Le crime était presque parfait

Nice atmospheric thriller with excellent black and white photography and with chilling use of shadows! The film is inspired by both "Rebecca" and "Laura", and maybe "Suspicion" i suspect... The murderer is obvious but it is still entertaining with a good script!

Loveley performances by Hollywood pros like Claude Rains, Constance Bennet and the underrated Audrey Totter always worth seeing!

This was my first Joan Caulfield movie, apparently a starlet at the end of the 40s, a good actress but a bit forgettable. I love these film noirs from the golden age of Hollywood. Golden age of filmmaking, actually...

I liked this bit of film noir. The story is a bit confusing and it lacks a solid foundation for introducing and developing characters. Unlike most films, this film might have been over edited. Another 10-15 minutes of character development might have helped.

Now having said all that, what I truly liked about this film is that it is set during the golden age of radio. Its nice to have a contemporary view of this now lost and long forgotten world. We get to see a production of an "old time radio" program. We see how sound was recorded before taping became practical. Claude Rains' character is a narrator of a spooky, murder mystery radio show very much along the lines of popular radio programs such as "The Whistler" or "Suspense" or "Lights Out." Rains was perfectly cast in this role. His "radio voice" hearkens back to the day when "the Man in Black" or "the Whistler" kept millions of Americans entranced by the glowing dial in their darkened den or bedroom.

One of the fine mystery thrillers from 40's and near the top of the film noir lists. The Unsuspected is a showcase for one of Hollywood's real accomplished actors of that era, Claude Rains. Though more widely remembered for "Casablanca", "Notorius", and "Mr. Skeffington," Rains gets to show off his versatility in a starring role. As the charming but malevolent lead, Rains comes up with a very professional turn as the respected radio announcer and suspect. Pairing with him is a "femme fatale" from that time, Joan Caulfield. The bosomy, sexy blonde is more convincing here than in the light comedies she played during her career. This film dates well and will keep your interest. It's one I would like to see once more. Any readers know where a VCR copy can be purchased?

The Unsuspected (1947)

Another Michael Curtiz gem (think of "Casablanca" and "Mildred Pierce") but with a story that is less compelling and, oddly, more complicated. The film is gorgeous, filmed with lush intelligence. And Claude Raines is terrific as the leading man throughout. Perhaps the rest of the cast is too routine to lift the film out of the ordinary in other ways. But I still found it striking and interesting all through, even the second time.

Bravo, TCM, for showing this. I haven't seen it since I was in my teens thirty years ago. It is similar but in many ways superior to Laura. The major flaw of Laura is that it is impossible to believe that Clifton Webb has a great, overriding physical passion for Gene Tierney. There is no such nonsense in The Unsuspected. This is a highly atmospheric, evocative and literate noir set in the sophisticated world of radio and literary circles. We have a powerful, understated performance from Rains alternating between the likeable and sinister. He was one of the very few actors who could pull this kind of thing off (i.e. Notorious, Deception).I take great exception to a previous comment here about a "throwaway cast." Throwaway? Audrey Totter? Constance Bennett? Hurd Hatfield? The too little seen Fred Clark? Hardly throwaway! Totter's performance is etched in acid and this, with her job in Tension, is the best of this fabulous lady's career! She and Bennett here play both sides of the bitch coin. Totter is the nasty side, Bennett the amusing and brittle side. Both of theses dames bring life to dialogue that even on paper would be smart. If you love Warner Brothers, Rains, Totter, Bennett, or noir in general, this is a tasty treat.