Le Suspect

This is one of my favourite Charles Laughton movies. Playing a mild mannered man, very much loved by his peers for his gentleness and kindness to all around him. The only problem is his home life. The mother of his only son is a sour, vicious, complaining woman who doesn't want anybody to be happy including herself. She drives her son away from the family home and finds out that her husband (even though he's not sharing the marital bed) is having romantic liaisons with a young woman who recently enquired about employment as a "typist" wasn't much heard of in 1902, the year in which this is set. I totally understand why he has to do what he has to do and not the deed itself. You'll see for yourself the dilemma he has to face and may understand why I feel what he has done isn't really that bad.

The Suspect is directed by Robert Siodmak and adapted to screenplay by Bertram Millhauser and Arthur T. Horman from the novel "This Way Out" written by James Ronald. It stars Charles Laughton, Ella Raines, Dean Harens, Stanley Ridges, Henry Daniell and Rosalind Ivan. Music is by Frank Skinner and cinematography by Paul Ivano.

In 1902 Edwardian London, unhappily married shopkeeper Philip Marshall (Laughton) meets beautiful Mary Gray (Raines) and a tender friendship begins to form. But once Philip's wife discovers what is going on she threatens him with exposure and scandal, forcing Philip to take drastic action...

How delightfully off, that a film that features a wife murderer, an alcoholic wife beater, and blackmail, should be so restrained and actually beautiful. The Suspect in principal is about a decent man pushed to do bad things by his awful life, a man who then finds hope springs from a most unlikely source. The moral shadings here are most intricate, Laughton's Philip Marshal is a completely sympathetic and fascinating character, and so the makers deftly toy with our perceptions in the process.

There's no mystery element to drive the story forward, we are only really left wondering how the finale will play out. However, the lack of mystery is not a problem, for the astute and wily Siodmak has a keen eye for suspense and he knows how to use gaslight interiors and foggy streets to represent the psychological turmoil of Philip and his life that's now drastically changing. Murder as justifiable homicide? Ridding the world of bad people is OK? Rest assured that this is far darker than it appears on the surface.

Brilliantly performed by Laughton and Raines, and mounted with great atmospheric skill by Siodmak, The Suspect is a little seen gem waiting to be found by a wider audience. 8/10

I'm converted to the YouTube cause. If it wasn't for YouTube I may never had seen this jewel, with a performance by the extraordinary Charles Laughton that is nothing short of magnificent. The tenderness of the man! Director Robert Siodmak creates a perfect noir without low blows or gimmicks. Ella Raines is lovely as the object of his affection and Rosalind Ivan is priceless as the awful wife. The last shot is pure Laughton and his personal struggle for integrity. Loved it.

Charles Laughton's son moves out of the house, and Laughton moves out of the room he has shared with his wife, Rosalind Ivan. She's a shrill shrew, and he's glad to have a couple of doors separating them, except when she has at him in the halls and downstairs. He begins an innocent relationship with Ella Raines, but calls it off when his wife refuses to give him a divorce. That, however, is not enough for Miss Ivan. She has found out about Miss Raines, and she is going to make a public spectacle. So Laughton kills her.

Matter improve immensely, and soon he has married Miss Raines.... and a good thing too, because Police Inspector Stanley Ridges concludes that Laughton is a murderer. The only problem -- from Ridges' perspective -- is he has no proof.

Robert Siodmak's turn-of-the-century thriller has the advantage of several fine actors: not only Laughton, of course, but the under-rated Ella Raines, with Rosalind Ivan as a nasty piece of work. Nastiest of all is that expert in cold-featured evil, Henry Daniell. He's a decayed aristocrat who beats his wife, doesn't work, sneers at everyone and blackmails Laughton. No wonder meek and kindly Mr. Laughton is driven to murder!

Unhappily married to bitter woman who refuses to divorce him, an aging Londoner is eventually driven to kill his wife; he succeeds in staging the death as an accident, but a rugged detective declines to let the matter go in this Robert Siodmak thriller. The film features some great directional touches, such as how Siodmak refrains from showing us the murder, instead leaving everything implied by the protagonist simply grabbing a cane and looking up a staircase in deep thought. What really makes the film work though is Charles Laughton's measured lead performance. Through the gentlest of eye movements and subtlest vocal inflections, Laughton manages to render his character so human and down-to-earth that it is easy to root for him throughout, even when he commits unspeakable acts. His battle of wits with the detective are very good too, with Laughton positioned to bluntly state "why don't you arrest me?" after being hounded so relentlessly by the policeman. The supporting cast is not quite up to Laughton's level, with Rosalind Ivan very one-note as his wife in a performance that only requires her to be shrill. The film is also rather slow to warm up with around half an hour elapsing before the murder. Once the film gets going though, it never lets up. It is simply enthralling to watch and the suggestive final shot provides a pitch perfect note for the film to end on.