Madame et son cowboy

Definitely the most somber 30s rom com I can recall thanks to Greg Toland's camera which seems most at home in fog enshrouded Gulf steamers and shadowy, dark Palm Beaches of the mind. And since the film is not very funny, with endless variations on the tiresome Capra-esque trope of urban=bad while rural=good, you tend to remember the cinematography way too much. C plus.

A modern fairy-tale in the tradition of Cinderella and Snow White. This movie has aged well and should be easily absorbed by today's audience. When you think of it, that is a hallmark of Gary Cooper films. He is the everyman, the themes are simple and timeless.

Cooper is in typically good form in this movie, and so is his beautiful and delightful co-star Oberon. The film is loaded with humor, romance and a touch of social commentary. A must see for fans of Cooper, Oberon, Jimmy Stewart or Frank Capra. A perfect "date" movie. One of my most favorite films. Hidden gem.

I saw this movie recently on TCM and for the most part, loved it!

I liked the shy, bumbling character of "Stretch" and the sheltered, Mary who fell hard for him.

Of course, being sheltered, she was limited in her experience with men.

But fortunately, she fell hard for a man with character and who loved her truly.

I knew that when she lied and misrepresented herself that she would be caught.

I especially loved the night when they married. It was a sweet throwback to an earlier time when single ladies weren't in single men's rooms at night or any time for that matter! It wasn't proper in 1938. It was very sweet and romantic for Stretch to propose marriage. His search for a wife was over!

Here are my slight criticisms:

Also, unsure if I can believe that his REAL name was "Stretch".

Then, there are the scenes where Mary was at the rodeo cleaning up. She became filthy and her dress was torn as a result.

I would think that she could have had her maids send her some clothes or wire her some money so she could purchase some clothes and toiletries. Or even ask her new husband to purchase her some clothes. There was a scene where she attempted to purchase some pants but was interrupted by the phone call. Why didn't she or Stretch purchase clothing and toiletries for her she before she boarded the bus?

Even rich ladies have to bathe and look presentable. A rich lady with her background wouldn't travel on the train for 3 days in a filthy, torn dress and unwashed. Suppose her dad and his friends had ALREADY arrived when she got there? How would she explain her appearance?

Also, the scene in the framework of the house lasted a little too long, in my opinion.

But other than that: I enjoyed this movie! Gary and Merle were great in the leads!

A thin comedy which has a few amusing moments but isn't as funny or charming as it clearly believes itself to be. Oberon looks stunning, which, after seeing her in The Divorce of Lady X, shows the importance of the cinematographer to a leading lady.

Considering the film has Merle Oberon and Gary Cooper, it couldn't help but be watchable...and it certainly was. The problem for me, though, is that with these actors and a concept that was decent enough, the film's script sure didn't do much with this. Instead, it has some nice moments as well as some lulls.

Perhaps it was just too much pawning off the idea of Merle Oberon with her exotic ways and accent as a rich lady in love with Cooper. While the idea of a society lady falling for a cowboy, Oberon just seems too distant and cold to make it all seem possible. I really think someone a little more "human" could have made this odd pairing work well. Oberon was a fine actress but I just don't think she was right for this film.

Perhaps it was that once the two fell in love, the film just stagnated until near the end. They married and yet the film still had a long way to go and the middle just seemed like filler at times--particularly Cooper's pantomime sequence inside their new house.

Whatever the reason, the film just seemed like an agreeable time-passer and nothing more. Inoffensive and just a tad bland. For a SLIGHTLY better variation of this same plot, try seeing the John Wayne and Jean Arthur film LADY TAKES A CHANCE--it has better chemistry and is just a better film in most respects.