IMDb RATING
7.5/10
3.6K
YOUR RATING
British flying aces in World War I contend with the harsh realities of war.British flying aces in World War I contend with the harsh realities of war.British flying aces in World War I contend with the harsh realities of war.
- Awards
- 2 wins total
Sidney Bracey
- Major Brand's Orderly
- (as Sidney Bracy)
Hal Brazeale
- Gregory
- (uncredited)
Tyrone Brereton
- Orderly
- (uncredited)
Richard Deane
- 'B' Flight Replacement
- (uncredited)
Featured reviews
This is a stirring and exciting story of the courage shown by pilots who know they or their friends will likely be killed on one of their missions, and the anguish their commanders feel when sending them to their deaths. Set on the battlefields of WWI, the plot duplicates the 1930 version starring Douglass Fairbanks, Jr. In fact, whole sequences (especially flying scenes and the climactic attack) were lifted directly from the earlier film. (Note: although the 1930 version was originally entitled "Flight Command," and is occasionally screened under that title by TCM, IMDb also calls it "Dawn Patrol," probably to distinguish it from the 1940 Robert Taylor "Flight Command" about Navy pilots.)
Although it's a close call, I would recommend this later film over its predecessor, for the superior performances of the lead actors. Errol Flynn (as Dick Courtney) was more involving than 1930's Richard Barthelmess, a veteran actor whose performance retains the somewhat stilted quality of the silent film era. While Douglas Fairbanks Jr. was excellent in the 1930 version as pilot Doug Scott, David Niven in the same role positively sparkles in several more light-hearted, even comedic scenes. And although Neil Hamilton played Major Brand well in the original film, at least early on in the story, the role calls for a less-sympathetic performance, and who could be less sympathetic than Basil Rathbone at his sneery best?
Furthermore, current (as of 2012) releases of 1930's "Flight Command / Dawn Patrol" are not as visually clear in all scenes as the later version, and also have a lot of scratchy sounds and low rumble in the soundtrack, which are especially distracting in quieter scenes. Hopefully, remastered versions of both films will someday be available.
Still, this is only nit-picking, as both the 1930 and 1938 versions of "Dawn Patrol" are excellent. But given the choice, go with Flynn and Niven of 1938.
Although it's a close call, I would recommend this later film over its predecessor, for the superior performances of the lead actors. Errol Flynn (as Dick Courtney) was more involving than 1930's Richard Barthelmess, a veteran actor whose performance retains the somewhat stilted quality of the silent film era. While Douglas Fairbanks Jr. was excellent in the 1930 version as pilot Doug Scott, David Niven in the same role positively sparkles in several more light-hearted, even comedic scenes. And although Neil Hamilton played Major Brand well in the original film, at least early on in the story, the role calls for a less-sympathetic performance, and who could be less sympathetic than Basil Rathbone at his sneery best?
Furthermore, current (as of 2012) releases of 1930's "Flight Command / Dawn Patrol" are not as visually clear in all scenes as the later version, and also have a lot of scratchy sounds and low rumble in the soundtrack, which are especially distracting in quieter scenes. Hopefully, remastered versions of both films will someday be available.
Still, this is only nit-picking, as both the 1930 and 1938 versions of "Dawn Patrol" are excellent. But given the choice, go with Flynn and Niven of 1938.
Being someone who likes Errol Flynn, David Niven and Basil Rathbone and who has liked/loved a good deal of the films of all three, 'The Dawn Patrol' is a must watch for anybody who likes either actor or all three and for anybody who likes war films.
A remake of the 1930 Howard Hawks film, this is hardly inferior (quite the opposite). Even with scenes lifted from the earlier film, it's a good-looking film, is very nicely shot and has a good deal of authentic atmosphere. Edmund Goulding's direction is very much assured while pacing scenes in a methodical but never overly so way. Max Steiner's score is lushly orchestrated and stirring.
'The Dawn Patrol' has a gripping script, making its points without veering into heavy-handedness while the story is ceaselessly compelling, perfectly conveying the futility and passion of war, the comrades' horrors and conflicts and showing grace even under pressure.
Characters are not stereotypes in any way, instead compellingly real characters with human and relatable conflicts. The sterling supporting cast has Donald Crisp in particular standing out, but the three leads are what make 'The Dawn Patrol' particularly worth watching.
Rathbone has rarely been more tortured and Niven epitomises innocent grace, but it's Flynn's film in a performance that's genuinely moving (proof that he could act and had more range than given credit for when allowed).
In summary, a wonderful and powerful film. 10/10 Bethany Cox
A remake of the 1930 Howard Hawks film, this is hardly inferior (quite the opposite). Even with scenes lifted from the earlier film, it's a good-looking film, is very nicely shot and has a good deal of authentic atmosphere. Edmund Goulding's direction is very much assured while pacing scenes in a methodical but never overly so way. Max Steiner's score is lushly orchestrated and stirring.
'The Dawn Patrol' has a gripping script, making its points without veering into heavy-handedness while the story is ceaselessly compelling, perfectly conveying the futility and passion of war, the comrades' horrors and conflicts and showing grace even under pressure.
Characters are not stereotypes in any way, instead compellingly real characters with human and relatable conflicts. The sterling supporting cast has Donald Crisp in particular standing out, but the three leads are what make 'The Dawn Patrol' particularly worth watching.
Rathbone has rarely been more tortured and Niven epitomises innocent grace, but it's Flynn's film in a performance that's genuinely moving (proof that he could act and had more range than given credit for when allowed).
In summary, a wonderful and powerful film. 10/10 Bethany Cox
This is an extremely well-made WWI aviator film. The flying sequences are excellent and realistic, the story keeps your attention throughout, the direction is good and the actors are at their best. This is a great example of the type of movies Warner Brothers was capable of making--maybe not quite as elegant as those from MGM, but certainly highly entertaining and filled with their old standby actors (in this case Flynn). Along with the ever-exciting to watch Flynn are David Niven (providing wonderful support), Basil Rathbone and Donald Crisp. What a cast! Now if the movie had any shortcoming it might be argued that the material is a bit familiar--you know, guys risking and living beside death and all the accompanying tensions. BUT, it's not just the broad plot outline that make up the movie and everything else is just so well executed you can overlook this minor aspect of the film.
I don't have a lot to say about this movie. Errol Flynn is excellent as Captain Courtney, and the rest of the cast is excellent in their roles. That didn't surprise me. What surprised me was two things. First, how the British flying aces in World War I contend with the harsh realities of war, specifically the deaths of their friends and the decisions that had to be made to send more men to their deaths (excellently portrayed by Basil Rathbone as Major Brand). Whats most impressive, however, is how engaging the air sequences were. They were ahead of their time and they hold up rather well today. I just saw Pearl Harbour, and I would say the Dawn Patrol is more exciting. It holds up well today, and if you get a chance, give it a watch. 8 out of 10.
Clear eyed depiction of the cost and dangers for bombers during wartime. Errol Flynn is very good, a reminder that he was excellent not only in period pictures and westerns but quite capable in modern dress dramas. Strong supporting cast helps with Basil Rathbone standing out as a man who understands but is troubled by the weight of his duty even while others do not and is compassionate enough when the that weight has shifted to offer solace. David Niven's star moved much higher with his performance here, it would still be a few years before he moved into the top ranks but he was done with unimportant roles from this point on. Goulding's direction is steady and assured.
Did you know
- TriviaAt the time this movie was filmed, Errol Flynn and David Niven shared a rented house at Malibu, which they named "Cirrhosis-by-the-Sea" because of all the hard drinking and sex they were having with several women.
- GoofsThe amount of oil and dirt on Courtney's face changes several times between scenes. The most obvious is when he goes up stairs to console another pilot who has lost a friend. As he goes up his face is slightly dirty, as he enters the room it is noticeably dirtier and when he comes back down it is much cleaner.
- Quotes
Phipps: [Opens package dropped by enemy plane] It's his helmet and goggles. It means a very gallant gentleman died this afternoon. And for what? What have all these deaths accomplished? So many fine chaps have died in this war and are going to die in future wars.
[pause]
Phipps: That's all, gentlemen.
- ConnectionsFeatured in Effets spéciaux du cinéma (1996)
- SoundtracksPoor Butterfly
(1916) (uncredited)
Music by Raymond Hubbell
Lyrics by John Golden
Played on the Grammaphone
- How long is The Dawn Patrol?Powered by Alexa
Details
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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