La vie en rose

"Just Around the Corner" is strictly Shirley Temple 101. Paul Girard Smith's short story "Lucky Penny" (a much better title!) becomes an unlucky vehicle for the pint-sized star, here portraying the daughter of a financially-strapped architect during the Depression. Through some comically-contrived misunderstandings, Shirl comes to believe her father's boss is actually Uncle Sam--and sets out to solve not only her papa's problems, but the nation's as well! Forgettable bubblegum nonsense, though one with an elaborate production and some energy from supporting players Bert Lahr, Joan Davis, and Bill Robinson. ** from ****

Certainly the curse that caught the child players, met his first victim in Shirley Temple, she was the perfect paradigm to strengthen such matter, in this picture she is back from school due his broken father is no longer had a high class engineer job, he accepts a humble job as maintenance work at same building that he had used to live.

The best thing that this picture offers is quite sure the ill tempered multimillionaire Samuel G. Henshaw played shiningly by the veteran actor Claude Gillingwater mistaken by Uncle Sam, smart script well developed to help the girl prodigy, possibly silly and dated, however nobody can deny the kindness and dexterity of Temple, a true benchmark at it's time, the DVD has an additional colorized version, recommended for all ages!!

Resume:

First watch: 2009 / How many: 2 / Source: DVD / Rating: 7.

Taking a cue from Mickey and Judy over at MGM, Shirley Temple decides that the problems she and father Charles Farrell are facing because of the Depression can be solved by putting on a show. The show is for the benefit of Claude Gillingwater who is Benny Bartlett's grand uncle Sam. The fact that Shirley confuses Gillingwater who is a tycoon with the euphemism for the USA is certainly not her fault.

Farrell is an architect who's now out of work in his chosen profession and now living in the basement of the building where he had the penthouse suit. Living there now is Cora Witherspoon who is Gillingwater's daughter and her son Bartlett. Among other things Shirley turns him from a spoiled brat into a regular kid.

Just Around The Corner reunited Shirley with Bill Robinson her famous dancing partner from The Littlest Rebel. Also in the cast are Joan Davis as a maid/dogwalker and Bert Lahr as a chauffeur who formerly worked for Farrell and now for Gillingwater's family.

How could Uncle Sam not get better with Shirley Temple as his biggest booster? Fans of the eternal moppet will not be disappointed with Just Around The Corner.

A precocious little moppet mistakes a misanthropic tycoon for Uncle Sam. She believes that by helping the old fellow, Depression woes will cease for her father and the country JUST AROUND THE CORNER.

This friendly, fanciful film was exactly what the nation needed to help it forget economic hard times. Shirley Temple is bright & cheerful, as always, and never fails to amuse. The talents which made her Hollywood's top box office draw for years are abundantly on display. Legendary Bill `Bojangles' Robinson is on hand with 3 of his celebrated dance routines. Watch, when he dances with Shirley, how she matches him step for step - a marvelous terpsichorean treat.

Comedy is handled by Bert Lahr, Joan Davis (why aren't they included in the climactic Benefit show?) & especially Franklin Pangborn, in his glory as the quintessential harried apartment manager. Charles Farrell, a big star himself a few years previous, does a fine job as Shirley's dad, while Claude Gillingwater once again has fun with the part of a crotchety, rich old man. Cora Witherspoon scores as a society snob.

Movie mavens will recognize Charles Williams as a persistent photographer & Leonard Kibrick as Shirley's tough kid friend.

Shirley, with help from Miss Davis, Lahr & Bojangles, sings & dances her way through `This Is A Happy Little Ditty' & `Just Around The Corner'.

There is such a lackluster quality about JUST AROUND THE CORNER--everything from script to performances to the songs--is below average. And Shirley is not quite as cute as the story wants her to be--clearly, she is starting to develop into a chubby preteen youngster with just a modicum of talent left over from her earlier films as a tot.

Only a couple of the songs are pleasant enough to be worth mentioning--"A Happy Little Ditty" and "A Walk in the Rain" have the kind of charm expected in a Temple musical. But staging of the numbers and overall set decoration leaves a lot to be desired. Bert Lahr and Joan Davis are on hand as a chauffeur and a maid but both are defeated by some flat one-liners. Charles Farrell is clearly past his career as a romantic leading man and is just so-so as Charlie's depressed father on the skids.

For Temple fans only--weaknesses in both script and song numbers--and not much else can be said for it. It's all very routine and quite forgettable.