic film should not be mixed up with that one. I enjoyed this film. It had its humorous moments. I think this film is really wonderful to watch without being too much. Nowadays filmmakers can take note by Hitchcock's genius and talent. You do not need grand special effects today to create a memorable film but great actors and decent writing. This film is a great film about a good old fashioned mystery without deterring the audience. This film is good old fashioned movie making at its best.

The Lady Vanishes (1938)

A Hitchcock movie filled with mystery but lacking suspense. Which is quite fine, turning "The Lady Vanishes" into a fun movie with lots of wry jokes and clever twists. You can't take it any more seriously than Hitchcock did, and he famously had fun with his ideas. That's one reason why they are recognizably Hitch.

This is a transitional movie for the director in many ways. For one thing it was hugely successful in Britain, and then later in the U.S., and Hitchcock soon moved to Hollywood where his stellar string of successes for over 20 years began. But that said, this is a film filled with provincial humor (that was a joke, in case you are British)--that is, you need to have a feel for British humor, and for the style of joking and making witty remarks (constantly) of the time. It's a hilarious movie. When you aren't laughing you're still tickled.

Which is what disappoints some viewers expecting "Psycho" or something. Nope. But you'll recognize the director's hand here, mixing regular people who are misunderstood (if not quite accused of something they didn't do) and who end up having to solve the problem themselves. And so it goes, and they do rather well for a couple of ordinary folk.

When I say there is no suspense I mean it, even when there is uncertainty. The biggest twist of the whole plot (not to be mentioned here!) is only kept from the viewer for a short while. Then the actors tell you! Yes, you are let in on the secret, and yet the movie goes on from there. That is--it's not about worrying and trying to figure it out. It's about watching the main characters work together and piece together their way out of a sticky situation. And of course eventually fall in love.

You forget sometimes that the key element in nearly every Hitchcock movie is a love story. After all, that's what matters to most of us (or all of us?) day after day, so he zeroes in on that even as the world is threatened by uranium 235 ("Notorious"), a murderer in the apartment complex ("Rear Window"), the ghost of a previous wife ("Rebecca") and so on. (Of these, "Psycho" is an interesting exception.) So watch what is actually a romantic comedy with a dash of international intrigue in the ominous year leading up to WWII, which hasn't happened at the time of filming. Great stuff.