Les conquérants d'un nouveau monde

I had heard that Howard Hawks wanted Gary Cooper to play the lead in red river, but Cooper didn't want to play a character that dark so he played in this instead. That would of been cool to see Cooper play John Wayne's part in Red River. This movie has a great cast like Cooper, Ward Bond, Boris Karloff and directed by Cecil B. DeMille. This movie has been compared to Northwest Passage but i think this one is better. Cooper is good as usual and so is the rest of the cast.

Unconquered is a milestone in the career of Gary Cooper. It was the last of four films he did for Cecil B. DeMille and his last featured role during his stay with the Paramount studio. I'd have to say that Coop went out with an expensive bang.

The film illustrates both the strengths and weaknesses of a DeMille project. The color photography by Ray Rennahan is first rate, the eye for historical detail about the colonial period in terms of costumes and sets superb. The spectacle is only as DeMille could create it. Yet he could make such an elementary mistake by having the Seneca Indians pursue Gary Cooper on horseback. It was only the plains Indian tribes west of the Mississippi that used horses. But the public wanted to see Indians on horses, they were used to seeing Indians on horses. So DeMille gave them what they wanted.

DeMille himself in his autobiography confessed that he was not satisfied with the showdown of hero Gary Cooper and chief villain Howard DaSilva. He felt it was anti-climatic. I wish he had done it a bit better myself.

The film is based on a historical novel The Judas Tree by Neil Swanson who also wrote Allegany Uprising about the same colonial period. The story takes place with the background of the uprising by Pontiac who was trying to unite all the Indian tribes and keep the whites on the east side of the Appalachian mountains.

Paulette Goddard is a woman condemned to the gallows in London and is given a choice to go to the colonies as a bond servant. Of course she takes it and catches the eye of both Cooper and DaSilva. That's a common DeMille characteristic in his films, two men in heat over the leading lady.

DaSilva is a trader with the Indians and his reasons for wanting to keep whites out of the western territories is so he can keep a monopoly of the fur trade. He's quite ruthless in his methods, even marrying the daughter of Chief Boris Karloff of the Senecas played by Katherine DeMille. Karloff's Senecas are allied with the Pontiac Confederation and their job is to attack Fort Pitt and the town it shields, the little village of Pittsburgh.

Such events as the siege of Fort Pitt and the massacre at Venango are interwoven in the lives of Cooper and Goddard. He leaves Fort Pitt to rescue her and they both have quite a time escaping from the Senecas. The scene that is most talked about here is our hero and heroine going over Niagara Falls in a canoe chased in canoes by pursuing Senecas. What's most interesting about it is that it isn't done on location. Living up here for the past 10 years and seeing it as a kid, I can tell you the Falls doesn't look as primeval in real life as DeMille shows you how it looked in 1763. Yet even today it's quite a breathtaking site to see our intrepid two take the plunge.

Back in 1947 we certainly weren't terribly concerned about presenting the Indian point of view on screen and DeMille is a man of his times. There was a good film done about a decade ago about Chief Tecumseh and his attempt at an Indian confederation. Maybe we will get one about Pontiac and his movement.

Until then we have to watch items like Unconquered, enjoy the spectacle and fill in the blanks.

It's Saturday Afternoon at the Bijou time, courtesy of the over-the-top presentation of Cecil B. DeMille. The film is rich in atmosphere and with an eye for detail in capturing colonial America, no matter how ludicrous the situations may be at times. Yes, the casting of Boris Karloff as an Indian chief is a camp enthusiast's delight but, if taken in the right spirit, only adds to the fun.

The film is highlighted by an action set piece involving an escape from the Indians and a plunge over a waterfall. No credibility whatsoever as far as the real world is concerned. But who says this is the real world? It's the movies where the impossible can happen and we are along for the ride which includes the wonderful Technicolor enhancing of its many visual pleasures.

I can't recommend Unconquered enough for those adventure seekers fully prepared to suspend their sense of disbelief in advance, and it may be the only film ever made about Pontiac's Rebellion, although, Pontiac is never mentioned.

I must confess I really like Cecil B. DeMille's pseudo historical epics. They are as fascinating to watch as a head on collision between two (2) trains and about as subtle. So lets get this clear if your looking for any sort of historical accuracy, LOOK ELSEWHERE! For hand-wringing political correctness BEGONE! The Colonial Settlers are good, the Indians bad and the British are incompetent, thats it. If you are expecting dialog by way of Hamlet thats not going to be here either. Like Harrison Ford said about George Lucas, "You can write dialog like that, but we can't say it".

The fun of this film is to watch it unfold in all it's glorious Three (3) Strip Technicolor and follow the adventures of Paulette Goddard with Gary Cooper as they move from one (1) set piece to another. For thats what this film is as series of set pieces. Or as what some critics of DeMille felt, he did not make motion pictures but moving paintings, though very entertaining ones.

"The Perils of Paulette" is what the critics referred to this picture upon its original release. I think very few actresses were put upon more then she was in this movie. She was bound (chains, rope or leather), almost whipped, almost burned at the stake, almost drowned going over a waterfall, almost raped, etc. If this had been a pre-code film I am sure we would have seen something like the excesses in 'THE SIGN OF THE CROSS'! It would have been interesting to see what ended up on the cutting room floor that could not make it past the censors. Supposedly during filming she blew up and walked off the set until DeMille could bring things down to an acting (or pain tolerance) level, referring to DeMille as a SADIST! DeMille liked troopers such as Barbara Stanwyck and did not forget this. When Paulette wanted the role of 'Delilah' DeMille told her to take two (2) drop dead pills and effectively ended her career. When the 'UNCONQUERED' was finished CB issued gold medallions to those he felt were real troopers. Boris Karloff got one (1) and the drummer boy (for not flinching when a ball of fire bounces off his drum), not Paulette.

When you watch a Cecil B. DeMille film the important thing is not to take it seriously and just enjoy the ride. There are alway some neat things that you can pick up. Though he plays fast and loose with history (most directors do to this day; Michael Moore, Oliver Stone) he gets a lot of details right. The firearms, swords, uniforms even the shape of the British star fort are all right on. There is also excellent attention to detail on the day to day life of this period of history. He did build his films from the ground up and if did not convey historical accuracy gave a good imitation. Sort of a 1940's version of virtual reality. It looks great but is not all there.

It's 1763 and two men Capt. Christopher Holden (Gary Cooper) and trader Garth (Howard Da Silva) taking the same ship back to Virginia from London bid for the contract of a woman named Abby (Paulette Goddard) who was given a choice between execution in England or 14 years of indentured servitude in the colonies. The winner Holden gallantly frees her and leaves the ship to join his girlfriend about to marry her . The loser who illegally sells guns to the local Seneca Indians destroys the contract and manages Abby working in his saloon . Along the way Cooper suffers assaults and has to help the settlers fight Indians and escaping from savage natives. Crimson-haired slave girl . . . desired by a man of destiny! Together they shared the thrills of the most daring spectacle De Mille ever filmed !They live again¡ Dauntless men and women who kept America unconquered ¡. I bought this woman for my own..and I'll kill the man who touches her!From A People Like This Came America's Heritage. In A Story Like This Lies America's Greatness!

Lavish film , in fact producers spent a reported 4 million dollar to bring to life this thrilling and moving melodrama , and most of it shows up on the big screen, while outstanding the heroic derring-do of Cooper including the overwhelming getaway by Gary along with Paulette over treacherous and wild rapids and falls that result to be most notable among the colorful set pieces . This is a spectacular adventure combining melodrama with improbability and garnishes it with hokum enough . Containing some splendidly staged scenes in which Gary Cooper has to keep rescuing Goddard throughout the film as well as fighting Da Silva . As Gary Cooper is very good , as usual , as the brave hero attempting to foil plans of controlling the Ohio Valley and to deliver peace belts to the Indians who have already sent out war belts. And female strring Paulette Goddard is frankly gorgeous . Adding a nice gallery of villains as Howard Da Silva as an eminently hissable nasty playing the scurvy trader , Boris Karloff making an unusual appearance as an Indian chief . Furthermore , other illustrous secondaries as Cecil Kellaway, Ward Bond, Katherine DeMille , Henry Wilcoxon , C. Aubrey Smith ,Mike Mazurski , Porter Hall, Jane Nigh, Alan Napier , Raymond Hatton and Marc Lawrence .

It displays a colorful photography from Ray Rennahan , and shot on location in Allegheny Mountain, Pittsburgh, Pennsylvania, , Big Mesa Falls, Ashton, Idaho, Wolf Creek, New York State,Conejo Grade, Los Angeles,Snake River, Clearwater River,Idaho . Including excellent special effects by Academy Award winning Gordon Jennings . Along with impressive production design by Hans Dreier and Walter Tyler . Thrilling as well as romantic musical score by the classic Victor Young . This vigorous motion picture was realized in Cecil B DeMille's ordinary style , supported by a magnificent second unit by Harold Rosson ; both of them made some greatests spectacles of all time .DeMille especiality was spectacle and he certainly delivers a full measure of it. Although a nimbler action filmmaker than Cecil might have made even more of the Oscar-winning effects work . Cecil produced and directed 70 films and was involved in many more . Many of his films were romantic sexual comedies , as he is supposed to have believed that Americans were curious only about money and sex . His best-known were biblical epics that further established him as the symbol of Hollywood such as ¨King of Kings¨ (1927), The ten Commandments (1923) , ¨The Crusades¨(1935) , ¨Reap of the wild wind¨ (1949) , and , of course , Charlton Heston's ¨Ten commandments¨ (1956) and he made two versions about ¨The Buccaneer : 1938 and 1958¨ that was ended by Anthony Quinn and Arthur Rosson . Rating : 7/10 . Well worth watching . Better than average