La bataille de l'or

I rarely say this, but this film would have been much, much better if the very quickly spoken narration at the beginning of the film was removed or done better. In fact, the first time I tried to watch this film, I turned it off due to the horrid introduction. Likewise, the ending narration and its amazing sappiness would also be best if it were removed altogether. These sickeningly preachy bookends to the movie really take what is a decent film and sink it.

The film itself is actually based on real events. It seems that in the 1870s and 80s, hydraulic mining was literally blowing hilltops off in order to extract gold. Using high pressure hoses, the ground was washed away--often flooding the farms in the valleys with sediment or water. For more about this, do a Google search--I found it all moderately interesting. The famous Edwards Woodruff v. North Bloomfield Mining and Gravel Company case decided the legality of a company basically destroying the surrounding area to extract gold or other precious metals.

The first thing that you'll probably notice about the film, other than the horrible opening narration, is the garish color. The print shown on Turner Classic Movies is usually the best available, so I assume no pristine prints survive. Instead, the colors are very gaudy and rather gross. See the film and you'll know what I mean. Despite being made by Warner Brothers, who also made amazingly beautiful color films during this era (such as THE ADVENTURES OF ROBIN HOOD and THE SEA HAWK), this Technicolor just looks yecchy--probably due to the ravages of time. It could use a restoration to sharpen the picture as well.

The film is made up of two camps--the farmers (represented by Claude Rains and his friends) and the miners (represented by the likes of Sidney Toler). Rains' side is obviously in the right--the miners are creating an environmental disaster area and have no regard for the financial damages they are causing the farmers. However, nice guy George Brent still works for the mine, as he runs one of the three mines in the area. How he is able to justify the mine owners' actions AND try to be friends with Rains and his family (including his practically perfect daughter who any man in the film or audience would adore, Olivia de Havilland) is sure tricky. However, over time, the mine owners' tactics get worse and ultimately it's all heading for a big showdown--either in the courts, in all-out war or both.

The film has a really nice cast--with lots of fine actors. In addition to Rains, Toler, Brent and de Havilland, there is a long list of character actors who make the film worth seeing. George Hayes (in an appearance just before he became known in the credits as "Gabby"), Tim Holt, Henry Davenport, Barton MacLane, Henry O'Neill, Willie Best (in a role that does not cast him as an idiot, thank goodness) and Russell Simpson (among others) may not be household names, but for old movie nuts like myself, they are familiar friends.

Overall, the film is educational and entertaining--but also a bit predictable and formulaic. But, if you can somehow ignore the start and finish, you may find like I did that the film IS worth seeing.

Jared Whitney (George Brent) is the manager of a hydraulic gold mine in 1880 California, but his position is complicated when he falls in love with Serena Ferris (Olivia De Havilland), the daughter of landowner Colonel Ferris Nclaude Rains), who is opposed to the mine.

Gold Is Where You Find It is only notable because it's and early Technicolor film and it's the only film I've seen where George Brent got top billing! Brent acquits himself well in the lead, but one thinks Errol Flynn may have been better suited to the part.

The Technicolor scenery is lovely, as is Olivia De Havilland. Claude Rains and Margaret Lindsay are wasted in supporting roles, while Michael Curtiz directs very well. Barton MacLane gets a good part as the treacherous mine foreman, and there's a spectacular flood sequence at the finale.

Coming in at a brisk 94 minutes, it's looks as though big chunks were cut out of the film, as Marcia Ralston is prominently billed in the cast but is seen very little in the film. Overall, good fun.

I generally agree with the majority of my fellow IMDBers that in their understandable zeal to tell a late Depression era, populist story where the villain is Big Mining (as personified by Barton MacLane and Sidney Toler) scenarists Robert Buckner and Warren Duff forgot to make their characters interesting. The result is fairly long stretches of boredom involving a really dull love story between George Brent and Olivia DeHavilland and a tepid father/son conflict between Claude Raines and eternal spoiled brat Tim Holt. The movie does come alive at certain points. Michael Curtiz is too good an action director for it not to. I love the denouement with the evil hydraulic miners drowning in their own watery muck. Truly an ending that would have pleased Frank Norris. But in general this is pretty much low grade schlock. And can we please lose the gratuitous racism, please? Solid C.

Despite the rather banal and slightly over-cute title for the film, 'Gold is Where You Find It' had more than enough to make me want to watch it. Max Steiner composed some timeless scores and was one of the great film composers at that time. Michael Curtiz directed many good to classic films, two being among my favourite films of all time. And the cast is a fine one, although George Brent was somewhat inconsistent Claude Rains in particular made every film he was in better.

'Gold is Where You Find It' is worth a one-time watch, but it is not one of those watch it over and over sort of films in my view. It is neither awful, with enough good things to raise it above that, or particularly good, with too many significant flaws. While most people come off well here in 'Gold is Where You Find It', it is perhaps safe to say that all have done a lot better in their careers. That's certainly the case with Curtiz, as far as his films go this is a lesser effort of his.

There are good things. On the most part, 'Gold is Where You Find It' is well made visually, the settings are sumptuous and in no way look cheap. Much of the Technicolor has a lavish look, even if this aspect isn't perfectly executed. Steiner's music score is typically lush and sweeping without being too melodramatic. There are charming moments.

Brent gives it his best shot in a colourless role, can understand actually why some found him bland in the film but it is not easy making a character this thin interesting and Brent at least doesn't look bored. The rest of the cast are better though, with the ever great Rains stealing every scene he's in and with Olivia DeHavilland looking beautiful and having a charming presence. The supporting cast are good all round.

Not all the Technicolor is completely attractive on the other hand, some of it can veer on being too garish. The script is on the stilted and routine side, and while the story has moments of charm the pace generally could have done with more urgency, the conflict with more tension and edge and the sentiment not been as strong.

Moreover, the characters while well performed are quite sketchy in development, namely Brent's. Do agree with those that have criticised the narration, far too saccharine, doesn't really move the story along all that much and was not really needed at all.

In conclusion, left me a bit mixed. 5/10

A number of reviewers fault the casting of George Brent in this film. In defense of Warner Brothers, at the time that this film was cast Flynn wasn't quite Flynn yet, and George Brent was a reliable first lead in costume dramas. It's true that I see more sparks between Mickey and Minnie Mouse than between George and Olivia in this film, but the casting must have seemed a good idea at the time. Recall that Warners seriously considered George for the lead in Captain Blood.

The film is entertaining to old timers for the casting of so many old reliable and familiar faces. I wish Willie Best had had a chance to play a serious role just once.

George Hayes was obviously transitioning to his Gabby persona, previously he had specialized in villainy.