Everybody Sing

This is very fun Judy Garland movie before "Oz". It's neat to see Judy in so much trouble! I enjoyed seeing Billie Burke in this before she became immortalized as Glinda in "Oz" also. All the actors give fine performances, and it's a rare treat for Fanny Brice to be in this film. She is hilarious as the Russian maid. Judy steals every scene she's in! Allan Jones also was superb. I am a big Judy Garland fan, so this might seem biased! Sure, the Baby Snooks number might seem a little corny, but overall, I give this 9/10, because I wanted it longer!

As she sang in a Hardy Family movie, Judy was just an "in-between" when her first few movies were made: "too old for toys, not old enough for boys". What plot there is, is an excuse for the musical numbers, most of which are rather lifeless. MGM seemed to be trying to find some place for players under contract, such as Alan Jones and Fannie Brice. Jones is as wooden here as in every other one of his MGMs, this time without the Marx Brothers to detract attention. Fannie Brice was just not a film personality. For someone who remembers her Baby Snooks radio show as quite entertaining, the Snooks routine here is almost embarrassing. Judy was not given any songs in which she could reveal her personality. The last scene was (unintentionally, I suppose) comical, when the entire cast, including Reginald Owen and Billie Burke. simulate a group dance number. This one is only for Garland die-hards interested in her early work. (Actually, she is much more natural in her first feature: Pigskin Parade, since not all the weight is on her shoulders.

Not an awful film, but also not a great one. While Judy Garland doesn't disappoint, generally as an overall whole 'Everybody Sings' is one of her weaker films along with 'Presenting Lily Mars' and 'Little Nellie Kelly'.

Judy is certainly the best thing about it. It was always going to be interesting seeing her before her iconic performance in 'The Wizard of Oz', and while it is not one of her best performance she is endearingly winsome, playful and heartfelt and sings an absolute dream. Not all the cast work, but Reginalds Owen and Gardiner are fun and despite having less than subtle characters they avoid being too hammy. Fanny Brice is mostly amusingly zany, and Lynne Carver is lovely.

The songs aren't amazing and most don't stand the test of time, but they are still very pleasant, with enough fun and emotion, and well performed. They are mostly energetically and gracefully staged, again not outstanding but little of it is overblown and it's hardly static or indifferent either. 'Everybody Sings' looks good in crisp black and white, handsome enough without being lavish.

As said though, not all the cast work. While Allan Jones sounds lovely, he comes over as a very wooden actor, while Billie Burke flutters shrilly to a very annoying degree. While the song and dance numbers are above average on the whole, "Swing Lo, Sweet Chariot" is not for the faint hearted (there are definitely worse examples of black-face and one is very much aware that they were popular then, but that doesn't mean people should like them) and the finale is over-cooked.

Some of the script is witty and charming, others are excessively corny and sentimental, with some of the humour that works well in other media not working well on film (especially the "Baby Snooks" routine). The story is thin and old as the hills, with some parts that feel contrived and parts in the second half that drag.

In summary, average film as an overall whole but Judy is great and the film is worth a one-time watch for her. 5/10 Bethany Cox

This is strictly JUDY GARLAND before she became the Judy we all know. Ditto for the ill used FANNY BRICE, whose "Baby Snooks" routine on radio was socko with millions during the '40s but looks bad here.

The story, a dumb one even for MGM family musicals, is about a bunch of eccentrics in a family that are intent on putting on a show (where have we heard that one before?), and bursting into song numbers at the drop of a hat. Unfortunately, none of the numbers are anything worth remembering (or hearing, for that matter). The whole thing falls as flat as a pancake by the time it's even into the middle section.

BILLIE BURKE does her usual fluttery act as a dizzy mother and MGM was still, at this point, trying to groom ALLAN JONES for stardom, but he's even more wooden than Nelson Eddy ever was. He too is saddled with some hard to like songs to give his tenor pipes a workout.

As one who enjoyed the best MGM musicals which came along in the '40s, from a studio whose musical talent was the uncontested best, this is simply a foolish yawner with no interest except serving as an early glimpse of JUDY GARLAND, who is unable to overcome this weak kind of rubbish. Same goes for the entire cast.

Summing up: Strictly below average as entertainment.

"Everybody Sings" sports a cast with plenty of talent. Judy Garland stars in this "Let's put on a show" production, featuring Billie Burke and Fanny Brice, among others.

The story is forgettable. The real action is on stage, where the numbers are highlighted by garlands, gals and an orchestra. I doubt everyone will like the musical performances. They are somewhat dated.

Billie Burke plays the loquacious wife who voices her every thought (again). Her performance can be annoying, but every once in a while she hits just the right note and she's laugh out loud funny.

Soon after this production, Judy and Billie would rejoin for "The Wizard of Oz" which, by comparison, shows how mediocre this film is.