Hollywood Handicap

While I was not originally going to watch this musical short since I usually hate musical shorts, I decided to see it when I saw that it was directed by none other than Buster Keaton!! It was obvious looking at Keaton's career that MGM had absolutely no idea how to use his many talents. Starting in the sound era, MGM did practically everything they could to unintentionally waste his talents. The first was pairing the visual comic with the loud, brash and pretty obnoxious Jimmy Durante. Their styles had absolutely nothing in common and Keaton just looked lost in the films--and worst of all, they weren't funny. It was so bad that by the late 1930s, he all but disappeared from the screen except in bit roles. MGM didn't know what to do with this contracted player, so they assigned him to direct some shorts. And the short, overall, is good and achieves what it intended--a short and amiable musical interlude before or between features. However, fans looking for a short that transcends this limited goal (such as Keaton's silent shorts) will be disappointed.

In addition, the film is in some ways uncomfortable to watch here in the 21st century and is an important history lesson. The singing group in the film is made up of some talented Black men who, at times, act pretty stereotypical for the time period. Blacks were not often seen in mainstream films of the era, but when they did they were usually servants or child-like "boys" who could sing and dance. The singing is excellent and catchy, but you can't help but feel that the film is patronizing and these men are allowed to act within very prescribed limits--the characters can't have depth or anguish--they must enjoy being exactly who they are and nothing more.

This short isn't quite as good as a previous one I saw featuring the band entitled "STREAMLINE SWING", but it's still an interesting little curio. The men in the band work at the race track. Because of their hard work and decency, the owner of a race horse gives them his prized horse! They envision great wealth, but the plot doesn't exactly work out as they expected! Along the way, there's a lot of decent singing and energy. These men were talented--it's just a darn shame the only films they were offered were so very limited and stereotypical.

Directing shorts like this one was a sad way for Buster Keaton to make a living or even to keep busy. At least he was working, some might say. Still, `Hollywood Handicap' will not be remembered for having been helmed by the comic genius. It's safe to say it will never be remembered at all and so it should be.

The very thin plot is a good enough excuse to display the vocal talents of The Original Sing Band, but it's unfortunate they don't get to perform better songs than this atrocious 'Barbecue Ribs' number. The `powerful idea' running gags wear thin really fast, even for a short.

The so-called galaxy of stars is but a few glimpses of famous faces at the races accompanied by an uninspired narration filled with bad puns that fall more flat today than they probably did then. More of the great instrument-like vocals by The Original Sing Band and less stars would have been better, but Hollywood wouldn't have done it in the first place without throwing in its star attractions now would it.

Buster Keaton directed this short subject which offers a glimpse of Hollywood's elite at Santa Anita racetrack in 1938. The plot has a group of black stable-boys who also form a sing band on the spot because they've hocked their instruments. Hocked it so they can buy a horse and race him in the prestigious Hollywood Handicap.

There are a host of movie luminaries in the clubhouse and the biggest laugh I got was Warner Baxter being described as a 'horseman'. According to Frank Capra's memoirs, he describes Baxter as being deathly afraid of horses which is why he remade Broadway Bill as Riding High with Bing Crosby in the lead. Noted racing fan and race horse owner Bing is also in the crowd and he's got an entry in the handicap. Oliver Hardy who was also in Riding High was looking a bit shrewder than the goof who got taken by William Demarest and Raymond Walburn in that film.

A 'sing band' and their were a few back in the day is one where the members of the group could do imitations of musical instruments. Speaking of Bing Crosby he featured one in Double Or Nothing and the Mills Brothers were also known for doing that as well as providing some of the best close harmony around.

A most enjoyable short subject from MGM.

I love Buster Keaton! Whether he starring in the movie or directing it.

This M-G-M short features an African-American musical group called The Original Sing Band and was directed by Buster Keaton, the comedian. This group is given a prize horse who turn out to be no prize at all! Oh, and this group was pretty unique at the time because many of them used their mouths as instruments. The singing was pretty entertaining but what comedy that ensured was pretty lame. I'm guessing this was included on The Jazz Singer DVD set was because Al Jolson was one of the featured stars in the spectator parts of this film along with his then-wife Ruber Keeler, Bing Crosby, Oliver Hardy, Mickey Rooney, and many others. So on that note, Hollywood Handicap is at the least, worth a look.