IMDb RATING
6.9/10
484
YOUR RATING
Philippa Shelley races against time to clear her husband Nicholas Talbot of a murder he did not commit. While she works on getting proof, the prosecution is doing all it can to force a convi... Read allPhilippa Shelley races against time to clear her husband Nicholas Talbot of a murder he did not commit. While she works on getting proof, the prosecution is doing all it can to force a conviction.Philippa Shelley races against time to clear her husband Nicholas Talbot of a murder he did not commit. While she works on getting proof, the prosecution is doing all it can to force a conviction.
Dodd Mehan
- Chemist
- (as D.A. Mehan)
Grace Denbeigh-Russell
- Orchestra Leader
- (as Grace Denbigh-Russell)
Featured reviews
Staring Hugh Williams and Greats Gynt this British 40's thriller is well worth a look.
Especially in the second half, when Philippa the somewhat spoiled and beautiful opera singer goes on the trail of a murderer.
Her husband is on trial for killing a former girlfriend (the magnificent Rosalie Crutchley), and with Francis L Sullivan as the prosecutor, his chances look slim. He (Hugo Williams) tries to keep up his spirits, but underneath a light manner he is desperately worried.
So Philippa sets off to follow a musical clue, wearing the kind of hat the royal family are fond of (in her case, it protects her 40s pompadour hairstyle). It leads her to a sinister gothic school in the far north, where she is shown round by Marius Goring.
There are lots of good scenes in trains and railway stations, filmed on location. When they pull into York, we fleetingly see a traveller who looks uncannily like the murdered girl. But when we recognise one of the fellow-passengers as stalwart actor Ronald Adam, we are prepared for more drama...
I'd love to read the original book by Winston Graham. Writers of historical sagas (Poldark) often do their best work when young and writing about the contemporary scene.
It's a shame that Sullivan fades out of the story early, and Philippa's modern opera seems to consist of one scene. Obviously her singing voice is dubbed, but what about her speaking voice? It is very unlike the sarcastic, seductively nasal tones of her performance in Dear Murderer. Perhaps she just adopted a different voice for this character who, though flawed, is basically a good egg.
Her husband is on trial for killing a former girlfriend (the magnificent Rosalie Crutchley), and with Francis L Sullivan as the prosecutor, his chances look slim. He (Hugo Williams) tries to keep up his spirits, but underneath a light manner he is desperately worried.
So Philippa sets off to follow a musical clue, wearing the kind of hat the royal family are fond of (in her case, it protects her 40s pompadour hairstyle). It leads her to a sinister gothic school in the far north, where she is shown round by Marius Goring.
There are lots of good scenes in trains and railway stations, filmed on location. When they pull into York, we fleetingly see a traveller who looks uncannily like the murdered girl. But when we recognise one of the fellow-passengers as stalwart actor Ronald Adam, we are prepared for more drama...
I'd love to read the original book by Winston Graham. Writers of historical sagas (Poldark) often do their best work when young and writing about the contemporary scene.
It's a shame that Sullivan fades out of the story early, and Philippa's modern opera seems to consist of one scene. Obviously her singing voice is dubbed, but what about her speaking voice? It is very unlike the sarcastic, seductively nasal tones of her performance in Dear Murderer. Perhaps she just adopted a different voice for this character who, though flawed, is basically a good egg.
It's a great film with great performances.... as so many reviewers here express that same sentiment so much more eloquently than I ever could....! The poorer reviews are critical in areas that only time has given them the benefit of....
'Even' as a black and white movie there is a wonderful atmosphere that a color version could never hope to meet let alone exceed..!
If you tend to enjoy good entertainment with no pre-conceived expectations then this film will most certainly deliver.....
I sometimes wish that this fantastic app and website would also list a few of the more contemporary reviews so as to provide a sense of the film's context to ordinary film goers.... but even with that option, unfortunately, there would be very few that people might have written let alone shared....!
If you tend to enjoy good entertainment with no pre-conceived expectations then this film will most certainly deliver.....
I sometimes wish that this fantastic app and website would also list a few of the more contemporary reviews so as to provide a sense of the film's context to ordinary film goers.... but even with that option, unfortunately, there would be very few that people might have written let alone shared....!
.especially if you are married to someone else! What on earth was rich layabout Hugh Williams (Nick) thinking? I say layabout but he's actually the manager of his talented operatic singer wife Greta Gynt (Phillipa). She's the one with the talent, so, yep, he's probably a layabout feeding off her success. Anyway, his ex is violin player Rosalie Crutchley (Liz) and she ends up dead which is bad news for layabout boy. He's in the dock for murder and heading for the afterlife courtesy of the death penalty. Cue sharp-witted Greta to go out and prove his innocence.
This film travels along at a good pace and is basically a thriller. The mystery element is taken away near the beginning of the film as the killer is revealed. This doesn't matter and takes nothing away from the enjoyment of the film as Gynt goes after the truth and puts herself in danger. Real danger!
The film starts with an interesting voice-over from lawyer Frances L. Sullivan as he puts his case forward for the prosecution in court. Just sit back and let the film carry you along. There are some light touches thrown in along with moments of suspense. The shop-keeper and his opening times is quite amusing – don't open till 9:00 am – ha ha. The film is nothing special but it is enjoyable as you watch it.
This film travels along at a good pace and is basically a thriller. The mystery element is taken away near the beginning of the film as the killer is revealed. This doesn't matter and takes nothing away from the enjoyment of the film as Gynt goes after the truth and puts herself in danger. Real danger!
The film starts with an interesting voice-over from lawyer Frances L. Sullivan as he puts his case forward for the prosecution in court. Just sit back and let the film carry you along. There are some light touches thrown in along with moments of suspense. The shop-keeper and his opening times is quite amusing – don't open till 9:00 am – ha ha. The film is nothing special but it is enjoyable as you watch it.
Nicholas Talbot is the husband and manager of wealthy opera singer Phillipa Shelley. Tensions in the marriage are raised when Nicholas meets Elizabeth, an old flame, after a show. Hours later Elizabeth is killed at her flat with Nicholas not having an alibi. On trial for murder he looks to be heading for certain imprisonment but Phillipa starts following her own clues in an attempt to uncover the truth.
I didn't have a clue what this was about until I watched it so I had no preconceptions about it. It seemed to start well enough as the stall was laid out and clues were shown. However it quickly became dull and only really got better when the wife started looking for clues herself. However the thing that actually helps her find the real killer is such an absurd plot twist that it's more silly than anything else. The final 10 minutes are good but can't make this anything more than a dull mystery.
The cast are quite good but don't really have any character. I thought the fat lawyer character would play a bigger role and potentially have character a la Charles Laughton in Witness for the Prosecution, however he didn't. Similarly the accused and his wife are quite cardboard.
Overall it's not terrible but it has nothing whatsoever that will stay in your memory. Not really worth watching.
I didn't have a clue what this was about until I watched it so I had no preconceptions about it. It seemed to start well enough as the stall was laid out and clues were shown. However it quickly became dull and only really got better when the wife started looking for clues herself. However the thing that actually helps her find the real killer is such an absurd plot twist that it's more silly than anything else. The final 10 minutes are good but can't make this anything more than a dull mystery.
The cast are quite good but don't really have any character. I thought the fat lawyer character would play a bigger role and potentially have character a la Charles Laughton in Witness for the Prosecution, however he didn't. Similarly the accused and his wife are quite cardboard.
Overall it's not terrible but it has nothing whatsoever that will stay in your memory. Not really worth watching.
Did you know
- TriviaThe line that Elizabeth Rusman writes is from Lord Byron's epic poem, "Don Juan," Stanza 199 - "Alas, the love of women! it is known To be a lovely and a fearful thing."
- GoofsAll entries contain spoilers
- Quotes
Prosecuting Counsel: Who knows what a murderer should look like?
- ConnectionsReferenced in Just William's Luck (1948)
- How long is Take My Life?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Take My Life
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 19 minutes
- Color
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Je cherche le criminel (1947) officially released in India in English?
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