College Swing

College Swing is a minor musical comedy that stars Gracie Allen and George Burns in their followup to their underrated A Damsel in Distress with Fred Astaire. Screwy plot involves Gracie needing to pass a college exam and employing Bob Hope to help her. Martha Raye joins the faculty as professor of romance. The storyline makes no sense at all but with these 4 comedy giants, it's hard to resist. Throw into this zany pot Betty Grable, Edward Everett Horton, Ben Blue, Jackie Coogan (then married to Grable), John Payne, Robert Cummings, Richard Denny, Florence George, and the wonderful Cecil Cunningham and you have a spirited but aimless film. Raye displays her good singing voice and cracks up Hope in a few scenes. Burns comes off worst. Worth a look.

Never a consistent director, Raoul Walsh permits this collection of set pieces to proceed in a disjointed manner as a means of showcasing Paramount contract players. The scenario is inordinately silly but provides substantial roles for Gracie Allen, Bob Hope, Martha Raye, Edward Everett Horton, John Payne, and Betty Grable. Hope's performance in BIG BROADCAST OF 1938 was reviewed very favorably by Damon Runyon, a friend of producer Lewis Gensler, who remembered the comedian from Broadway and vaudeville, and who is responsible for significantly enhancing Hope's part in COLLEGE SWING. Allen's ability for making communicable to audiences her giddy semantic high jinks is in full array, with her partner and husband George Burns serving, as is usual, as her straight man, as does Horton, but the talented comedienne nearly steals the film with her performance of an Irish jig, danced for no apparent reason at all. The 21-year-old Betty Grable, already a veteran of more than 30 films thanks to the studio contract system, performs with unalloyed enthusiasm and has an opportunity to display her hoofing, sometimes partnered by her first husband, Jackie Coogan. Lovely lyric soprano Florence George, well-known in opera and on radio, makes her cinematic debut, romantically paired with success opposite John Payne, and although her film career was very brief and not promoted, that could not have been due to her showing here. The committee responsible for this effort wisely decides to unbridle zany Martha Raye, as she irrepressibly dominates those scenes in which she appears and sings very well, indeed. Despite its low budget, the work benefits from excellent art direction, and plaudits must be handed to the outstanding costume design by Edith Head. In sum, COLLEGE SWING is only a minor attempt, but is laden with a cast of diverse abilities, which acts with carefree enthusiasm.

It's 1738, and schoolmaster Edward Everett Horton tells dimwitted student Gracie Allen (as a character named Gracie Alden) that he doubts if she could get her diploma in one hundred years. She is not discouraged: "Well, perhaps not that suddenly, doctor, but in 200 years I'll wager I couldst." --Fast forward to 1938, and a descendant—also named Gracie—is attempting once again to pass the graduation examination from Alden College.

Fast-talking agent Bob Hope has convinced Gracie to hire him as a tutor of sorts; as his fee depends on her successfully graduating, Hope naturally sets out to prepare her for the exam…by stealing a copy of the test questions.

Martha Raye is on hand as a would-be professor with a ridiculous phony French accent. She and Hope quickly strike up a romance and the chemistry between the two lights up their scenes together.

Soon enough, Edward Everett Horton returns to the action, this time around as an eccentric millionaire whose fear of women has kept him as far from civilization as possible. He is back at Alden College to monitor Gracie's exam and is accompanied by wry assistant George Burns.

George and Gracie have a good scene together during the examination: "What is it that runs across the floor like a goldfish?" she asks. (We never find out the answer.) Gracie also has some sweet scenes with Horton, who is charmed by her in spite of himself and his woman-phobia.

John Payne and Florence George play the handsome young romantic couple (and sing "What Did Romeo Say to Juliet?"). Betty Grable and Skinnay Ennis supply some swinging tunes and a great dance ("College Swing"). Hope and Raye also do a great duet—"How'dja Like To Love Me" is cute, bouncy, and really sweet, a highlight of the picture.

All in all, it's not much of a plot, but who cares? The songs are catchy and the entire cast is so much fun to watch: Hope is at his sharpest. Edward Everett Horton is perfect. Gracie is hilarious, Grable is lovely, and Raye is in superb voice. And that's not even mentioning supporting bits from Ben Blue as a mischievous "gym instructor," or the Slate Brothers as singing-and-dancing waiters. (Their "I'm tired" bit is another highlight.)

Mostly just silly stuff—but what fun.

COLLEGE SWING (Paramount, 1938), directed by Raoul Walsh, the last of the studio's oddball "College" musicals of the 1930s, follows the tradition of COLLEGE HUMOR (1933), COLLEGE RHYTHM (1934) and COLLEGE HOLIDAY (1936), minus a football game climax. With the exception of "Rhythm," they all featured the comedy team of Burns and Allen. In spite of their names leading the cast, they have little to do together, with Gracie actually going solo this time around. Supporting them are an impressive number of performers: Bob Hope and Martha Raye singing and clowning together: Betty Grable and Jackie Coogan (former top child star of the 1920s) whose appearances are so brief that it would have been better had they not been included at all; and John Payne and Florence George (her movie debut) as the subordinate romantic pair having a couple of duets together, and not much else that would gather much attention

The story, such as it is, begins with a ten minute prologue set in early America, 1738, as a group of choir boys singing, with one suddenly going into swing. The youngster identifies himself as Benny Goodman!!! After that, there's an introduction to the main characters: Hubert Dash (Edward Everett Horton), founder of the the school, handing out diplomas on graduation day to every student but Gracie Alden (Gracie Allen), having been there for nine years and not understanding the answers to the questions. Her grandfather, the squire (Tully Marshall), decides to leave his money as permanent property of the school until such time a future female Alden graduates, leaving 1938 as the deadline. Move forward two hundred years. The school still stands, with new surroundings and hip youngsters such as Betty and Jackie (Betty Grable and Jackie Coogan) gathered together with fellow co-eds at an eatery called The Hangout. Gracie, the decedent of that Alden girl from 1738, having attended college for nine years, must pass her examination in order to graduate and inherit the fortune as required. With the help of Bob Brady (Bob Hope), her private tutor, he writes the answers on a laundry ticket placed on the bench beside her, with Gracie answering all the questions correctly, much to the surprise of George Jonas (George Burns), one of the committee members. After graduating, Gracie inherits the college and becomes the dean of men. Later, Bob encounters Mabel (Martha Raye), disguised as the French woman, Professor "Theresa," The two immediately hit it off and become an item of oddities; while Martin Bates (John Payne) falls in love with Virginia "Ginna" Ashburn (Florence George), the president's daughter after serenading to her dressed up as Cupid (being part of the initiation); Martin's uncle, Hubert Dash (Horton), a decedent of the founder of Alden College, who has a phobia towards women, becomes interested in Gracie to a point of asking her to marry him. When the faculty suspects Gracie hasn't passed her examinations honestly, it's agreed that she must take them again publicly, leaving Bob to think up a new scheme to have Gracie pass the exams or else he'll be out of $25,000.

With songs by Frank Loesser, Burton Lane, Hoagy Carmichael and Manning Sherwin, the motion picture soundtrack includes: "Ding Dong," (sung by Boy Choir); "College Swing" (Betty Grable and Skinney Ennis); "What Did Romeo Say to Juliet?" (John Payne and Florence George); "I'm Tired" (comedy act performed by The Slate Brothers); "How 'Ja Like to Love Me?" (sung by Martha Raye and Bob Hope); "Please?" (Jerry Colonna); "I Fall in Love With You Every Day" (Florence George and John Payne); "You're a Natural" (sung by Gracie Allen); "Irish Jig" (danced by Gracie Allen); "What a Rumba to Romance" (sung by Martha Raye, with Ben Blue); and "College Swing" (finale/ cast). With Raye hogging most of the songs, Gracie comes off best with her pleasing vocalization, even in character, and dancing wonderfully for no apparent reason.

In between the flimsy storyline are song and dance numbers with an assortment of characters whose roles are not fully developed. There's doses of comedy acts including the Slate Brothers (a cross between the Three Stooges and the Ritz Brothers) as slapstick waiters. In the tradition of the Three Stooges, there's eye-poking involved by the Slates, Martha Raye giving one to Bob Hope and Ben Blue (the latter in his usual interpretation of a confused individual). Jerry Colonna, the one with the large mustache and big round eyes, does one of his scream song signatures impersonating Bing Crosby. Look fast for Robert Cummings in a bit as a radio announcer; band-leader Skinney Ennis singing and dancing with Betty Grable; and Cecil Cunningham as Dean Sleet.

Of the "College" Paramount musicals, only COLLEGE SWING made it to video cassette in 1993 and later DVD as part of the "Bob Hope Signature Collection," double featured with Hope's feature debut, THE BIG BROADCAST OF 1938. (COLLEGE SWING did have a Turner Classic Movies broadcast (TCM premiere: October 4, 2018)). Both musicals have one thing in common, each containing a plot without a plot, relying mostly on old-fashioned vaudeville routines inter-wined with songs passing as a story. While not the best of its kind, COLLEGE SWING is good enough entertainment to pass along the time of 87 minutes, redeemed by familiar faces and future stars in so-so material and fine songs. A pity Burns and Allen didn't get to interact more together with their familiar routines. "Good Night, Gracie." .(**1/2)

This is a hodgepodge of various skits and songs haphazardly put together by a wisp of a plot of Gracie Allen inheriting a college by getting all her answers right after 200 years of her descendants doing the opposite. Ms. Allen does appear with husband and performing partner George Burns here but not all the way through as she also does scenes with Edward Everett Horton and Bob Hope, whose second feature this was for him. There's also Martha Raye and Ben Blue for additional comedy relief. Romantic leads are John Payne and Florence George though there's very little of that. Oh, and Betty Grable and then-husband Jackie Coogan also cut the rug quite nicely. In summary, this was quite entertaining and if you don't really care about the "plot", College Swing should go down real easy for you.