Adults who grew up as slum kids meet later in life, but murder disrupts their reunion.Adults who grew up as slum kids meet later in life, but murder disrupts their reunion.Adults who grew up as slum kids meet later in life, but murder disrupts their reunion.
Joe Downing
- Frank Diamond
- (as Joseph Downing)
Scotty Beckett
- Mike O'Mara as a Child
- (uncredited)
Stanley Blystone
- Policeman with Doorman
- (uncredited)
Tommy Bupp
- Jerry Donovan as a Child
- (uncredited)
Neal Burns
- Emergency Squad Man
- (uncredited)
Howard Christie
- Emergency Squad Man
- (uncredited)
Drew Demorest
- Cab Driver
- (uncredited)
George DeNormand
- Diamond's Henchman
- (uncredited)
Mike Donovan
- Policeman at Headquarters
- (uncredited)
Bill Elliott
- James Brewster
- (uncredited)
Featured reviews
A good story idea and a good performance by Victor McLaglen make this crime feature work well, despite some weaknesses in other areas. The premise is a good one that holds many possibilities, and in general the story makes solid use of them. The production has a low-budget look to it, but most of the time this doesn't get in the way. The rest of the cast never comes up to McLaglen's level, and this is probably the main thing that keeps it from being better. It's still pretty good.
The setup has McLaglen's character Marty, as a boy, as part of a five-member gang (which includes one girl) in Hell's Kitchen. Caught in the act of one of their crimes, Marty is the only one caught and sent to the reformatory. Then the main story starts, with the five of them now adults, and holding a reunion. As the only former convict, Marty owns a night club and gambling house, while the others include a singer, a priest, and two police officers.
The story that follows tests the relationships among all of the old friends, and sometimes pits their new relationships against the old ones. As a result, there are some good moments of drama and suspense. McLaglen fleshes out Marty quite well, bringing out his character and the way that it has been shaped by events. If the other characters had approached his in depth, it could have been quite compelling.
The rest of the cast is adequate, and the pacing also keeps things moving, but the one-dimensional nature of the other characters often keeps it from grabbing you as much as it could have. It's still well above average for its time and genre.
The setup has McLaglen's character Marty, as a boy, as part of a five-member gang (which includes one girl) in Hell's Kitchen. Caught in the act of one of their crimes, Marty is the only one caught and sent to the reformatory. Then the main story starts, with the five of them now adults, and holding a reunion. As the only former convict, Marty owns a night club and gambling house, while the others include a singer, a priest, and two police officers.
The story that follows tests the relationships among all of the old friends, and sometimes pits their new relationships against the old ones. As a result, there are some good moments of drama and suspense. McLaglen fleshes out Marty quite well, bringing out his character and the way that it has been shaped by events. If the other characters had approached his in depth, it could have been quite compelling.
The rest of the cast is adequate, and the pacing also keeps things moving, but the one-dimensional nature of the other characters often keeps it from grabbing you as much as it could have. It's still well above average for its time and genre.
A group of young kids growing up in Hell's Kitchen form a lifelong bond. Because one refused to rat the others out, he goes to the reformatory. As adults they find their way to conflicting positions in society. Two cops, a priest, and a nightclub owner. The latter is mixed up in some shady dealings, mostly related to gambling. He hires a couple guys to rough a "client" up but they don't heed his limitations and kill the guy. This sets of a series of events where he is now under suspicion and brings about the death of one of his lifelong buddies. The film looks pretty good and it has that cool black and white element. Of course, honor is at the center, but that honor is not respected by the "really" bad guys. Victor McLaglan's character must confront his own miscues and face the music for his actions. It's not a bad movie, but there are absolutely no surprises and the characters actions are frequently pretty hard to swallow.
This one wasn't bad - I expected the film to be far worse so it came as a nice surprise. It's not a great story but kinda fun to watch in a way. It's about the kid's club "Hell's Kitchen"... where a gang of kids, 4 boys and 1 girl, become friends. The oldest boy, Marty Malone, accidentally set fire to a building and was sent to reform school. Then the story fast-forwards to their adulthood where we find them meeting every year, the year we peer into their story there is a murder that leads to another murder - Marty Malone is involved.
All grown up: A night club owner, a singer, a priest and 2 cops. I found my favorite of the gang to be the Priest Jerry. He was the one trying to keep the others calm and reasonable.
It's not the grandest of stories but I found this one watchable and enjoyable.
6.5/10
All grown up: A night club owner, a singer, a priest and 2 cops. I found my favorite of the gang to be the Priest Jerry. He was the one trying to keep the others calm and reasonable.
It's not the grandest of stories but I found this one watchable and enjoyable.
6.5/10
The film begins with a group of five kids playing around a warehouse. They accidentally light the place ablaze and run when the police arrive. However, one of the gang (Marty) is caught and he refuses to tell them who else was involved. So, he takes the rap for everyone and ends up growing into a guy who is a shady character--owning his own casino and consorting with disreputable types.
The other four members of the gang grew into a not particularly talented lounge singer who works for Marty (Helen), a priest (Jerry) and two brothers who are firemen (Joe and Mike). Each year, they all meet for a reunion and are life-long friends.
This friendship is tested when two thugs that work for Marty kill a man. Joe suspects it is not an accident and when he goes back to investigate, the thugs kill him as well! Now Mike takes up where Joe left off and he begins to suspect Marty's involvement. As for Marty, he did NOT want anyone killed and is stuck having to cover for the two thugs because this all began when he ordered the two to rough up a customer who refused to make good on his gambling debts. The problem is that the thugs have plans of their own and they refuse to leave town when Marty tells them to beat it.
In the middle of this mess is Father Jerry. He cannot allow Mike to kill Marty but also cannot just ignore Marty's involvement. How all this is worked out is something you'll just have to see for yourself.
Overall, this is a very interesting B-film with some nice twists and turns thanks to some excellent writing. As far as the acting goes, it's just fine, though Victor McLaglen in the lead is a real standout--in a tough but very sympathetic performance.
The other four members of the gang grew into a not particularly talented lounge singer who works for Marty (Helen), a priest (Jerry) and two brothers who are firemen (Joe and Mike). Each year, they all meet for a reunion and are life-long friends.
This friendship is tested when two thugs that work for Marty kill a man. Joe suspects it is not an accident and when he goes back to investigate, the thugs kill him as well! Now Mike takes up where Joe left off and he begins to suspect Marty's involvement. As for Marty, he did NOT want anyone killed and is stuck having to cover for the two thugs because this all began when he ordered the two to rough up a customer who refused to make good on his gambling debts. The problem is that the thugs have plans of their own and they refuse to leave town when Marty tells them to beat it.
In the middle of this mess is Father Jerry. He cannot allow Mike to kill Marty but also cannot just ignore Marty's involvement. How all this is worked out is something you'll just have to see for yourself.
Overall, this is a very interesting B-film with some nice twists and turns thanks to some excellent writing. As far as the acting goes, it's just fine, though Victor McLaglen in the lead is a real standout--in a tough but very sympathetic performance.
Elements of Manhattan Melodrama and Angels With Dirty Faces are to be found in The Devil's Party. Though the two cited are better films The Devil's Party can certainly hold its own.
Back in the day four boys and the tomboy girl that tagged along with them who grew up to be Victor McLaglen, Paul Kelly, John Gallaudet, William Gargan and Beatrice Roberts commit a robbery in which a fire is started. The boy grows up to be McLaglen takes the rap for the rest and goes to reform school.
Fast forward several years and the grownups are now the owner of a swank gambling club and the girl singer attraction in same which would be McLaglen and Roberts. Paul Kelly has become a priest who runs a settlement house and Gargan and Gallaudet who are brothers are cops with ambitions to become detectives.
It's that ambition and the fact that McLaglen sends a pair of enforcers played by Joe Downing and Frank Jenks to collect a gambling debt and they kill the debtor sets in motion a whole string of events that pits the former pals from Hell's Kitchen against each other and it results in tragedy.
Some nice performances all around by the principal players make this B programmer from Universal something special. The Devil's Party is a real cinema diamond in the rough waiting to be discovered.
Back in the day four boys and the tomboy girl that tagged along with them who grew up to be Victor McLaglen, Paul Kelly, John Gallaudet, William Gargan and Beatrice Roberts commit a robbery in which a fire is started. The boy grows up to be McLaglen takes the rap for the rest and goes to reform school.
Fast forward several years and the grownups are now the owner of a swank gambling club and the girl singer attraction in same which would be McLaglen and Roberts. Paul Kelly has become a priest who runs a settlement house and Gargan and Gallaudet who are brothers are cops with ambitions to become detectives.
It's that ambition and the fact that McLaglen sends a pair of enforcers played by Joe Downing and Frank Jenks to collect a gambling debt and they kill the debtor sets in motion a whole string of events that pits the former pals from Hell's Kitchen against each other and it results in tragedy.
Some nice performances all around by the principal players make this B programmer from Universal something special. The Devil's Party is a real cinema diamond in the rough waiting to be discovered.
Did you know
- TriviaThis movie was no 57.734 on the Swedish Censorship Board. It was not allowed to be shown at Swedish cinemas, and Universal apparently never cared to make any cuts.
- GoofsAt the end of the movie, the memorial park sign, shown twice, dedicates the park to the Boys of Hell's Kitchen. In the playground scene, there are plenty of girls in dresses.
Details
- Runtime
- 1h 5m(65 min)
- Color
- Aspect ratio
- 1.37 : 1
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